Teen singer Julie Marie is like most 12th graders who are home-schooled, except that, well, she spends her weekends doing the most interesting things. Like performing “Haiti Girl” in front of fans at BET Experience, and being interviewed by MTV. Interesting things, as in performing in stadiums around the nation, opening for the R&B/pop group act Mindless Behavior. Born in New Hampshire to an American mom and a Haitian dad, the singer-songwriter has already released her first EP entitled “The Movement.” And it’s her voice behind the Generation Z love anthem “Generation”.

Kreyolicious: First off, how long have you been singing?

I’ve been singing professionally for about two years now. But I started singing in church since I was 9 years.

Kreyolicious: While you were singing in church, did you find yourself struck by the voices of any singers in particular?

When I was about 10, I went to my first concert, and it happened to be Alicia Keys. When I saw her up on stage doing her thing, I was star-struck. After the concert, I even got braids in my hair. That was the moment I knew that this is what I wanted to do. I wanted to be on stage and have everyone looking up at me singing along to my songs.

Kreyolicious: Where was this—what venue?

Boston. TD Garden.

Kreyolicious: What was it about her and her singing?

I think it was just the way she carried herself. When she was on stage, she was just having fun doing what she loves—and you could see it in her eyes.

Kreyolicious: You were born and raised in New Hampshire. What was that like?

It’s most definitely different from L.A…The lifestyle there is very homey and everyone is family- orientated. Everyone cared about you basically. It was a culture shock moving to L.A…because you already know the industry…and for me the way I was raised was way different from the the lifestyle here.

Kreyolicious: Do you think you’ve fully adapted at this point?

To be honest…No. I don’t think anyone could adjust to it. It just really important to keep yourself grounded with good people and always remember where you came from. That’s how I go about everyday.

Kreyolicious: This past weekend, you had to do two shows. How do you keep your energy up when you have back-to-back performances scheduled?

I love it! I love performing! I don’t even get nervous! it’s crazy. If I could perform back-to-back shows everyday that would be amazing! But when it comes to getting tired, I keep my Takis, Monster, and Kool-Aid close by.

Kreyolicious: What do you usually do to prep for a show?

Right before a show I eat Takis. It’s kinda become a tradition for me. Then, my dancers and team turn up and dance backstage and pray right before we go on.

Kreyolicious: So, you’ve already recorded an EP entitled “The Movement”. Can you discuss putting it together?

The processes of making “The Movement” was amazing, but also a bit stressful. I love being the studio. I could be there all day—everyday. The only hard part so to say would be choosing what songs would make the EP.

Kreyolicious: Did you have a lot of songs to choose from? And how did you determine which to include?

Not a lot. The team came in and we listened to the songs and it is just about choosing hits. “What will the fans love?” is the questions you have to ask yourself.

Kreyolicious: Did you write all of the songs on the EP?

I co-write my songs with my producer. I keep a journal with me everywhere I go, and I write about how I feel about certain situations going in my life or something that I see. And then when I get into the studio, we turn it into a song.

Kreyolicious: That’s awesome. I think it’s always nice when a performer can also create their own material.

Exactly…It’s more real. The artist connects to the song more.

Kreyolicious: How long did it take for the actual recording of the album?

From start to finish…about eight months.

Kreyolicious: Oh, wow…I think it’s pretty cool that you have a non-profit foundation. What made you start it? And what’s the latest with it?

Thank you! I started when I turned 16. Being half-Haitian and hearing about the earthquake, I wanted to do something about it. For my sweet sixteen, instead of having presents, I had everyone donate towards my charity. Then in July [2013], I went to Haiti for about a month and just gave back. It was amazing to be there and see how they live. It really opened my eyes and made me a lot more grateful for what I have.

Kreyolicious: That’s cool. Was that your first time going to Haiti?

Yes, it was.

Kreyolicious: Going back anytime soon?

I’m planning on going there and doing a concert. I’m very much looking forward to it. My song “Haiti Girl” is going crazy over there so I can’t wait to go back.

Kreyolicious: What were your impressions of the country?

I love how everyone is family…like literally everyone [Laughter] the whole town is your family! I love how everything is so chill and you can just relax and crack some jokes on the beach.

Kreyolicious: What part did you go to?

Port-au-Prince briefly. Mainly Les Cayes and Port-Salut.

Kreyolicious: Do you know Creole?

Yes. Fluently. My grandmother taught me when she came to the US when I was 4.

Kreyolicious: Your parents moved to Los Angeles to support your career, so obviously they approve of your career choice. What’s the biggest lesson they’ve taught you?

The biggest lesson they’ve taught me was to remember where I came from.

Kreyolicious: Speaking of where you came from…where do you want to end up in your career?

L.A. I plan on staying here. Eventually, I want to move to England for a short time, but as of now, L.A.

Kreyolicious: In terms of accomplishments…in terms of a full-length album?

I’m actually starting on the album right now…I’m on tour with Mindless Behavior and Aaron Carter so soon I am going to be doing my own tour and selling out arenas.

VISIT JULIE MARIE’S WEBSITE| FOLLOW JULIE MARIE ON TWITTER| BUY HER MUSIC ON iTUNES| JULIE MARIE ON YOUTUBE

Florida-based rapper Young Slay raps about overcoming adversity. He could spit rhymes on twelve albums about conquering tough times, and he’d still have material left. On the song “Manman”, he raps passionately about losing his mother. Laced between the bridges of the song are audio recordings his mother used to send to his father, when the latter immigrated to the United States. His voice shakes with unbridled emotion, as if he had lost his mother the night before. He raps:

Mwen sonje’w manman…
Zantray mwen ap rache…rache….rache…rachhhhhe
Si se pat pou move chans, mwen santi mwen pa tap gen chans…
Lèzòm tèlman enferyè
Yo koz ou antre anba tè
Anva li te lè’w

Even though I rarely talk about it
My insides are tearing, tearing, tearing, tearing up
If it wasn’t for bad luck, I wouldn’t be lucky
Folks are so wicked
They caused you to go six feet under
When it wasn’t even your time

The theme of forced separation and alienation are themes that permeate a great number of his songs. The song “Engra” (Ingrate) is practically a phone conversation between a nephew and an aunt who are separated by immigration. She lives in Haiti, and he’s abroad. She was his primary caretaker when he was little, but since immigrating to the United States they’ve gotten alienated. He seldom calls, and when a conversation finally ensues between the two of them, there’s so many wounds to nurse, so many things that should have been left unsaid.

Kreyolicious: So, how’d get the name Young Slay?
The name resulted from a sense of urgency. I was transitioning from a rap group to solo artist, and I needed a moniker. At that time, I was known as “Skinny”—close friends still call me that. However, the moniker was not marketable. I loved a Death Metal band known as Slayer, and since friends thought I usually “killed” tracks, I figured I’d call myself “Slay”. Then, I added the “Young” to it since it was the cool thing to do. I honestly hated it for a while until I justified it as, “To verbally kill, or literally die”.

Kreyolicious: What attracted you to hip-hop?
I was always into music. I knew that I wanted to be a rapper, and that was mainly due to the lavish lifestyle that was portrayed on TV. I grew up in a country of sheer destitution. I wanted more. I excelled at writing poetry, so the transition was not so hard. However, I made a genuine connection with music following an unsuccessful retinal surgery that left me blind in the left eye. At that time, I discovered the true therapeutic value of music. It was my main coping mechanism.

Kreyolicious: Wow…Is it easy coming up with your rhymes?
To level with you, it depends. I am a prolific writer and an avaricious reader so most of the time I can write with ease. However, there are times I experience writer’s block and I can’t come up with anything. Nada. Zip. [Laughter]

Kreyolicious: What does your family think about your career choice?
My family is very accepting with reservations of course (smile). In the Haitian culture, we know even some of the most successful musicians die penniless like Mozart. So, artistry is not really valued. It’s more like a hobby. We pride ourselves on social training—education. That being said, since I will be getting my Masters degree on Dec 13—-same day I will be releasing GKNM: Granmoun Ki Nom M—they are more accepting. They know I have a solid plan B that could easily be a plan A.

Kreyolicious: Do you tend to censor yourself a lot when you’re writing?
When I wrote the album Faces Got No Race, I did just that on every song. I did it again in R2KM: Rèd Kon Ke Makak [Stiff Like a Monkey’s Tail] on some tracks as well because I was walking on eggshells as to not offend too many listeners. But no human growth comes from that. I think the listeners can take care of themselves emotionally, so I refrain from doing that to a certain degree. It’s raw and uncut as to stimulate the mind. You can’t please everyone.

Kreyolicious: Out of all the songs you’ve written, which one do you feel capture the essence of you as an artist?
I think the track “Manman”—featuring Mona Jean Pierre—encapsulated me not only as an artist, but also as a sentient being. It symbolizes personal growth and finding closure with my mother’s demise. I shunned writing that song for years, because it was so intimate. It was tough deciding to put my mother’s voice on it. Luckily, when I released it, it resonated in the hearts of many individuals.

Kreyolicious: Sorry about your mom…What’s next for the youngin who slays?
There are many artistic avenues that I would like to explore in the near future. However, right now my priority is to release GKNM: Granmoun Ki Nom M on December 13. I am really excited about this project. I would like to thank you Kreyolicious for your time and the opportunity to do this interview. Please continue to promote our rich culture. Thank you.

Click the video below to listen to Young Slay’s song “Manman”.

CHECK OUT YOUNG SLAY ON YOUTUBE | YOUNG SLAY’S WEBSITE YOUNG SLAY ON CD BABY | YOUNG SLAY ON FACEBOOK

The word “versatile” is used to describe a lot of things and people, but it won’t be a waste to use it on visual artist and illustrator Marlie Decopain. She’s designed storyboards for Nike, Time Warner Cable, Coach, Dove, Prudential, and even a Ricky Martin music video. Her professors at the prestigious School of Visual Arts (from which she graduated) taught her well you might say. But as she explains during our interview, she was born into it, thank you very much.

Born in Port-au-Prince, Haiti, she immigrated to the United States when she was sixteen years old. She recently joined forces with the entrepreneurs behind the Haitian chocolate brand Askanya, and yielded a stunning design for their candy bar.

Kreyolicious: How did you become an artist?
I can’t say that I came to be an artist. Being an artist as always been a part of my identity. I’ve always loved to draw, and I drew all the time as a very young child living in Haiti as many young children do. But while some kids stop when they find new interests, I kept going. In my early teenage years a woman moved next door and told my parents that she was running an art school out of her home. Naturally my parents enrolled me. There, I continued improving on my drawing skills and also began painting seriously and exploring pottery. I was introduced for the first time to European art history and various drawing and painting styles. This is where I really got my foundation, in my neighbor’s home in Haiti. I moved to the US at 16 where my creative pursuits continued. I signed up for art class at the High School I attended and within the first few classes I realized that I needed more from the class in order to advance my craft. I spoke to the teacher and got moved to a higher level class. At that point I really knew that when it came to art there was no turning back for me.

Kreyolicious: People find it hard to grasp that visual creatives can experience blocks. But some do. Is that the case with you?
Yes, of course. I think any creative person can experience blocks. It’s part of the journey.

The wrapper design for Askanya, a Haitian chocolate brand.

Kreyolicious: How do you resolve those moments?
If it happens while I’m in the process of working on something I usually step away or put the piece aside and come back to it later or in a couple of days depending on my schedule. This allows me to look at the piece with fresh eyes and brand new ideas. If it happens before I even start, I typically turn to things that inspire me.

Kreyolicious: You attended and graduated from the School of Visual Arts. What were some of the most important things you learned while there?
Not only did I learn a new art form, but I learned how to be a professional. SVA sets high standards and demands a high level of skills and work ethic. I learned that being a creative isn’t the same as being a creative professional. Being a creative requires skills while being a creative professional requires that and much more.

SVA also taught me the importance of collaboration. While you might see your peers as competitors they can be great assets in building your career and your brand. Bringing your voices and skills together and cultivating one another’s strengths becomes an enriching experience for everyone.

Above: A storyboard Marlie Decopain designed for one of Nike’s campaigns.

CLICK HERE TO VISIT MARLIE DECOPAIN’S WEBSITE!

The Greater Washington Urban League along with the DC Commission on the Arts and Humanities were one of the first outlets to feature the work of emerging artist Patsye Delatour. She was part of their prestigious Art Tempo exhibit.

The Corcoran College of Art and Design graduate was born and bred around art. Her style is best described as abstract. There’s a painting she calls “The Prince” that depicts a royal with a mohawk and tribal marks and a “primitive” necklace. Delatour’s style brings to mind hieroglyphics and ancient sketches, the sort that you might run across in a textbook about the study of ancient civilizations. There’s an almost Abyssinian-Greek-Medo/Persian aura to her art.

Born in Port-au-Prince, Delatour has since returned to her native city.

Kreyolicious: Do tell us: just who is Patsye Delatour?

It is such a deep question, and I have always been a thinker as I am an only child—not to be confused or misinterpreted with lonely. If I am to answer this question in the context of being an artist, I am one who channels different frequencies that then are placed onto different mediums to bring out positive messages to the viewer. These messages can be about spirituality, history, different life forms, guides, spirits, as well as introspection, mother nature, Earth, preserving nature and being one with everything and nothing.

I am a person who is always searching within as to better connect with others and life itself.

I believe in the light and have made a conscious decision to be used by the light to help manifest the creative pieces that I am asked to do. I take it as big responsibility for those whom are meant to connect, respond to the pieces that are created through me will resonate with them and acquire from them what they are meant to take in. When I see someone have an amazing connection with what is created through me, it reminds me of why it is I do what I do. It is a very gratifying feeling, for it is something that is greater then myself, and it just brings me full circle. It’s worth all the challenges, and troubles, when you can give to others.
 
Kreyolicious: Wooh. That’s some introduction. Thank you…You went to a fine arts school. What was the biggest thing you learned in terms of techniques?

One of the most valuable techniques that I learned at the Corcoran College of Art and Design in Washington DC, came from one of my favorite instructors Annette Polan. I recall her saying: “Today I will teach you to see.” What she meant by that, was she was going to teach us how to truly understand what we are perceiving when we view an inanimate object or a live model-person. To truly create what you see, you have to be honest about what you do not see. Meaning, when you are drawing an eye for example there are certain creases that you see, because of the play between light and shadow. It is that play between those two things that permits you to perceive that line, or crease above the eye. To say that you see every detail of the eye when standing feet away from a model that is a lie, or a misconception, so simply draw or paint what you see, which is exactly that, the play between light and shadow.

In many ways, having been taught to see is truly a great metaphor for life. We can be fooled by perception, but we must simply acknowledge truth not found through assumption but through the taking away of layers and preconceived notions.  

Kreyolicious: What usually sparks the creation of a painting?

To better respond to this question it is important that I express that when I create, I am simply channeling an energy that permits me to express whatever it is that it needs to be shared on paper or on canvas.

Inspiration comes to me through a gut feeling, almost a nagging feeling that stems inside of me. I sometimes feel an energy or a spark from within, like a calling that I must respond to. It is a very strong feeling, and I know that in that very moment of stillness, I will be asked to travel outwardly. It will then be expressed through the line drawings that I have named Vibration Lines or through my paintings that have been created through me.

During this creation phase, I like to meditate, listen to music, burn incense to help transport me to a dimension and level of consciousness that goes beyond the material permitting me to be a clear vessel to be used by this positive energy.
Once I have acknowledged it is time to create, it moves very quickly and what I am meant to draw or paint is created at a very rapid pace.

Kreyolicious: To someone who is not a painter, it would seem that painting is easy. One only has to pick up a brush, look out a window and…boom. Is it as easy as it looks?

That is a tricky question for some it is that easy, but at the same time though one defines easy by their own experiences. I can only respond to this question based on my own experience. Before going to the Corcoran, what was easy for me was writing, writing poetry, short stories as I always had a very vivid imagination. I have always been able to easily express my thoughts, my imagination, my vision both verbally and in writing.

Communicating what I was observing in art school through drawing or painting at the very beginning was not easy. As I mentioned before, I thankfully was taught to see, through the honest breaking down of observation. Learning as well about how to apply paint, mix colors, how to understand the human form, break down the human form, respecting lines, playing with light and shadow, understanding the elements of design—amongst other techniques. These lessons permitted me to be able to truly draw, as it was not my natural tendency or nature.

One also has to remember that generally the simplest things are the hardest things. When one has perfected a particular technique, I would suppose the biggest compliment would be they make it look so easy.

“Green” by Pastsye Delatour.
 
Kreyolicious: You are based in Haiti. How are women painters viewed there?
Patsye Delatour: In my opinion, I would say women artists are well perceived. If one is talented, one is respected—male or female—matters not. I grew up seeing the artist Luce Turnier for example. Her work was always respected and I recall how popular and in demand she was in regards to her portraits let alone her depiction of coconut trees. I know personally several Haitian female artists both well-known and up-and-coming, and as I mentioned before, it’s their remarkable talents that speaks volumes.

At the same token, its always great to see women artists or art lovers pushing other women to excel and to succeed. You have Marie-Alice Theard’s book Presence Feminine Dans L’Art Haitien [Feminine Presence in Haitian Art] who has compiled different Haitian women painters, providing an opportunity for one to learn about these artists and see a bit of their work. You have great young talented minds, Beatrice Celestin also innovating and creating creative atmospheres not just for women, but for the arts. You have Valeire Noisette and her husband promoting up and coming artists through Kolektif509. So in some ways women are steering their visibility, they’re promoting themselves as well as supporting other women, Haitian art and creativity.

Kreyolicious: I’ve interviewed a few people for this site who are painters. A great many of them have mentioned that their parents backed them in their choice. Was that the case with your peeps?
Patsye Delatour: Thankfully so, my parents encouraged me to go to art school when they noticed this passion was dwelling inside of me. My parents instilled in me at a very young age, that following ones passion was one of life’s biggest gifts. There is a particular freedom in following ones passion because there is an underlining joy that is always very present, no matter the challenge.

Having grown up in a creative country, and my playground being my grandmother’s art gallery Rainbow Art Display, and my godmothers—part owner—of an artisan store Fanal. It’s of no surprise that this creative passion was always brewing inside of me. Also, I must mention that both my parents are very creative, and talented in their own rights. The apple did not fall far from the tree.

Kreyolicious: Do you think that when you’re a parent, you’ll have the same reasoning as them if your daughter or son makes the same artistic choice as you?
Patsye Delatour: Absolutely, yes. The reason I will say yes to my children or any child who were to approach me is because I know that by following their passion they will never tire of doing what they must to succeed. Because it’s a fire that can not be turned off, for it is eternal. What I would say to them is that it is a very challenging field, that there are strong ups and down. I would share with them that creativity is a reflection of life, for it is inspired from itself and from energies beyond our own comprehension. It forces one to delve within. You cannot hide from yourself. It is a very vulnerable place, for you are naked—as you are always expressing. However, it is truly worthwhile, for you get to taste life, live life through clear lenses always ready to learn and acquire more knowledge in a state of joy.

Kreyolicious: Have you been to an art event or exhibition that particularly stood out?

At a very early age, my mother would take me to different museums throughout Washington, DC where I would be surrounded by the masters. The same token she would take me to art shows in Haiti where I would be surrounded by Haitian art masters. I had the pleasure of knowing—til this day—many great Haitian artists—so it’s hard to pinpoint an exhibit.

I can say however that the Smithsonian Folklife Festival, where Haiti was featured and that my father Patrick Delatour was one of the curators of truly touched my heart. Haiti, it’s culture, art, music, cuisine was given an opportunity to shine and to take center stage. Surrounded by the museums and in between the Capital building and the Washington Monument. Those three days are one of my fondest memories, and in some ways has played an amazing role in my life’s trajectory.  

Kreyolicious: Are you a dreamer? It seems to come hand in hand with creativity.
Patsye Delatour: I am very much so a dreamer, but at the same time I am also a person who is very grounded and realistic. This can be challenging for they are both very strong components of my personality, and at the same time I am grateful for having both attributes.

Kreyolicious: Out of all your creations, which is the most special to you?
Patsye Delatour: I have a fond connection with most of my pieces. I remember creating a piece called “Mystical Man”. This piece took me three days to create. The reason is because it was a very emotional one for me as its energy and presence was very strong. I remember crying every time I would like at it, when I would step away from the piece to observe it at a distance. It was a very moving and powerful experience, many people who observe that piece have a strong connection to it as well.

 
Kreyolicious: A girl who has just graduated from high school comes up to you. She hopes to become a painter…someday. She’s seen some of your paintings and asks to pick your brain about her future, the craft of painting, and the business of art. What do you say?

First off, what an honor. Second, I would be as honest as I can based on my own experience’s. I would make sure to let her know that what I would share would be just that, my personal experience and that she would have to create her own. With that said, I would tell her that if she is truly inspired to create that she has a responsibility to herself and to those who she will one day share her work with to do so. I would also tell her, to take business management courses, as I wish I had done so and that they were offered to me at the Corcoran. Truly it is important that an artist knows how to represent herself, her work and knows how to market her work.

I would also tell her, that she needs to not be afraid to understand her rights as an artist, and to stick to her work ethics and principles. Many times people label artists through their misconceptions as irresponsible, unprofessional, and sometimes use words like “crazy”.

I would also express to her as Philippe Dodard expressed to me years ago: “You are to carry yourself as a cultural ambassador of your country, Haiti”. I have always prided myself in having that natural tendency to be professional and to carry myself as such. Being an artist is a very big responsibility for we preserve history, experiences, and some of us even help to communicate prophecies.

Did you enjoy this interview with painter and visual artist Patsye Delatour ? CLICK HERE to read other articles in the STRAIGHT OUTTA HAITI series.

Ask a few people who’ve seen Port-au-Prince-based comedian Kako Bourjolly live, and they’ll pretty much corroborate on one thing: the man is funny. “Kako’s appeal relies on his originality,” says Karl Jean-Jeune, the Creative Director at branding firm Ayilo. “You tend to relate his jokes to your everyday life or the Haitian culture itself.”

Photo Credit: Yelnats Photography

Chiming in, media personality Fabiola Coupet observes: “Making people smile is an art form…Whether you’re at one of his shows or just running into him at the supermarket, this artist is always armed with the just-right-something to paint a big smile on your face.”

Jean-Jeune says that he first heard of Kako via social media posts. “I used to see pictures and videos of the Gong Show on Facebook. When I moved to Haiti, the “Bingo Night” was already the craze, and honestly, I could not resist to attend and meet its host, Kako.”

In addition to enjoying his stand-up routines, Coupet says she lives for…well, his other shenanigans. “I mean… have you seen Kako in full “Dedette” costume?” asks Coupet. Dedette who? “Dedette is a female character he plays a lot in his stand-up shows,” Coupet explains. “He gets dressed full drag. And he just hits the nail on the extra fiesty Haitian woman attitude.”

The funny bone tickler performs with an energy that pulls in a consistently loyal audience. “I can count on one hand the amount of Kako’s shows in Haiti that I have missed,” observes Jean-Jeune. “This should tell you about my impressions after seeing him live. We do not have many comedians of his caliber in Haiti.”

Apparently—to the comedian—life isn’t just about laughter, it’s also about bringing perpetual joy in the lives of others. For this purpose, he created his own foundation—Kako’s Kids. Through this initiative, he’s had basketball summer camps for youths in the underprivileged areas of Port-au-Prince and smaller cities. Little boys who may not have enough space in their homes for a basketball court find themselves playing in a spacious basketball court with new sneakers to boot.

Kako and I worked together on The Sunday Project--—which was a community service based initiative to give back to kids,” says Jean-Jeune. “Honestly, Kako’s full support was a big push to the things we wanted to accomplish.””

Jean-Jeune, ever the zealous fan, looks forward to a whole lot more. “I would love to see Kako on the world stage,” he says. “Something like Kako at the Hard Rock, for example. I think the path that he is on right now will lead him among the greatest.”

And now, let’s get up close and personal with the man himself…

Kreyolicious: Tell us about yourself.

Well, I’m Kako—a very shy guy who loves life, loves his job, loves Haiti. [I am] someone who really feels blessed to be in his position…a kind of guy who takes nothing for granted. And a hard worker…I love kids and sports.

Kreyolicious: What made you get into comedy?

Believe it or not, the fact that I am very shy played a lot into my getting into comedy. I was what you called a funny guy. I always had the gift to make people around me laugh: my classmates, my friends, and members of my family, and of course, all the people I knew. Since I knew I had that gift, I kind of used it to get pass my shyness. At a party, you’d see me around a few close ones, and cracking jokes. It was way better than go chat with people I didn’t know. The word was going around fast that Kako is a funny guy, and next thing you know, I was invited to do a comedy stand-up [show]. It took me at least one year to accept getting on stage. And that first show was amazing. Will never forget it. Even after accepting, I was showing signs of backing out, so the promoter decided to have another comedian…so I could open up for him. To make a long story short, I cracked up the place three months after we had a [show repeat]. And I was the second guy. [I will] never forget those first shows.

Kreyolicious: Whose idea was it to name you Kako. Your mom, dad or someone else’s?

I got that name from [my cousin]. It became my stage name, but I had it since I was very young. My cousin and I are the same age. His name is Michael. They called him Mika. I couldn’t say it; I called him Kika. It stayed for him. Me, they called me Jako. He couldn’t say it. He called me Kako, and it stayed for me too. Kika and Kako were created. Lucky [thing] ’cause my name is Jacques. Just imagine calling someone on stage and saying, “Make some noise for Jacques”…Pfff. [Laughter]

Kreyolicious: Which comedians made a mark on you in terms of comedic timing, stage, presence, career milestones, and the like?

As a Haitian comedian, we are blessed here to have our idol Languichatte. I grew up watching him, and with time, technology, you are able to see other comedians like Eddy Murphy, Jamal, Gad, Rachid to name only those. But, my list is very long ’cause I respect the work of every comedian and their own styles.

Kreyolicious: What’s the unfunniest thing that’s ever happened to you?

I guess you are talking of my comedian life. [Laughter] Well, that should be right before a show. I had dialogue written down. I was rehearsing it, and left it on a table. While I was sitting there, the wind too it off, and we were outside on a very tall building. That paper went five minutes before the show.

Kreyolicious: Do you get nervous and anxious when you are trying a routine for the first time?

Whewww, I get nervous anytime before a show. All the shows either new or old…I calm down on stage after the first few seconds. Sometimes, it’s longer depending on the reception, ’cause I kinda feed from the crowd a lot.

Kreyolicious: Some folks love laughing at a comedian’s jokes, but don’t realize all the work that goes into preparing material for skits and routines. What can you tell us about your own creative process? Has it changed over time?

For us Haitians, it’s even harder, as we don’t have that opportunity to travel around the country. So, often, it’s mostly always the same crowd, and with that fact you really have to have a creative mind, as they love new stuff.

Kreyolicious: What about collaborations with other comedians? How does that work?

I have mostly good experiences in all my collaborations. But when it’s real, you know it’s from the heart.

Kreyolicious: When one ponders on the history of comedy, one can think of many duos like Oliver and Hardy, Abbott and Costello from the 20th Century. Do you think that duos could work in our times?

Definitely: The formula is to exploit the best of each comedian. I really don’t see why not. There are a few duos out there that are making it big.

Above: Kako’s Kids Foundation at work.

Kreyolicious: What would you say has been your crowing moment in comedy?

There are a few, but for now, I would say, in the Just For Laughs Festival in Montreal Canada—in French of course, Juste Pour Rire. And it my first skit in French, ’cause I usually work in Creole…2400 seats, sold out.

Kreyolicious: Your biggest regret?

Well, it would have to be the fact that I lost my dad before my big moments in comedy. he supported me so much. I know he is watching over me, but if I could only see his proud face, and hug him after a show…that would mean so much to me.

Kreyolicious: Sorry to hear about your dad…What pearls of hard-earned wisdom would you like to send to comedians who are just getting their start?

Love what you do. Respect it. Put the passion into it. Talent is important, but not close to the hard work and dedication that comes with it. Be humble, guys. That will open so many doors.

Click Here to Connect with Kako Bourjolly the Comedian on Facebook | Click Here to Keep up with the latest news with his Kako’s Kids Foundation | Follow Kako Bourjolly on Twitter

To read about other emerging talents, emerging directly out of Haiti, please CLICK HERE to read other interviewees in the STRAIGHT OUTTA HAITI/HAITI’S GOT TALENT series.

Visual artist Kervin Andre has been drawing his whole life, but it wasn’t until about four years ago that he officially launched his career as a painter. Judging from the works that he’s been able to create, it’s obvious that the father of two and New Jersey resident has been a painter from birth. From his Akomics Art studio in The Garden State, he paints everything from still life portraits, to musical figures and historical scenes.

Kreyolicious: How do you deal with creative blocks?
I have yet to experience creative blocks. There are moments where it is hard to concentrate on just one canvas, so I am working on multiple ones because the ideas in my head are going much faster then my fingers can create them—but never a time where I cannot think of what to create. There are times where I cannot reproduce what I am seeing in my head to my standard…but no problems with inspiration at all.

Kreyolicious: Have you been to Haiti?
I was born and raised in Haiti. Since immigrating to the United States, I have gone back a few times, and hopefully more in the future. Lakay se lakay. [Home sweet home]

Kreyolicious: Do you think kids’ creativity can be hindered by technology as some experts claim?
There are many ways to be creative as long the child’s mind and imagination is constantly being challenged and stimulated. Rather than a hindrance, technology can actually enhance one’s imagination. So, no, with the right support, I do not see technology as an obstacle to a child’s creativity.

Kreyolicious: When you think back to your childhood, do you think teachers and peers contributed to the artist you are today?
My teachers, not at all. My uncle was the first person I noticed that was able to draw. I used to watch him draw in Haiti. I guess even though it was not anything like I am doing, I must have picked it up from him. He used to buy me Marvel comic books, and I used to try and recreate the characters. He was the person who exposed me to drawing.

Kreyolicious: How do you usually prepare for an art show?
It really depends on the theme or audience, but for the most part, I just bring my best work at the moment because I want to make sure I stand out and am remembered by the person viewing my art.

Kreyolicious: Out of all the pieces you’ve created, which one has been the most difficult?
I don’t know if difficulty is the word I would use per se, but perhaps challenging—as far as time-consuming and detail oriented. There are quite a few pieces, but two that definitely stand out to me right now are “Fall Of An Empire” and “The Battle Of Savannah.”

Kreyolicious: What’s your ideal work space?
I can honestly work anywhere. But I need no outside interruption. I just need my thoughts, canvas and paint, and my music.

Kreyolicious: What inspires your work?
Everything inspires me, from good to bad, happy to sad, negative to positive—the world inspires me. For me, art is a reflection of life. It is life, so everywhere I turn, I can find inspiration.

Kreyolicious: Five years from now, where do you see yourself?
Alive, and still enjoying my kids.

CLICK HERE to view Kervin Andre and his work, and to purchase! | CLICK HERE to see the works of the artist, and to keep up with his journey.

The youngest of five siblings, Diana Gaitirira was born in New York but moved with her family to Florida when she was a pre-teen. Then, it was Maryland for college and cactus-friendly, stucco architecture-filled New Mexico, following graduation. Gaitirira plays Tammy Fraser on the breakout show “The Night Shift” on NBC. One of her next projects is Hate from A Distance, a short that has the Civil Rights Movement as its backdrop. She’s also had roles in the films Not On Board, and Terrible Angels.

The daughter of Haitian parents, Gaitirira is the CEO of her own film production company Cheza Jouer Films. Its first production is Sandals Worn Backwards, a documentary about Kenya’s history.

K. St. Fort: Were you the type of kid who did monologues when you were home alone?

I was always performing for my family and friends…singing—even though I have a horrible voice—and dancing. From pretending to be Michael Jackson to mimicking actors I saw on television.

K. St. Fort: Were you in any theater or stage plays in high school or in college? If so, how did that go?

I did a few performances at my local church and school and I loved it but I never thought I would participate in acting at this level or pursue acting as a career.

K. St. Fort: What’s the best thing about being an actress?

I get to portray a variety of characters and create my own back-story for each role I play.

K. St. Fort: You recently made the transition from a chemically-straightened style to a natural style. When you first made the transition, what are some challenges that you had to face?

This is actually my second attempt at being natural. I did the “Big Chop” around 8 or 9 years ago and had no clue on how to take of my hair. The most frustrating part was finding and using the right products. Hair companies weren’t accommodating back then as they are now, so I was at a loss. However, I took the plunge again around 2 1/2 years ago and I am really enjoying my decision.

K. St. Fort: What have you learned from taking care of your hair that you’d like to pass to others who are considering doing the same, or who have already made the transition?

I think it’s important to know your curl pattern and type—low porosity vs high porosity—in order to know which products and routine will help you manage your hair.

K. St. Fort: What’s it like being on the show “The Night Shift”?

Although the hours were long, it felt like a dream! It was ironic we actually filmed during the graveyard shift/night shift hours.

K. St. Fort: When you first auditioned, were you nervous? Did you think you would cop the role?

Yes! I like to take deep breaths and try to stretch out my jaw muscles before I enter the room. I didn’t think I got the role at the time of my audition. Because I’m fluent in American Sign Language, I tend to pick up on a lot of facial expressions and non-verbal cues, from others, but this skill is wasted in auditioning rooms. Most directors audition people for several hours until the point of exhaustion so usually when I enter the room, I most often get cold expressionless stares.

K. St. Fort: You were always on the thespian track, or have you explored or considered other careers prior?

I have only started pursing acting professionally for the last 7 years. Before then, I originally wanted to go into sports medicine, but fell in love with Deaf Culture and American Sign Language and strayed off into the interpreting track.

K. St. Fort: Do you ever wonder about the roads not taken?

No. I only do things that I am passionate about and I have no regrets.

K. St. Fort: Do you visit Haiti often?

Unfortunately, I have never been to Haiti but plan to go. I would love to go and volunteer with the Deaf community in Haiti. I know they use a derivative of American Sign Language and I would definitely be able to pick up their dialect with some time and exposure.

K. St. Fort: That’s an awesome plan!…If the Oxford people were putting a dictionary together, and they came up to Diana Gaitirira to ask for her input on what the definition should be…what would you answer?

Beauty means different things to each of us but for me, it’s the things that I see that take my breath away. It’s the wrinkles around the eyes of an elderly woman whose seen so much of life and is forgotten. It’s the toothless grin of a mischievous toddler that’s giggling at the funny faces I’m making. It’s the sun coming out after it’s rained all day. Beauty is in all of these things for me because in those rare, brief moments I realize that simplicity is the most beautiful thing of all.

K. St. Fort: And if Diana Gaitirira was one of the entries in the dictionary?

I like to say that I am an enigma, wrapped in a riddle, but I’m not. I am an open book with an interesting cover that invites you to flip through the pages. I will draw you in from the first few pages, take you on an emotional roller coaster, then leave you breathless at the end of my story.

K. St. Fort: Ooh, ah! What’s it really like in Hollywood?

The entertainment industry is difficult, unfair, and competitive. It is also fun, exciting, and beautiful–as is everything in life.

K. St. Fort: Do you eventually want to explore films? Or do you see yourself doing mostly television?

I have already done some independent films and I enjoy doing both television and film. My goal would be to get a recurring role on a television series.

CLICK HERE To Follow Diana Gaitirira On Twitter | CLICK HERE To Visit Her Production Company’s Website | CLICK HERE To Visit Her Website |

Ask Hollywood’s biggest stars who they have their assistants calling when they need their breakfast, lunch and–or—dinner plate filled with delicious food? Ask! You’ll probably hear the name Chef Manouschka Guerrier come up a lot…a whole lot. Chef Manouschka has cooked for the likes of Drake, Barbara Streisand, Ariana Grande, Giuliana and Bill Rancic, just to name five. The Brooklyn-born diva of scrumptious cuisine has a background as colorful as some of her dishes. She has been a video model, and, in the mid-2000s snagged roles in movies like Crimes Against Charlie, and Crooked.

Manouschka Guerrier’s front-of-the-camera experience still comes in handy, as one might imagine. She starred as one of the chefs on the Food Network’s show “Private Chefs of Beverly Hills”, and was called on by the TV Guide channel as food stylist for “Hollywood Girl’s Night”. She’s single-handedly brought her company Single Serving to recognizable brand-status, while catering Hollywood’s most high-profile events and feeding some of the world’s hottest celebs.

K. St. Fort: Who taught you how to cook?

Chef Manouschka Guerrier: I learned how to cook from my grandmother Olga, my mother and my father. I always thought my mother was the greatest cook ever, but it wasn’t until her funeral 7 years ago that I found out she went to culinary school…she was a bona fide trained chef.

K. St. Fort: Growing up, what view did you have of cooking?

Chef Manouschka Guerrier: Growing up in a Haitian kitchen, I wasn’t really a fan of it. Haitian cooking is so time-consuming and labor-intensive…plus my family cooked everyday…except Friday nights, [when] we ordered Chinese. There was no such thing as frozen or canned junk food meals in my home.

Growing up in the States as a first-generation Haitian-American, you are desperate to try other cuisines… but eating out was a luxury which was mostly a trip to Sizzler or Red Lobster—fancy, I know—so early on in my life, I actually got tired of Haitian food…but when I moved to LA sixteen-and-a-half years ago, I craved the comforts of home, so I started hitting up my grandmother and parents, collecting written recipes and got to cracking… it changed my life! I have created so many shortcuts that makes our food more accessible.

K. St. Fort: I’m going to give you a list of spices…Garlic. Thyme. Bell pepper. Parsley. And I’m going to ask you a question about them. So keep them in mind. Okay, so if you were given a spice ban…where you could not use one of these spices for the rest of your life in your cooking…which would cause you the most distress… not being able to cook without garlic, thyme, bell pepper or parsley.

Chef Manouschka Guerrier: Cooking without garlic would have to be the worst! It’s so prominent in all the cuisines I adore Caribbean, Asian, Italian and so on.

K. St. Fort: Word on the street is that you have a new show…”Food Fighters”. That’s an awfully catchy name. What’s it all about?

Chef Manouschka Guerrier: It’s home cooks versus five pro chefs. The home cooks battle the chefs with five of their tried, true and tested, best recipes…the chefs find out what we are making on the spot so we have less than a minute to figure out how to beat these home cooks at their own game. I have been asked to do a lot of competition shows over the years and this was the only one I agreed to because I learned how to cook from home cooks.

I have an incredible amount of respect for them…Hell, at the end of the day we are all home cooks. I love how the show isn’t mean-spirited and it really is a friendly competition with some healthy smack talk between sparring. The home cooks competing are so deserving of a win, they are all battling for some incredible causes. My favourite part is that I get to rep Haitian cuisine on an international stage in front of millions of people.

This is my first foray as a chef from cable to primetime network TV and it’s an absolute honor to showcase the flavors of what I feel is the best type of cuisine, the cuisine of my people to the rest of the world. It’s about time that people learn that Haiti is more than just a poor country faced with numerous disasters that stunt our growth as a nation. Our greatest commodities are our art, music, coffee, sugar, rum, resilience and food. [Smiles]

K. St. Fort: Did you know that Manouschka is a Russian name?

Chef Manouschka Guerrier: Hah…yes, I knew.

Kreyolcious: You ever ate Russian cuisine?

Chef Manouschka Guerrier: I have traveled Eastern Europe, was engaged to a Russian once, lived in a predominately Russian part of West Hollywood and there is a bomb Russian spot at walking distance from my house now called Talisman…I kill their buffet. It’s so good!

K. St. Fort: You ever burned yourself cooking?

Chef Manouschka Guerrier: All the time pulling stuff out of the oven… I’m an idiot.

K. St. Fort: Hah. Is there a dish that you aren’t particularly fond of, but you enjoy cooking?

Chef Manouschka Guerrier: I hate cooked/caramelized onions with a passion…buuuuut I do like the way it smells while cooking. Reminds me of home. You know something is about to taste bomb when you smell onions and garlic—see told you I can’t live without garlic—cooking in olive oil or with bacon. I can’t live without bacon either…hah!

Girl, when was the last time you went to Haiti?

Chef Manouschka Guerrier: I was in Haiti last October for 10 days. It was my first time visiting in almost 30 years. I even got to visit my grandfather. It was the third or fourth time I had ever seen him. I saw my grandmother’s kitchen and the portable burners she used to cook on…it was surreal!

K. St. Fort: You’ve cooked for celebrities, and all sorts of spectacular events. Of these engagements, which have been the most memorable?

Chef Manouschka Guerrier: Cooking for Ariana Grande’s grandfather for Father’s Day was the most memorable. What an amazing, LOVING, energetic, positive, beautiful family. We just lost her grandfather, lovingly known as “Nonno” a few weeks ago…broke my heart. Tied for a close second was cooking for Drake. He is truly one of the most down to earth guys I have ever met and catering Mel B’s baby shower. She was the only client I have ever had that called me personally to thank me and my assistant Stacy the next day! Usually I get a thank you from an assistant or house manager or by email.

K. St. Fort: What would you like to say to beginning chefs, in terms of getting comfortable in the kitchen and becoming good at cooking?

Chef Manouschka Guerrier: Best advice I ever got was a year ago working for acclaimed chef Adam Perry-Lang—“Shut up, keep your head down and cook!” It’s that simple and it set me free.

K. St. Fort: It shouldn’t surprise you that my next question is about seasoned chefs. What should they do to take their culinary hustle to the next level?

Chef Manouschka Guerrier: Take risks. Be bold. Stand by your product. Take on a mentor, be open to learning, accept criticism gracefully, be respectful to those you are working with, be courteous to those that are helping you, watch your temper…you’re cooking food not curing cancer. Listen. Taste your food. Take field trips to local farmer’s markets. Explore all the ethnic markets that are in your city. Social media is your best friend. Culinary school does not guarantee you work. Surround yourself with others that share your love of food and desire for success…Oh, and pray…pray a lot.

K. St. Fort: Do you learn new things from time to time about cooking? Or at this point, do you feel that you know all you’ll ever need to know?

Chef Manouschka Guerrier: Like anything in life, to stop learning is akin to dying. I am so blessed I get paid to do what I love and there are so many avenues I still need to learn. And it will take me the rest of my life to learn new tricks, techniques and flavors that I will die with just a blip of the food knowledge that’s available.

That excites me! Plus, I’m not that big of a baker or work with pastry so I have tons of that stuff to learn. A huge dream of mine is to follow in my grandmother’s footsteps and attend culinary school…preferably in Paris. Do you have a Rosetta Stone in French I can borrow?

Connect with Chef Manouschka Guerrier on Twitter |CLICK HERE to visit Manouschka Guerrier’s website. | CLICK HERE to check Manouschka Guerrier out on Instagram|

Moise J. Michel published his children’s illustrated book Kwame and His Great Adventures: Kwame Meets Jackie Robinson earlier this summer. He’s by no means strictly a children’s author. Years ago, he penned and published Diamond in the Rough: Trials and Tribulations of a Southern Belle. Get to know him and his books and get some insight into his journey as a writer and author.

Kreyolicious: How did your love for writing begin?
My love for writing came while I was in a very dark place in my life. My inspiration for writing my book came from my kids. I was unfortunately incarcerated when I wrote it. I wrote a chapter every night. The next morning, I would have a older gentleman on my cell block read what I wrote the night before. Nights I didn’t write, he would chastise me for not doing so.

Kreyolicious: What led to the writing of your book?
I wrote this book back in 2008, upon my release in 2010 I had a very select few of family & friends read it. They all urged me to go ahead and publish it. I went the self publishing route with Createspace, which is a company under Amazon.

Kreyolicious: It’s one thing to want to write a book. It’s another to finish it and to take it to publication. What was the process like for you?

Kreyolicious: Any advice for aspiring authors based on your experience?
I advise all up-and-coming authors that they take their pain and use it to create magic through the power of words. They [should] also know if they intend to make this a livelihood that they [must] look at it in long-term instead of short-term. Another piece of advise is to never stop writing!

Kreyolicious: Do you visit Haiti often? How do you stay connected with the culture?
I haven’t visited Haiti as much as I would like since I left there as an adolescent child, but I was last there in 2015. The culture is forever embedded in me, so I will never be disconnected from the culture. I stay connected by cooking our delicious cuisines, speaking our native tongue and by proudly explaining our history and culture to other folks who aren’t Haitian.

Kreyolicious: What will you do differently with your next book?
My second book has just been published a few weeks back. This book is a children’s series book titled Kwame and His Great Adventures: Kwame meets Jackie Robinson, which I hope to turn into a cartoon series within the next few years. My intentions is to teach black kids of all cultures about black historical figures that they may not know or been taught about in school or home

CLICK HERE to visit the author’s website!

CLICK HERE to purchase Kwame and His Great Adventures from Amazon!

Actress, film director and festival queen Fabienne Colas tries to take vacations once in a while. She really does. But she never can never seem to make a go of it. She tells the story of one of the last vacations she planned on the island of St. Martin. Third day into her vacation, the actress-producer-festival founder had become bored and restless. She even started to plan film screenings, and booking interviews. And the most shameless thing of all: she organized two packed screenings of Minuit, a film she had directed. Her fiancée, who had accompanied her on the trip, was not amused. He had come to St. Martin to have fun, and here was his future wife acting as if they had never left their home in Montreal.

These days when she leaves for vacations, she leaves DVD screening copies of her films at home. This way, she won’t be a vacation party pooper.

Fabienne Colas on the Red Carpet.

Kreyolicious: How are you doing today?

I feel fantastic and ready to go! I completed the 8th annual Festival Haiti en Folie in Montréal, and it was a complete success with over 100 artists and tens of thousands of festival-goers attending. I couldn’t ask for more. [And then I had to get] ready for the 10th Annual Montreal International Black Film Festival [which took place] from September 23 to 28.

Kreyolicious: When you initially envisioned the film festival, did you think it would take off the way it has?

I never thought the Montreal International Black Film Festival—MIBFF—would go on to becoming the Canada’s biggest black film festival! Thanks to the artists, our team, our volunteers, our partners, the press and the audience! I just had a dream and a passion and I’m more than grateful everyone followed me in that crazy amazing adventure.

Fabienne Colas (far left) poses with legendary actor Harry Belafonte and another guest.

Kreyolicious: What are some moments that you cherish and will continue cherish about the Montreal International Black Film Festival?

Definitely several of them. I will never forget the very first edition, when we were called back then: the Montreal Haitian Film Festival. That was when everything started and it encouraged me to move forward. But I will forever remember the moment I welcomed legendary Harry Belafonte who was the very first to receive the MIBFF Humanitarian Award. That was a historical moment for me, for the festival, for our team and for Montreal.

Kreyolicious: As someone who has held the fort on a festival of this magnitude…five festivals actually…what advice would you give to an individual wanting to launch one?

You need a clear vision and a strong reason why you want to create a new festival and that reason cannot be “because you want to make money”! You gotta be prepared to work very hard and you need to have a tough skin, because some people will try to discourage you and you will get lots of no’s at first. And you need a great team that also believes and understand what you’re trying to create! My foundation created and organizes 5 festivals a year in Montreal, Toronto and Port-au-Prince, and they are not for profit: The Montreal International Black Film Festival—MIBFF—the Toronto Black Film Festival—TBFF—Festival Haiti en Folie in Montreal, Festival Fade to Black, Quebec Film Festival in Haiti. We can do them because we are on a mission of spreading and sharing black realities through the most amazing films, concerts, discussions, conferences, plays; and Haitian culture through the best Haiti has to offer culturally. Furthermore, the Fabienne Colas Foundation is dedicated to supporting education in the arts. This, for me, is the biggest reward ever. There is no secret recipe to the success of a festival, but one thing is sure: your festival needs to fill a gap, fulfill a need, and be different from what already exist or way much better than the competition.

Kreyolicious: It’s a lot for one person, You’re also an actress, director and producer. Where do you find time to do all that?

Great time management! But above all, I have a great team and amazing partners I can rely on for help, guidance and advice!

[All images furnished by subject, except photo with Spike Lee…via festival media]

FOLLOW FABIENNE COLAS ON TWITTER | VISIT THE FABIENNE COLAS FOUNDATION WEBSITE