Reginald Joseph Noel grew up at a time in Haiti when talk of deforestation wouldn’t be the norm for a few more decades. He enjoyed great summer vacations on the countryside of Haiti and loved the serenity of woods, trees, and forests. Noel left Haiti for the United States in his youth to go study in New York. Initially, he was set to go in the dentistry field, but left New York for Miami, where he earned a Business Administration degree from Miami Dade College.

So much for a career in dental medicine. Mentally, Noel had detoured towards his love for nature, and more importantly the preservation of natural things in Haiti, like forests.

Noel returned to Haiti—where he currently resides—and founded Les Biocarburants d’Haïti in 2006. In addition to creating jobs in rural Haiti, the company is changing the way many see alternative energy in Haiti. Besides running Les Biocarburants d’Haïti, the environmentalist owns a car body shop. He also serves as a biofuel consultant to firms and organizations in Port-au-Prince.

Above: Reginald Joseph Noel sits in his office in Port-au-Prince, holding up a bottle of biodiesel fuel that his company Les Biocarburants d’Haiti produced.

Q&A

At which point, did you have the idea to launch a company like that?
It was by pure hazard that I became accustomed to renewable energy. A customer while waiting for his car at my shop mentioned the word” biodiesel”. I did some research on the subject and started with the help of my wife to experiment in our kitchen at home. The first try was not successful and we worked for weeks until we obtained something that looked like the pictures we saw on the internet. Once we had produced three gallons, we had to test it; my wife had a brand new car then and it was not the first choice! We put the fuel in my pickup truck…I live about 15 miles away from my workplace; she was monitoring me throughout the journey to make sure the truck wouldn’t stop! From that day on, this truck has been running on straight biodiesel—B-100.

When you started this company, you no doubt came across some skepticism. What are some of the biggest challenges you’ve had to overcome?
Fear not failure. One must have the strength to follow his or her dreams. At the beginning, most people I talked about making biodiesel in Haiti did not believe it was possible. Soon after that, with the support of family members and friends, we decided to launch the company. We began collecting used vegetable oil from hotels and restaurants in the metropolitan area of Port-au-Prince, and thanks to a grant from the WINNER project funded by the USAID, we set up two experimental farms on 50 hectares and employ 125 people.

There’s always been this talk about deforestation in Haiti. What have you observed?
In 1924, Haiti was 60% covered with forest. Twenty years later, it went down to 20% and today we have less than 1% of forestry—which translates into chaos each hurricane season or during the rainy season of April to October. Last year, we cut 40 million trees to satisfy 75% of our energy needs in term charcoal and we are not planting any. As the local population is growing at an alarming rate 2.5% per year, we will need more charcoal. This has got to stop. It is easy to shout stop cutting trees, but what alternatives do we offer the charcoal workers to provide the basic to his family? Wood is a renewable energy. We need to set up nurseries and farms to have a constant source of such raw materials.

Do you have any counsel for other ecopreneurs, aspiring or otherwise?
Yes, renewable energy is a broad field where there is room for several other entrepreneurs. Let us take the plant that I am working with: jatropha curcas known here as “gwo medsin”. The oil content is thirty-five percent; there is ten percent humidity and the remainder is a rich seed cake that can be transformed into organic fertilizer, animal feed, briquettes to substitute [for] charcoal. There will be a growing need for chemists, nutritionists, industrial mechanics and engineers, welders, plumbers etc. We import on a daily basis two million eggs from the Dominican Republic. This seed cake can be a local and affordable source of animal feed such as chicken, tilapia and with one stone strike two birds—food and energy security. Solar energy still has a lot potential in Haiti and wind power is underutilized. The northwest of the country has a potential of 150 megawatt in wind energy. I wish my fellow Haitian-Americans would come visit, and invest in this field in order to develop our motherland. Energy is a key factor in development and is a lucrative market.

For those of us who are not too sure about biodiesel is, can you define it for us in lay folk term?
Biodiesel is an alternative fuels to petro-diesel made of vegetable oil or animal fat which can be used in any diesel engine such as tractor, trucks, boats, generators without any major modifications. It is cleaner than petro-diesel. Haiti has 600,000 hectares of dry to arid land which is perfect to plant gwo medsin without interfering with traditional agriculture. We decided to use this plant as our raw material because of [its] resistance to drought, its long life span of 30 years. But it does requires some care during the first two years. Gwo medsin has always been part of the Haitian farmer rituals as protective barriers from goats and other predators because the leaves contains a toxin that prevent them from being eaten by animals. Most of us who grew up in Haiti can remember the cuillère of huile—[spoonful of oil]—medsin we used to receive as laxative!

Above: Workers at a Les Biocarburants d’Haiti at one of the experimental farms in Haiti.

What are the benefits of using biodiesel?
One, we import 13 million gallon of diesel from Venezuela every month through the Petro-Caribe treaty. Haiti pays 40% of that fuel cost 60 days after the delivery. The remainder will be paid 20 years later at 2% interest rate which will be a hefty load to the future generations. We must start thinking of ways to reduce this burden which sums up to half a billion U.S. dollars per year! Why not try to produce 20% of the energy we need over the next ten to fifteen years? Two, biodiesel emits 70% less CO2 [carbon dioxide]. It reduces metal friction inside the engines which prolongs the life of any investments. Three, planting jatropha to have the raw material for biodiesel production will also create jobs in the rural parts [of Haiti] and reduce the flow of migration to the big Haitian cities. I am currently the Project Manager of a study funded by the IADB’s [Inter-American Development Bank] local branch and the OAS [Organization of American States] on the work on the legal framework for biofuels in Haiti in order to set some rules and standards to that industry.

You have a degree in Business Administration. Did it help you get to where you are?
Yes and no. Yes, academically speaking I was prepared No, because most of what I have learned in business was on the field. Books and articles are filled with information but are lifeless!

Initially, you dropped out of a dental program, to pursue the auto-mechanic trade.
As far as I can recall, I was curious. I used to break my toys and my younger brother’s the day after Christmas to see how it works and was agile with my hands. I have always showed interest in the field of mechanics, but it did not please my mother at all because the Haitian mentality to be successful one should only be lawyer, medical doctor or engineer! I did enroll in a pre-dentistry program at New York Tech in the Fall of 1983. My heart was not and was never in it—realizing that I would have been miserable the rest of my life doing something I did not like or pretending to be someone else just to please someone. We are eight in the family. Six of them are in the medical fields as physicians and nurses and psychologists. I am very happy and proud of myself even though there are long ways ahead and I’m seeking more challenges.

Reginald Lubin is one of the most-loved actor-directors in the Haitian movie business. He’s known as the man who juggles multiple personas and does it with ease. There’s Reginald Lubin the writer and screenwriter as in Pouki Se Mwen, the drama about a college student who gets infected with AIDS. There’s Reginald Lubin, the suave and debonair leading man in La Peur D’Aimer and Vanités, Intrigues, Passions, and finally there’s Reginald Lubin, the refined actor in La Rebelle.

So which Reginald will we see in Kite’m Pale, his newest film? From the look of things, it won’t be the suave and debonair leading man, but the behind-the-scenes multi-tasker. Lubin had publicly stated that his next film would be entitled Lyse. It’s not made clear as of yet whether this Kite’m Pale project is Lyse retitled, or whether Lyse was given backburner status in favor of this new flick.

In any case, with the exception of veteran actress Hughette St. Fleur (better known as Madame Seraphin in Arnold Antonin’s film Piwouli et le Zenglendo, though she also has roles in Alelouya, Le Miracle de la Foi), the entire cast of Kite’m Pale are newcomers, among them Camise Delia, a promising young talent, along with a host of new generation young actors based in Haiti. This latter move will no doubt be appreciated by Haitian movie fans, some of whom are always bemoaning the fact that the same faces tend to be cat in movies, over and over, and over.

Kite’m Pale is in the same vein as La Peur D’Aimer and Pouki Se Mwen, two films that were crafted by Lubin to raise awareness about teen pregnancy and AIDS respectively. Not surprisingly, GHESKIO, a 30-year old organization with a humanitarian mission, is one of the primary backers of the film. One of the admirable things about Lubin’s cinematic works has always been his tendency to weave social issues within his films to the point where viewers are convinced that they are watching a simple fiction film, but in reality they are being served with some poignant social messages. Kite’m Pale touches on everything from domestic violence to sexual and verbal abuse in Haitian society, and apparently is very Lubinesque.

Some will welcome the film, while wishing he were a featured actor among the cast. Lubin’s last role in La Rebelle, demonstrated more than most films that he had done, of what he is capable of as an actor. Of course, he’s come across some criticism, mainly that his roles tend to be an extension of himself. “Reginald Lubin always plays the doctor, the lawyer, the professional man,” is an oft-repeated psalm about the actor. It will be interesting to see how the film measures against Lubin’s past work. Hopefully, Kite’m Pale is swiftly followed by another film from Lubin, and presumably one that showcases his talents as an actor further.

Reginald Chevalier is akin to artistic village griot who’s got scraps of wisdom to share in just about every creative field. He knows because he’s been there. He’s been the prominent, pretty face in international modeling campaigns. He has been on movie sets as actor, filmmaker and producer. He is the owner of CUE3 Group, his own entertainment production company based in Los Angeles, which consists of a film unit that’s devoted to developing new projects.

Chevalier holds a Film Production degree from Columbia College Chicago and throughout the past decade, in addition to his involvement in feature films, he’s done endless public service announcements for everything from environmental to social, and health causes.

Q & A

Tell us about yourself.
I’m such a private guy that I shy away when I get asked that question. But for Kreyolicious I will make an exception. I was born in Haiti and grew up among five siblings. I‘ve had a very normal and happy upbringing. After kindergarten, my parents enrolled me at the College St-Martial where I did my high school. Looking back, I think that my career in filmmaking was inspired by the education I’ve received while being a student there. The fact is, all the catechism’s classes were given through audiovisual, which I found fascinating back then. As a kid growing up in Haiti, I enjoyed going to the movies anytime I’d get a chance, and always dreamed of being part of that magical world. Right after high school, I immigrated to the states in order to attend College. I attended a two-year College where I took languages and computer courses.

After graduation, I decided to move to the city of Chicago and went to Columbia University for filmmaking. That was also the beginning of my modeling career. After two years, I quit school in order to concentrate mostly on my modeling and acting career, since I had to travel so much for work and for a long period of time. In the process, I’ve got the chance to see the world and meet so many wonderful people.

Ten years later, the Chicago bitter winter cold was getting the best out of me. So, Los Angeles was inevitably my next destination. I wanted to be where the action was. Hollywood was definitely the perfect place for me t o be because my dreams of being in the movie business would eventually come true. My acting didn’t really take off the way I wanted it to, but I had some great experiences and got to work with some great producers and directors in Hollywood. I eventually stepped behind the camera and end up producing many feature films and a few shorts. After thirteen years in Hollywood, I suddenly had the urge to go back to my country and share my knowledge with my Haitian brothers and sisters. The movie La Rebelle became my first project that was appreciated not only locally but also by an international audience.

Afterward, I was drawn into directing documentaries, which I still enjoy doing to these days, maybe until I’d got my hand on a script for a feature film that could captivate me to the point where I would drop everything else and dedicate my entire self to it.
As far as my personal life is concern, I’m engaged to a very special and wonderful lady and expecting my first child. Like they say, it’s never too late to do the right thing.

You have begun your career in show business as a model. How did you get a start in that arena?
That’s true. I got a taste of show business by starting my career in modeling, but strangely enough I wasn’t pursuing it until I got discovered by chance in 1984. While I was living in Chicago, a friend of mine, who was a model, invited me to take a ride along with him to his agency. He then introduced me to his agent who immediately took an interest in me. Even tough I wasn’t ready for that kind of adventure, she convinced me to bring her a couple of snap shots in order to submit them to an ad agency. Two weeks later, I was shooting my first magazine ad spread for Ford. It was such an overwhelming feeling and even more so when I got my first paycheck modeling. I said to myself, “All that money for a couple hours of fun. I’m in!” The next step was to get a portfolio and get signed by some of the best agencies from Chicago, New York then Miami, which I did. I can say that it was the best experience of my life. I got to travel all over the world and met some wonderful folks. I believe that modeling was the pathway to my film career, first as an actor and then as a filmmaker.

What’s your advice to aspiring actors?
If you ask any successful actors how he or she made it in the acting business, you will get a different answer every time. Nevertheless you’ll find out that they all have two things in common: Passion and perseverance. Too many people think that acting is easy. Just like any art form, acting is a craft and must be mastered. If you’ve always wondered how to become a film or television actor, let me share some basics steps you need to take, which will help you treat your acting career as a career and not simply as something you choose to do for fun; no matter what type of acting you decide to pursue.

Although building a career in acting is extremely rewarding, finding work can be a challenge. The profession requires great commitment as any other regular job and you need to have the patience to wait for the big break. With all that said, if you’re willing to put in the time, training, dedication and patience required to make it in Hollywood, then this is what I would suggest: The very first thing you need to do and it seems like a given, learn how to act. In Hollywood, the best actors understand this and no matter how far they have come in their careers, they are constantly looking to improve upon their craft. So, for you, it’s imperative to take a wide variety of acting classes and try many styles. Work with as many different groups of people that you can find and with different acting and dialogue coaches; or simply join a community Theater group—they’re usually free. Better be prepared for whatever roles come your way. Improvisation Theater is another skill that most actors that I’ve worked with count on in a time of need. Improv is one of the few styles of acting where you have absolute freedom to discover your range as an actor. So, where you can find an improv class, consider adding it to you repertoire. After a few years developing your craft, you will feel that you’re ready for the big time. Hold it! Not so fast. It doesn’t come that easy, unfortunately. You will need to identify your strengths. Many “acting resumes” will require you to know what skills you have, such as accents, special abilities or impersonations. Expand these talents as much as you can so that you appeal to a wide range of casting calls. For example, being able to sing, dance and do a British accent that could open the doors for you.

The next step is having a great headshot. It’s your 8×10 calling card to casting directors. It needs to look exactly like you in order to get cast for the right parts, when going for casting calls. Before you arm yourself with a strong résumé of the work and experience you have acquired so far, your best bet is to network extensively. You need to be approachable and build your reputation as a professional with whom others like to work. The people in your network can connect you to available jobs and can provide you with valuable insights about the business. In the meantime, start sending your headshot and résumé with a brief cover letter to all the casting directors and agents in your area. Follow up with postcards every four to six months, updating them on your current acting projects. Therefore, give yourself the best chance at success by following these simple rules on a casting call and you’ll quickly find that, you’re already ahead of the game and you widen your chances to get the job: Learn your craft, never be late, make sure your headshot is accurate, know your lines, never rewrite your lines, listen to directions, commit to your reading. And remember, always be nice to everyone you cross in your path, you never know who’s who in Hollywood!
Don’t lie to yourself! Success as an actor won’t come overnight. There is a bunch of competition and loads of rejection in store for you. Look at this as a journey and you’ll be fine. Use the character traits you’ve discovered to get yourself working. But continue to explore new facets of your person. You will find that everything you learn in the acting realm will be put to use someday. The happiest actors are the working actors, even though they’re not getting paid for it, yet. Every experience is a great experience. So, spend less time seeking out an agent and more time seeking out acting opportunities for yourself.

From small plays to student films—you’ll be happily surprised how many seemingly insignificant opportunities are the ones that make your entire career. It won’t hurt either to read the trade papers like Backstage and Dramalogue. You’ll stay up on the happenings in the industry and find lots of casting opportunities. Now, here comes the tricky part, New York and Los Angeles are where most of the casting directors work and live. Also, many of the shows that are shot in any major cities within the world, are still cast in L.A. or New York. So, If you happen to live in a different city besides those two places, it may be wiser for you to move there to pursue your acting, keeping in mind that it is where most of the action is.

If you don’t have enough saving for the journey, you may have to get a loan from your parents or best friends, since looking for acting jobs and acting should be your full time job. Otherwise you’ll get stuck as a waiter at the Daily Café forever. The closest you’ll get to acting is serving coffee to some famous Hollywood actors or film producers, having breakfast there. Maybe, once in a while you’ll be offered a gig as an extra in a “B” movie. You must prepare yourself both mentally and physically for all types of challenge. Even actors who make millions of dollars per picture still must “work” to earn their keep. They are on location for months at a time and every day they commit themselves, both emotionally and physically to their roles. It can be extremely exhausting and strenuous, so you need to be in decent shape. Exercise!

I think that’s enough to get you going. On a nutshell, the best way to become a respected actor is to start acting like an “Actor”. Be a professional in how you prepare yourself, look at yourself and treat your career the right way. And before you know it, agents, casting directors and audiences will begin to see you as an actor, too.

And to aspiring models?
Becoming a model can be a tricky business, because it’s all based mostly on physical look and appearance. Besides, you don’t get up one day and just decide to become a model and there’s not such thing as a school that can teach you how to become one. They’re usually rip-offs and scams. So, I would suggest that before you go and throw away your hard earned money, have a photographer friend take different snap shots of you and bring them to a modeling agency in your city. They will be honest with you and tell you exactly what to do. A good agency won’t ask you to pay them in advance for representing you. A modeling agency’s number one purpose is to find the model work. They thrive as the model’s representative or agent. As an agent they seek and negotiate contracts of employment for the model or talent who’s an independent business. That’s the reason they only take a percentage of what the model makes—ten to twenty-five percent—depending of the type of work. Modeling agencies can be found in every major city in the world but New York City is the number one for models. It is the heart of the fashion and advertising industries in the United States, which leads to a high demand for all types of models. When an agency sees someone who has potential or someone who satisfies the demand, they will invest in that individual to get him/her ready for the market. These top agencies will help train you, get you test shoots, layout your portfolio, and put together comp cards and other printed materials you need. They take care of finding you work, booking the jobs, bill for the jobs and eventually cut a check for the work you do. Once you are in an agency like this, all you have to worry about is following instructions and modeling.

As a professional model, you cannot be shy and reserved, because you will be constantly meeting new people and walking into new situations and performing before strangers every day. You need to handle new experiences, challenges and interactions with other talents. Otherwise, you won’t last too long in this business. Besides the outgoing personality to be a model, needing the physical requirement is a must. Professional modeling is a tough business and takes a lot of hard work and stamina. A photoshoot or fashion runway can run as long as eight to twelve hours and at all times of the day and night. And at the end of the day you still have to do all the stuff needed to keep you in shape and looking beautiful. You need to keep your charisma, your charm, and your sex appeal up at all time. Your main job is to sell yourself and the product you’re representing. That’s why it’s also imperative to be in charge of you, since your look and physical appearance are your assets as a professional model. This includes your training, your physical upkeep. You need to be able to control your health—size and fitness—your body for posing and your emotions for acting them out, and your life so you show up on time all the time and keep track of your schedule. Needless to say, you have to be in good health by working out and eating right. So, hire a professional personal trainer and a nutritionist.
The more you work and becoming widely solicited, the more you earn. Then, you need to learn about surviving in a big world of sharks, while your modeling career becomes your personal business. As any other businessperson you must be able to take charge of your professional practices and finances. Therefore the support of a professional accountant is a must for money management. A great lawyer can also be used, both as an advisor and a personal manager, especially when it’s time to sign the big contracts. Last but not least: Stay away from any kind of drugs! I met so many wonderful models that fell into that trap and lost a promising career over it.

And to filmmakers?
Most famous filmmakers will tell you that their passion for filmmaking started at an early age, with a small camcorder they’ve received as a gift, making movies of their high school parties and friends, but some really learn their craft working on the sets of well-known directors starring from the bottom; sometimes as a Production Assistant on a commercial. They eventually work their way up as an Assistant Director on a Documentary, a TV production, or a short film. A great filmmaker tends to wear many hats. He’s usually a writer, a producer, a casting director, a director, a director of photography, a film director, and an editor, all at once. Although, film school is a great way to jump-start a sense of film language, filmmaking is usually on-the-job training lifetime experience. I know a lot of very talented directors who learned by just doing it; nevertheless, having vision and a good sense of story is invaluable. Like everything else in life, there are some essential steps to follow on how to make your dreams come true. And the facts are clear. To be a successful filmmaker today, you need to have complete confidence in yourself, an unshakable faith in your talent and ability – and some very good luck. But faith, talent and luck won’t take you all the way – you also need to have the knowledge of what is expected of you when you begin preproduction, when you step on the set, and when you are in the editing room. Basically, the director is the artistic head of a movie. There are three main phases to the job of directing a movie.

Pre-production in many ways is the most important part of the process. It’s where the ideas of a film are translated into a kind of game plan, both from an artistic angle–casting, shot selection, style, color schemes, etc—and a practical logistic—scheduling, locations, etc. In many ways a movie is made or broken in pre-production. In other word it dictates the outcome of the final product.
Production is probably the phase most people associate with directing. Being on set, calling “action” and giving notes on performance and shots. This phase often feels like trying to paint a picture with a hundred people standing behind you screaming, “Hurry up”! It’s very stressful and very exciting at the same time. Some days are truly souls crushing and some days you just feel electric.

Post-production – Often the longest phase of making a movie, and in many ways the most gratifying. This is where you assemble all the parts into something that feels like a movie. The director sits with the editor as the movie is put together and finessed to hide all the ridiculous mistakes the director made on set. Then sound effects are added and mixed, the color is corrected and visual effects are laid in. The director oversees all of this—but doesn’t actually have to be able to do any of it himself, which is very convenient.
Film festivals are a great way to market and sell your film when it’s done. In many ways, they’re the gatekeepers to the industry. The attention will come in time if you just keep doing the work and not taking “no’s” for an answer. I believe that.

If you are looking to break into Hollywood, the first thing you need to do is create something that will get you noticed. And the good news is, things got much more easier than before, thanks to YouTube and other social networks. You can start creating contents and uploading as much as you want. In the event your video goes viral, you can rest assured that many people will re-post your video on their sites. You will want to make sure they have a way of getting back to you. Finally, your goal is to get into the habit of continually producing content. Think about something interesting and funny. Make sure the run time is anywhere from thirty-seconds to two-minutes. Anything longer and you run the risk of losing eyeballs. As a filmmaker, figuring out how to make a movie can be challenging. There are a lot of elements that must come together to provide for a smooth filmmaking process.

Here some of the steps I’ve taken when we were making the movie La Rebelle in Haiti, in 2005. I think this was the key to our success. Read and study everything you can about the filmmaking process. Also study Internet marketing.
Read and study everything you can about the filmmaking process. Also study internet marketing. Write or acquire a screenplay you want to produce.

Do an initial breakdown, schedule and budget for the cost of the project and find out if there’s anything you can get for a discount, or free, or barter. This will be one of the tougher parts of the process, but it will make the movie possible. Assuming you did get the money, pick a date for production. Hire a lawyer to help you with contracts and releases. Finalize your script. Get it to a point where you aren’t going to keep changing things. Once you get to this point, consider it a locked script. Number your scenes and then break down your script, grabbing each element, location and character. Create a schedule. From your schedule and breakdown, create a final budget. Hire the right people—producers, assistant-producers—to help you get organized. Make sure they share your vision and they want to make the movie a success.

You may already know some talented actors interested in your project and working with you. Once you have all of your actors, you will want to find a location for a table read. Go through the script. It’s time to take some notes for final tweaks, keeping in mind that anything you change in the script also changes the budget and the schedule. Next step should be locations scouting. Make sure you get different options in case one doesn’t work out as planned. For Marketing purpose, create a website specific to your movie. Make sure you have a way to get site visitors on your mailing list. Have a place for press, so that they can download your press kit and materials. As you get into production, you will be able to add a movie trailer. Find some good Craft Services for food and catering. Make sure you have all of your permits, releases and location agreements. Make sure you have adequate insurance for your movie.

Once you have all the above stuff checked off the list, you’ll want to meet with your producers and make sure everyone’s needs are being met. Start shooting. Make sure everything goes smoothly. This goes without saying, but don’t be a jerk. You’re making a movie. It’s a real accomplishment and it’s one of those great things you can do in life. In fact, it’s quite awesome. Shooting is over. Everything is in the can.

You’ll probably start editing the movie. I suggest sharing the edit suite with another set of eyes. Screen it with a group of people who have never seen the movie. Get feedback. Take the feedback and refine your edit. Refine and refine again. When you have a cut you’re happy with, then you can begin to plan your next strategy. A distribution plan for the movie. You can take the festival route, send it directly to sales agents and acquisition pros, and post the trailer directly to some social networks. The purpose of your site is to get people to watch your movie and secure a great deal by selling your movie. Filmmaking is a risky business, full of unknowns and you should never sugar coat the potential risk involved in this business. Have fun and may your dreams come true!

In the film La Rebelle, you played a father of a young woman who died of a drug overdose. What do you think the entertainment community should do to discourage the abuse of drugs among young people?
In 2004, I was living in Los Angeles producing feature films when one day I got the urge to go back to Haiti and shoot a movie there. None of the scripts I have yet read got my interest, until I got my hand on one that depicted the story of drug abuse among Haitian youth. I thought this would be an important subject to be tackled, since it was becoming a cancer inside the Haitian society and the youth stood the most vulnerable of them all. Being a Hollywood insider, I witnessed first hand the devastation that the drug epidemic created amongst the most fragile and how the movie industry and the media tried to deal with it by exposing it into films. That’s exactly what we tried to do in La Rebelle. It became a hit in the Haitian community because the message came through, but in a fun way. If we saved one person from drug addiction, I think we’ve done our job. In the meantime, the work is not over yet. We need more entertainers and leaders willing to play their part by encouraging young people to stay away from drugs and live a healthier life. Besides their parents, we’re their biggest influence.

What makes a great film?
This is a great question, but hard to answer, for the fact that it’s relative to each and every individual watching a specific type of film. To some, a movie can be the best experience they never had, while it can turn into the worst time spent by others. Personally, I can tell a film is great after the first five minutes into it. Besides having great actors a movie needs a great story plot to move you and captivate you. As a film director, I rather dissect a movie while I’m watching it, which mean I try to find out all the techniques used not only by the director, but also by the Director of Photography, the lighting crew, the special effects, etc. and watch it over and over, finding— every time—different clues.

When was the last time you went to Haiti?
I still live in Los Angeles, but since 2006 I’ve settled in Haiti because of the many film-documentary projects that I’ve been very fortunate to work on. It’s also a great pleasure to witness the evolution of filmmaking in Haiti and the growing number of young and talented technicians excelling in this field. We just need to revive the movie industry by not only supporting them but also by having an output with the opening of movie theaters throughout the country.

What’s next for you in term of projects?
I have a few movie projects in perspective, but I have to put them in the back burner for the moment because of a lack of movie theaters in the country, but my partners and I are developing a few show series for Television. We’re also producing more documentaries and commercial.

Do you think it’s a must to formally study acting?
You’ll be surprised to find out that a minority of actors never stepped foot in an acting class. I guess they were born with this talent. Nevertheless, The best actors you see on screen had received some kind of training throughout their lives. Many of them started as theater actors. One would definitely benefit from studying acting, unless you just want to consider it as a hobby.

In the early 2010s, you made the revelation to the press that you and Oprah Winfrey had been boyfriend and girlfriend. Do you have any regrets about making that revelation?
Well, I never regret anything in life. Actually, I never intended to have it come out in the tabloids like it did. I had a one on one with an author who leaked it to the press. Some people said that I tried to make a profit from making all this up. I can proudly say today that everything written is the truth and didn’t receive a penny from it. That’s why I don’t feel bad about it and still have my dignity intact.

What does the A stand for in your name?
Awesome! Just kidding. Antoine.

Did you know that Reginald means “ruler” and topped with Chevalier, meaning knight or gentleman? Do you feel like you have to live up to your name?
Actually, “Reginald” comes from the Latin word Regis—Regi, which means “king” or “ruler”. I’m not sure if I really live up to my name, it depends on whom you ask, but I definitely like to be in charge and run things my way, while being a gentleman doing it—if that makes sense.

What are you most proud of?
I’m proud of all my accomplishments because I know that my mom would be proud of me if she were alive, but I’m mostly proud of the fact that I was able to come back in my country and do what I love the most. Ten years ago, that was the last thing on my mind.

Do you have any Haiti-related projects in the works?
Yes, many. I will keep you posted as I turn them around.

Photo Credit: Photos provided by subject.