Her name is Melly B—B as in Bosschaart, and Melly as in Mélina, and when you hear her sing a note, you’re certain you’ve heard a voice like hers before—but yet there is this other feeling that indicates that you haven’t. Or if you have—well—know that this Melly B’s musical style is not factory mahogany—but the pure type—the type that importers give top money for.

Bosschaart was born in Haiti to a Dutch father and a Haitian mother (the two met while the future Mrs. Bosschaart was vacationing in Europe, and after marrying, they settled in Haiti). Her music mirrors her background: soulful with European inflections.

Her songs are rarely upbeat, and will leave most listeners pensive. A lover’s lamentation about still holding on to a flame after a man’s heartless desertion, the song “Miles Away” has Melly B doing all sorts of vocal acrobatics, reminiscent of the throaty vocals of Joan Armatrading—the 60s and 70s singer-songwriter—and 90s singer Jewel, Pieces of You era.

Miss Bosschaart gives all that she has in the song “Ayiti”. It’s almost as if she felt that the more she gave of herself to the song, somehow…the more Haiti would get some energy towards some sort of transformation. Her style is formulated so that she can touch as many people as she can. A song like “I Don’t Wanna Cry” is so country, you can almost picture cowboy-hatted gents and flower-hat wearing dames dancing to it. “Adieu” is a French-language song and towards the middle, there is an unexpected rap verse.

Q & A

Kreyolicious: How would you describe your style?
I don’t like to limit myself to one specific style, but I would say that my style is a mixture of urban, afro-beat, and soul.

Kreyolicious: Do you remember your first performance ever?
To be honest, I don’t remember my first performance, but I do remember my first performance in front of a really large audience, which was in Haiti. I remember being so nervous before I got on stage, but once I started singing it felt like all the noise and everyone one around me was gone, it was just me and that microphone. After the performance I thought to myself, I wish I could do this every day.

Kreyolicious: That song “I Don’t Wanna Cry” has some serious country music inflections in it. Are you a fan of country music?
I am a fan of any type of music. For me, the important thing is that a song can move me, make me feel a certain type of emotion. But to be honest, the only music that I haven’t developed a real appreciation for—yet—is heavy metal.

Kreyolicious: You were born in Haiti. At which point, did you move to Canada?
After having lived in Holland for a while, my parents had decided that it would be a good idea for me to go to Haiti, where my mother was living at the time. But after a few months in Haiti my parents were worried about my safety due to all the kidnappings and problems in the country at the time. At that point, an opportunity for me to attend a really good school in Vancouver Island came up—and since they had a really impressive arts program—the decision was quickly made. I think I was 15 when I moved to Canada.

Kreyolicious: And somehow you ended up in Holland?
After I finished high school, I knew I wanted to continue my studies in Europe. Since Holland was a place where I lived before, and my father was there to help me, it just felt like I was just going back to my second home.

Kreyolicious: You studied audio engineering and actually have a degree in Audio Production. How important do you think it is for a woman artist to have a part in the behind-the-scenes process of her music?
Often women artists don’t have an understanding of what happens behind the scenes of their music. For me at least, it was important to learn all that, because now I can be effective in telling another engineer or a producer what I want, or why something is not working for a specific track. In my studies I also had to learn the business side of music, so now I don’t ever have to sign a contract—for example—without having some type of understanding, and having to rely on someone else to tell me wether it’s right or not. I also did not want to just be “the voice”. I want to help others with their careers and produce, and own a studio.

Kreyolicious: How do your parents feel about music being such a big part of your life?
I think I am lucky, because my parents have always supported my choices. I think also because the arts have always played a big role in their lives. I remember as a young girl watching my mother in her dance classes—which I think is how I started with dance. My father is also an artist. He designs unique furniture with a combination of materials, and [does] sculptures. They never doubted my abilities, and are still doing all they can so that I can live my dreams.

Kreyolicious: What artists do you find inspiring?
Some artists that have inspired me are: Lauryn Hill, Nneka, Nina Simone, Tracy Chapman—just to name a few.

Kreyolicious: Haiti obviously inspired your song “Ayiti”. Did the beat and lyrics come easily?
Haiti has always had a dear place in my heart, even after being away for so long. I wrote the song “Ayiti” when I was in Canada. I remember sitting in front of the piano in the music room of my school, feeling a bit sad because I was missing some aspects of my life of when I lived in Haiti. As I started to improvise, the words just came to me easily, because I knew exactly what I wanted to say. That was also the first song I ever wrote in Creole. At the time, I didn’t have much audio knowledge, but I felt like I did the best I could with the resources I had. The feedback I had from this song really encouraged me to continue on this path.

Kreyolicious: And the song “Adieu”?
I think I took a bit of a chance with “Adieu”, because it was the personal experience of someone I knew at the time. The beat production was made by a schoolmate of mine at the time, Shervin Naimi, I had the idea but did not know how to execute it, which is when I asked for his help.

Kreyolicious: That song “Bring Me Back to Life” is not the cookie cutter love song.
“Bring Me Back to Life” is about a woman desperately trying to hold on and get the love that she needs from a man who is afraid of commitment. I think this is a story that many women can relate to. It is a story that I have lived, and dealt with it in the best way I knew how, wrote a song. After taking a small “break” from my own music to do my studies, I wanted my new song to be something that many could relate to, and something I could truly show emotion, so I chose to share something personal. I am quite happy with this song, I feel that it is more mature than my previous work and shows more experience. The song is written and produced by me.

Kreyolicious: What’s life like in Amsterdam?
I really enjoy living in Amsterdam. It is such a diverse and open minded place. Till today I am always amazed by the beauty of the architecture and the cute little streets. I think anyone who has the opportunity should visit.

Kreyolicious: Is there a big community of Haitians there?
I don’t think there is a big Haitian community here, I have never met another Haitian since I have been here.

Kreyolicious: Most female artists would like their songs to speak for themselves, but then, sometimes the labels that package their music, or even other powers that be, often craft this image for them, that is often far from who they are—but that some deem necessary in order to sell the music.
For me, being myself is really important. I am still young. Everyday I learn something new about myself—which is why I think my music and my look is constantly changing. I don’t want to be put in a box and to be told who I am suppose to be. Yes, I would love to be able to sell lots of music and live from that, but not if that is costing me who I am, and my dignity. Individuality should be celebrated. If everyone looks and sounds a certain way, then to me that is boring.

Kreyolicious: In most of your songs, there is this recurring melancholy. What is the most painful things that has happened to you so far?
I think my parent’s divorce was really hard for me, because I was really young and never really understood it. It was also from that point that a lot of the moving around started, So I was often the new girl, and often had to say goodbye to people I started to care about. But I do understand it now and I love my parents. I think given the circumstances and sometimes the distance, they have done more than a good job raising me.

Kreyolicious: You lived in Haiti up until you were a teen, but have been bouncing everywhere from Canada to Guadeloupe. Has it been easy calling somewhere other than Haiti home?
At this point, I don’t really know where to call home. Even when I visit Haiti now, I feel like a stranger. But for now, I have my own place in Amsterdam, and is where I am slowly building my adult life. I’m not sure where I will end up next, but to me my family is my home.

MELLY B ON TWITTER | MELLY B ON FACEBOOK | MELLY B’S WEBSITE

Tifany Sejour, professionally known as Tifane, has an arresting voice. This fact is more than clear in her debut album Anprent, originally released in the mid 2000s, which / has had the chance to.

The freshness the singer beings to Haitian music can only be compared to a seacoast breeze in the middle of lake of fire and sulfur-hot summer, or a drop of water in the middle of an isolated mine. The lyrics on the 10-song album are thoughtful, poetry-filled, and they rocked (the 11th track “Mèsi”, an interlude barely at two minutes long, still showed off Tifane’s assets as an immensely gifted vocalist). “Se Kòmsi”[It’s as If]—a soft-core ballad, captured the fragility of love, and had a twin version—an uptempo reggae-filled remix with an artist called BelO as her duet partner.

And then there is “Avè’w” [With You], a romantic ballad whose sexiness is practically understated. As if to prove that her music isn’t merely about sugary ballads and love songs, Tifane also throws in a fast number, “Ou Enève m” [You Piss me Off], a very militant track, with her voice down to a snarl. Indeed, the singer’s debut Anprent is filled with many musical treasures, and songwriting, and the biggest treasure of all was Tifane’s chocolatey soprano.

But what would Tifane do for a comeback? Her most supportive and ardent fans have no doubt wondered if she could sustain the hardcore creativity that had made Anprent a musical event. Would Tifane’s second album be a step forward? They all have their answer with the album Sous la Peau [Under the Skin].

First and foremost, Sous la Peau is not a step backwards. It heralds a more mature Tifane, lyrically and musically, while maintaining the style that most have come to expect from her. There seems to have been a conscious plan to repeat the style of at least some of the tracks from the previous album. The zouk-inflected “Souke Sa” [Shake That] is too much like “Sekrè a” [The Secret] from the Anprent album to have an identity of its own. “Vin Montre’m” [Come Show Me] is a much better track, for those who might be looking for something uptempo. It’s more than a dance track, however; it preaches self-love, acceptance, and self-discovery: “Apran fè tèt ou plezi” (Learn to make yourself happy), Tifane recommends or rather commands.

One of the album’s best track “Si w te La” [If You Were Here] doesn’t start out too promising, in the first few seconds (“Maestro”…), but thankfully it was just a few seconds of autotune. The song features starlet Talie in the background, as well as some rapping “Si ou te la/M’tap chache afeksyon/M tap monte lesyèl pa do…Si w te la mwen pa tap santi m byen konsa/Si w te la” (If you were here/I would be searching for some affection/I’d be climbing heavens backwards/…If you were here, I wouldn’t be feeling so good/If you were here). Well, good riddance! This is a feminist, self-empowerment track as there ever was. How often does the female species puts up with miserable relationships, and sorrowful situations just to show a façade to the rest of the world? But how much better it is to love oneself, at the cost of society’s disapproval? The relationship that needs mending or breaking does not necessarily have to be the relationship with a significant other. It can also be the relationship one has with oneself. For as Tifane sings: “Mwen pra l viv pou mwen/Mwen pa p mizerab pou-ou” (I’m going to live to please myself/I’m not going to make myself miserable for your sake). In another verse, she sings: “Li lè pou m renmen tèt mwen. Mwen pra l okipe de mwen” (It’s time for me to love myself/I’m going to finally take care of myself).

Placed alongside “Si w te La”, and “Mwen Merite Lanmou”, “Regle Zafè’w” reinforces Tifane’s stance of self-love, self-acceptance and self-determination: “Pa tande pyès moun ki di’w kanpe la pitit/Pèson pa ka regle zafè’w pi byen pase…Pa bliye kale je’w” (Don’t listen to no one who tells you, you can’t go further/No one can take care of your business better than you can/Don’t forget to keep your eyes open).

“Hello” differs strongly from the rest of the songs on the album, and sets itself apart immediately. It’s saxophone-heavy, and it’s more traditionally konpa, and eschews the world afro-beat that has become Tifane’s trademark. “W ap pale m de li” [You’re Telling Me About Him] has this ballroom feel; the Spanish guitar strings really sets it off.

Sous la Peau introduces fans to a Tifane, the same as always, but an enhanced Tifane. Now, hear from the songbird herself.

Q & A

The album Anprent introduced you as a musical artist. What can you tell us about your new album Sous la Peau?

Considering all I’ve been through since Anprent and all the experiences I’ve had, I think Sous la Peau is a demonstration of my maturity and my evolution in music as a song writer and singer. Sous la Peau is a little bit more live because of all the musicians who participated.

Who did you work with?

I was fortunate to work with some people I’ve been supported by since the beginning like Fabrice Rouzier, Joel Widmaier, Makarios Cesaire, MikaBen, Lòlò and Manzè from Boukman Eksperyans, and Eric Virgal. There are others I met along the way like Nantalie Indongo—also known as Imablackgirl—from the band Nomadic Massive, Harius Joseph from Zèklè, Hansito Mercier Jr., with Loulou from Kreyol la and Eric Pimentel with Dany Gonzales from Orlando.

How long did it take for you to assemble the songs?

It feels like I’ve been working on it for ten years because things were going very slowly. But, in total, I can say it took me two years—almost three—to work on this album.

In your song, “Avè-w”, from your debut album, you sung about the joys of love. You recently married. Is love everything you thought it would be?

I married a very special and entertaining man. I mean really entertaining! [Laughter] We have a very special and rare kind of love because we both prayed about us so I can say that I am blessed. It’s a better than what I had planned for myself, but that’s how God blesses. I enjoy the married life. I’m an international singer, traveling all the time—but I’m still a wife. We share the chores in the house. I do most of the cooking, but I don’t mow the lawn. That’s all him! [Laughter]

As a career woman for such a long time, do you think that a woman has to marry and have a family to feel fulfilled?

I think it depends on the woman. For many of us—career and business women—the goal is to rise to the top, but that’s only one side of who we are. The other side, is the woman in us, and for most, it’s all good to be at the top of your game, but it can get pretty lonely. Again, it depends on the person. If a woman is completely satisfied with being successful and single, it should be respected. Me, I’m too lovable and affectionate for that type of life. I may enjoy the benefits of fame but it can’t keep me warm at night or wipe my tears and make me feel special.

You’ve said in past interviews that your favorite Haitian female artists were Princess Georgie from the group Zin and Emeline Michel. Have you meet either of them? Any collaborations in view?

What I really said was that I admired Georgie’s way [of] impos[ing] herself in the business instead of just being eye candy on stage because that’s how women are usually used in Haitian bands. They get two songs on the album and sing back up. I grew up listening to Emeline and my admiration for her comes from her audacity to go the other way and not sing konpa. I met her before I became Tifane and I told her she’d hear about me some day. We’ve performed together plenty times, but no collabos yet.

How do you handle your fame?

Naturally, I’m very down to earth. I take every big contracts or anytime I’m surrounded by fans for autographs as special moments. It can get scary and dangerous. I’ve had my hair pulled from my scalp, my clothes almost ripped, I’ve been groped, and my car completely covered with fans, I’ve signed autographs on faces, backs, necks, and some guys gave me their boxers to sign. The most uncomfortable situation is being stared at when I’m at the beach. I keep my private life private and all that doesn’t go up my head at all.

Do you ever worry about people using you?

I’ve had that happened before, sometimes I let it fly because it’s obvious that the person is just trying to show people that they know me but on anything big that I won’t tolerate, I either tell them off or I just keep my distance. I try to be one step ahead. I hate when people try use me for money.

Have you lost friends since you’ve become famous?

No, not one. I’m not the type who forgets her friends or ignores them. I may not be as available as I used to [be], but I do my best to stay in touch. So far, I’m still friends with everyone I grew up with.

Older and wiser, what do you wish you had done differently when you first got on the musical scene?

I wish I had an image consultant when I first started. I’ve worn a lot of gorgeous Haitian designer clothes, but some made me look so much older than I was. I also wish I’d put my foot down more often when I was offered too little for some shows. I guess back then, the artist side dominated the business side of me. I’ve learned so much and I still don’t regret anything that happened, good and bad.

Do you ever imagine a time when performing and recording will not interest you anymore?

Oh noooo, not yet. I don’t know when or if that day will come, but I know that if I stop performing, it will be for a much greater cause, something revolutionary even or maybe it will be because I found so much more happiness in my personal life than the star life. Trust me, it’s not easy being Tifane—let alone being a female solo artist in the H[aitian]M[usic]I[industry].

Now, in view of all this technology that’s being introduced every nanosecond, is it your feeling that one day that the very notion of a solo recording artist will be obliterated?

So far, the technology has been good to me business-wise because I’m able to promote myself around the world and I know how many of my songs are bought online anywhere in the world. However, when it comes to all the fancy software for the recording studio and voice editing, I think it’s very dangerous for those artists who rely on them. When it comes to singing live, as a solo artist you’ve got to be able to sound just as awesome. I stay away from those, only if it’s an effect used to mix or to give a little flavor to a song.

You have a degree in sociology. Has that helped you in your songwriting? Sociology has enhanced my way “in-depth” way of looking at the world.

When I was a kid, nature was my main source of inspiration. Now, I write because I look deeply at people, chain of events, human interactions and everything that’s good, funny, bad, ugly, amazing, inspiring and sad. I write according to what I see people might need to hear to feel better or to do something great in life.

Do you plan on pursuing your education further?

Definitely. I used to be afraid of stepping out of my Tifane realm because I hate feeling like I’m missing out when I’m not on tour or when things are happening and I’m not part of them. Knowing me, when I go back to school that will be the only thing I will focus on. I won’t be able to travel and study at the same time.

What can you be seen doing when you’re not performing?

If I’m not visiting schools to meet young people and address certain important issues their parents won’t talk about, you can find me promoting the integration of handicapped people in Haitian society, not only because I am the Ambassador for the cause, but because I find it crucial to think of them and their accessibility to everything if we are really rebuilding Haiti.

Are you a feminist?

In many ways, yes. I’m a woman who believes that no one has the right to limit or take away my rights, and I do believe that I should be paid just as much as a man would for the same job. My parents taught me that I’m not superior nor inferior to no one. I’m not anti-men; I know we complete each other and I do believe that if something is too heavy for me to pull, push or lift, a man should do it for me.

BelO was on a remix version of your song “Se Kòmsi”. In the future, will there be duets with other musical artists?

I think Eric Virgal and I will have a duet. I’m not sure when but he’s been talking about it. I have a few other artists I also think I might do duets with.

Who are your dream musical collaborators?
I have so many it’s crazy. I would love to record a song with Joel Widmaier, John Legend, Medhy Custos, India Irie, Gage, Jean-Luc Guanel, Alicia Keys and Jill Scott.

You profess to be a big fan of Whitney Houston. What have you learned from her life?
I miss Whitney’s presence in the music world because I always looked forward to hearing something new from her. She’s the reason why I wanted to be a star. I’ve learned that no matter how far your can go in this business, when you make one mistake such as a going along with peer pressure and drugs, the same world who appreciated you is the same one who will make jokes and laugh at your fall. To me she is irreplaceable. I see that they compare other young artists who shall remain nameless to her, but they can’t be Whitney on their best day. I’ve also learned that great artists like her always die young or troubled.

After this album, what are your plans?

Well, I can already see that I’m about to travel a lot and live out of my carry-on bag, so I’m putting together my next project in the meantime. I was offered to bring to life old hits and unedited songs of the great Raoul Guillaume by Raoul himself. It’s a very big honor considering that the famous Celia Cruz and so many other big Cuban Stars have interpreted his songs. I think it will be fun to remix them and give them a fresh new look. He gave me about 8 to 10 songs with their partitions.

How can Haitian music be on the same international level, as say, reggae and Latin music?

The best way is to make sure that the quality of our recordings are within international standards, that we keep singing in Creole to impose our native tongue instead of thinking that we must sing in an other language to cross over. Until we realize that performing for an all-Haitian crowd in
another country doesn’t make us international, we will never cross that bridge. When people, [and] producers from other nations get to see us on stage in our own style and our own language instead of imitating others, our music will go so much further. Authenticity is very important. Unfortunately, now I see more international artists performing in Haiti and not all of them are huge stars, while very few Haitian artists, including myself, are performing on international stages. Something’s wrong.

What’s the worst rumor you’ve heard about yourself?

Before I released my album, I stayed in Florida getting ready to hit the stage again. Rumor has it that I have not been to Haiti in a while because I was so embarrassed to go back, since I married a man who took all my money and left me shortly after. There isn’t a drop of truth.

Ahem, let’s show our support for our Haitian artists by either purchasing their music, if it’s within our possibilities, or let us send them some words of love and appreciation. Check Tifane out here.

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KREYOLICIOUS YOURS…TIFANE

Kreyolicious starts the sentences…Tifane finishes them. Let’s see what she had to say…

Most people don’t realize that I am…not that good at making friends, but I’m just nice to everyone I meet.

A sure way to get me mad is to…underestimate me or make decisions for me without my consent.

3 People I wish were here with me right now…My grandmother Manmi Jeanine, my friend Mironda, my granpa Ti Pèpère.

My three favorite foods are…Chocolate, seafood mostly, lanbi [conch], sushi, steak.

I would die if…I lost my voice.

Oh, please don’t ever…raise a hand on me or my loved ones, [I’m] not violent but I can throw a mean punch instinctively.

Three artists I’m feeling right now…Melanie Fiona, Kes the band.

The last time I cried was when…in April, my recording engineer told me he was having a big problem with one of my songs for the album.

God is…the captain of my ship. I gave myself to him and I’ve been seeing miracles and amazing things I can’t explain happening for me non-stop.

My parents…[are] awesome, cool, loving, good looking and very supportive.

My life right now can be best described as…eventful, fun, very busy and crazy.

Three words that describe me…smart, real, sexayyyyy.

What I want to be written on my grave...With Tifane in heaven there’ll be music and one more ray of sunshine in the sky.

Naida Lynn croons her original composition “Wise Words” amid playful guitar strings. If she wanted to, she could probably sing the track in French, Creole, or even Spanish. Her tongue can spin words in five languages, after all. Her multilingual abilities mirror her multi-style abilities when it comes to music. One minute you can pick up India Irie influence in Naida Lynn’s voice, and the next minute you can sniff Whitney Houston in her notes, and in the next song you can detect a Patti Austin-deepness.

K. St. Fort: Tell us about yourself. 

I am the happiest person I know! I love life, I love who I am, and I find joy in helping other people experience that reality too. Born and raised in South Florida, I am a first generation Haitian-American who speaks 5 languages. In the humblest sense, I have way too many talents and passions to choose just one. Because of that, much of my time is spent living fully, thinking deeply, and pursuing all of the beauties in life as they come! A few words that describe me best include: passionate, adventurous, sensitive, and thoughtful. I sing. I write. I teach. I fly—all of which are ways that I am able to spread the message of hope, purpose, and freedom that I know intimately. I am a Christian. In fact, I am utterly, emphatically, and incandescently in love with Jesus. He is the source of my joy and is the reason I have the drive to make a difference in this world.

I’ve come to a place in life where I finally believe that I am enough. For years I lived the lie that I had to act like someone else to be accepted. I put my best foot forward always in an attempt to hide my insecurities. But the day I decided to show up to my own life, accept every part of me, and live vulnerably–is the day I discovered the real me.

I am a hot mess, yet I am lovely. I am down to earth yet super-fashionable. I am often confident and often insecure.  I am ever growing into a better person however, once a month, I am not the nicest person to be around! [Laughter] I am me. I am Naida. And whether people like it or not, I will live nothing less than unapologetically me!

K. St. Fort: Did you know that your name means “Water Nymph”?

Yes! I actually did! [grins] I discovered that some time ago, and thought it was so fitting to my personality! According to Greek Mythology, those water nymphs used to guard various bodies of water, served as mother figures to young ones, and would marry kings in their days. I like to think that I’m secretly royalty and will marry a king! [Laughter] Not to mention that I’ve always been fascinated with the depths of water and mentoring others like a matriarch.

K. St. Fort: Speaking of water…how do you keep your head above water in this business…in the sense of keeping yourself level-headed?

What a great question! Honestly, it’s reminding myself daily about who I am, what I stand for, and what is right for me to be doing at any given moment. The only time when I am overwhelmed and ‘drowning’ in this business is when I’m distracted. It’s so easy to compare yourself to other people and to begin to look down on yourself. I decided some time ago that I’d do my best to keep my focus while appreciating what others are doing. As amazing and ‘ahead of me’ as they may seem, that’s their journey! I have my own walk that will look different, smell different, and sound different. But as long as I’m true to me, I’ll be a’okay! [Smile]

Thinking like that keeps me grounded!

K. St. Fort: So,  I read that you wrote a song about pumpkin soup, chile. 

Yes! Soup joumou. [grins]I am Haitian to the core! And as you may know, we celebrate Haiti’s independence at New Year’s time. Soup Joumo—or pumpkin soup) is our traditional cuisine that we eat! It’s something we all look forward to each year. As the time to have it approached last December, I couldn’t help but get excited. The song kind of came to me soon after so I posted a video of it![Laughter]. A lot of people got a kick out of it, which is awesome! [smiles]

K. St. Fort: Have your parents been your biggest champions when it comes to your being involved in the music industry? 

Hmm…Yes and no. My journey with music is interesting in that I tend to think my passion for it came before my talent! The reason I share that in this context is because both of my parents later admitted that they are pleasantly surprised at how much I’ve come around because of how much I sucked when I was younger! [Laughter]

You see, I’ve always loved singing! But that doesn’t mean I always knew how![Laughter] I now realize that it’s probably because I didn’t understand my voice and the fact that it is naturally alto/deep. So when my high-pitch singing, soprano sister would sing, I would mimic her, trying to force the sounds out to be just like her! It wasn’t very pretty! [Laughter] But I just kept singing! People would tell me I sounded bad and to stop but I didn’t want to!

Eventually when I was in my teens, I began to get a little better. Then at 16 years old, someone invited me to sing at their church event. When my mother got wind that I’d be singing in public, she emphatically tried to stop me because she didn’t want me to embarrass myself! [Laughter] She said, “Naida, there are some people who sing in public. But then there are others who sing privately among family because our voices aren’t the best. I am like that and so are you. Please don’t do this to yourself.” Gotta love my momma. [Grins] I decided to go anyway, as there was one mentor who believed in my singing, (albeit, by faith).

The rest is history! I kept singing, kept getting better, and began to harness my own voice. Later, my dad (and mom) expressed their new found faith that anyone can master anything because of how I did! My dad later bought me my first guitar and now the both of them are some of my biggest fans!

As they say, life’s a journey. Just give people some time to get on board! [Laughter]

K. St. Fort: Musically-speaking, who do you admire?

Yay! Thank you for asking this question! I’m so excited because I love talking about the people who inspire me and who I admire! The main ones are Tori Kelly, a band by the name of Johnnyswim, and another band named For King and Country. What I love about each of them is their transparency, the way they’ve broken molds, and the way they each live unapologetic, quality lives of inspiration, purpose, and fun! They’ve definitely influenced me.

Regarding those who have influenced me musically, I actually struggle to pinpoint it. Growing up, I was exposed mostly to Haitian Hymnals, popular boy bands, CCM, and other known pop singers. Outside of the Backstreet Boys, I never really took a deep liking to any particular person such that their styles predominantly leaked into mine. Because of that, a lot of my music is diverse—one minute incorporating the swing-sway rhythms of the islands and the next, popping like a 90’s rock song.

However, if I absolutely had to say one person who stood out amongst the hodgepodge of music I consumed, it would be a little known artist by the name of Warren Barfield. It wasn’t till about a year ago that I stumbled upon his music and realized that a good portion of my songs resembled his style. I was really into his music in my early 20’s, which is around the time when much of my songwriting began to take shape. So, there you go!

[Photography Credit: Timed Beauty by Sally, Oscar Torres and Behind the Face Photography]

This concludes Part 1 of the interview with Naida Lynn. Be sure to look out for Part 2. Meanwhile…

CLICK HERE to buy her music on iTunes.

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Teen singer Julie Marie is like most 12th graders who are home-schooled, except that, well, she spends her weekends doing the most interesting things. Like performing “Haiti Girl” in front of fans at BET Experience, and being interviewed by MTV. Interesting things, as in performing in stadiums around the nation, opening for the R&B/pop group act Mindless Behavior. Born in New Hampshire to an American mom and a Haitian dad, the singer-songwriter has already released her first EP entitled “The Movement.” And it’s her voice behind the Generation Z love anthem “Generation”.

Kreyolicious: First off, how long have you been singing?

I’ve been singing professionally for about two years now. But I started singing in church since I was 9 years.

Kreyolicious: While you were singing in church, did you find yourself struck by the voices of any singers in particular?

When I was about 10, I went to my first concert, and it happened to be Alicia Keys. When I saw her up on stage doing her thing, I was star-struck. After the concert, I even got braids in my hair. That was the moment I knew that this is what I wanted to do. I wanted to be on stage and have everyone looking up at me singing along to my songs.

Kreyolicious: Where was this—what venue?

Boston. TD Garden.

Kreyolicious: What was it about her and her singing?

I think it was just the way she carried herself. When she was on stage, she was just having fun doing what she loves—and you could see it in her eyes.

Kreyolicious: You were born and raised in New Hampshire. What was that like?

It’s most definitely different from L.A…The lifestyle there is very homey and everyone is family- orientated. Everyone cared about you basically. It was a culture shock moving to L.A…because you already know the industry…and for me the way I was raised was way different from the the lifestyle here.

Kreyolicious: Do you think you’ve fully adapted at this point?

To be honest…No. I don’t think anyone could adjust to it. It just really important to keep yourself grounded with good people and always remember where you came from. That’s how I go about everyday.

Kreyolicious: This past weekend, you had to do two shows. How do you keep your energy up when you have back-to-back performances scheduled?

I love it! I love performing! I don’t even get nervous! it’s crazy. If I could perform back-to-back shows everyday that would be amazing! But when it comes to getting tired, I keep my Takis, Monster, and Kool-Aid close by.

Kreyolicious: What do you usually do to prep for a show?

Right before a show I eat Takis. It’s kinda become a tradition for me. Then, my dancers and team turn up and dance backstage and pray right before we go on.

Kreyolicious: So, you’ve already recorded an EP entitled “The Movement”. Can you discuss putting it together?

The processes of making “The Movement” was amazing, but also a bit stressful. I love being the studio. I could be there all day—everyday. The only hard part so to say would be choosing what songs would make the EP.

Kreyolicious: Did you have a lot of songs to choose from? And how did you determine which to include?

Not a lot. The team came in and we listened to the songs and it is just about choosing hits. “What will the fans love?” is the questions you have to ask yourself.

Kreyolicious: Did you write all of the songs on the EP?

I co-write my songs with my producer. I keep a journal with me everywhere I go, and I write about how I feel about certain situations going in my life or something that I see. And then when I get into the studio, we turn it into a song.

Kreyolicious: That’s awesome. I think it’s always nice when a performer can also create their own material.

Exactly…It’s more real. The artist connects to the song more.

Kreyolicious: How long did it take for the actual recording of the album?

From start to finish…about eight months.

Kreyolicious: Oh, wow…I think it’s pretty cool that you have a non-profit foundation. What made you start it? And what’s the latest with it?

Thank you! I started when I turned 16. Being half-Haitian and hearing about the earthquake, I wanted to do something about it. For my sweet sixteen, instead of having presents, I had everyone donate towards my charity. Then in July [2013], I went to Haiti for about a month and just gave back. It was amazing to be there and see how they live. It really opened my eyes and made me a lot more grateful for what I have.

Kreyolicious: That’s cool. Was that your first time going to Haiti?

Yes, it was.

Kreyolicious: Going back anytime soon?

I’m planning on going there and doing a concert. I’m very much looking forward to it. My song “Haiti Girl” is going crazy over there so I can’t wait to go back.

Kreyolicious: What were your impressions of the country?

I love how everyone is family…like literally everyone [Laughter] the whole town is your family! I love how everything is so chill and you can just relax and crack some jokes on the beach.

Kreyolicious: What part did you go to?

Port-au-Prince briefly. Mainly Les Cayes and Port-Salut.

Kreyolicious: Do you know Creole?

Yes. Fluently. My grandmother taught me when she came to the US when I was 4.

Kreyolicious: Your parents moved to Los Angeles to support your career, so obviously they approve of your career choice. What’s the biggest lesson they’ve taught you?

The biggest lesson they’ve taught me was to remember where I came from.

Kreyolicious: Speaking of where you came from…where do you want to end up in your career?

L.A. I plan on staying here. Eventually, I want to move to England for a short time, but as of now, L.A.

Kreyolicious: In terms of accomplishments…in terms of a full-length album?

I’m actually starting on the album right now…I’m on tour with Mindless Behavior and Aaron Carter so soon I am going to be doing my own tour and selling out arenas.

VISIT JULIE MARIE’S WEBSITE| FOLLOW JULIE MARIE ON TWITTER| BUY HER MUSIC ON iTUNES| JULIE MARIE ON YOUTUBE

If you’re a music lover on the perpetual pursuit of meaningful music, and you’ve never come across this artist named Freedom on iTunes, consider yourself as mighty unfortunate. His nine-track album Liberation 1804 for one, is one of the deepest song collections I’ve ever encountered on that platform.

Soulful and gospel-tinged, each track is more spectacular than the other. There’s some excessive flag waving, but there’s depth, and plenty of allusions to Haiti’s history that you may have read on Haiti-related Wikipedia entries, or perhaps came across in the Latin American Studies section of your school’s library. There’s this song “Manman” (Ma) that’s squeezed among the track listings. It’s like a pomegranate in a barrel full of mangoes—totally unexpected, but welcomed. From the spoken intro, backed by light guitar, and the singer-rapper’s fluttering voice. When I was scouring Youtube for mother-themed songs in Creole when I first started this website, it had to have its place on the Haitian mom musical tribute countdown. Truly, that song is everything and then some more.

The profound lyrics and the hard-hitting melodies on Liberation 1804 are what makes the record. Then there’s the voice of this Freedom person. There’s something to be noted about it. I don’t know. The voice sounds pained, like he’s vocally unearthing a couple of decades of pain, but is trying to remain calm about it. One of the best showcases for it is “Sove Peyi Mwen”, where one is treated to nearly four minutes of Solomon Burke-like vocal acrobatics. Next up, is “Ayibobo”, a drum-and-clap-driven track that cries for a miracle and unity. The song conveys the rapper’s exasperation with how things are–-Olye ou priye pou mwen/Ou ta renmen’m detwi—You ought to be prayin’ for me/Instead you’re clammoring for my demise. “Twou Bwa Kayiman” has an almost this techno rock sound to it, with Haitian roots music doing some meddling. The title, is of course, a reference to the meeting place where the 1791 slave uprising was planned out.

I thought to myself that if this Freedom dude can do this with these songs, I wonder what he’s capable of he were to sing some love songs, as those tracks were truly amazing. Actually…mouth-droppingly amazing.

This Liberation 1804 is practically Haiti’s answer to Janet Jackson’s Rhythm Nation 1814—methinks. The musical critic and writer David Ritz and others have written about how—in the 1990s—Rhythm Nation brought music and social consciousness to young urbanites. I can’t help but think that Liberation 1804 has done the same for Haitian folks discovering it.

Kreyolicious: Your real name is Christopher Laroche. Are you, like, related to Joseph Laroche the Haitian dude on the Titanic?

Yes. I am related to him.

Kreyolicious: At which point were you told that you were related to him?

When the Titanic article came out is when I found out about it, and I was surprised and also felt like that was very cool. The story…not the fact that he pretty much ended like [Leonardo] Dicaprio in the movie–but that many people say the story from that movie is directly based on the accounts of his wife.

Kreyolicious: How’d you feel about it?

Guess he went out like a real honorable person.

Kreyolicious: You were born in Haiti. What memories do you have of it?

Everything I remember from growing up is in Haiti. I grew up in Cap Haitien and Port Au Prince and have never stopped going back. So, my most profound memories will always be based in Haiti.

Kreyolicious: How’d you get the name Freedom?

I got the name Freedom from the fact that Haiti is the first country to get out of slavery. I got the name from the fact that I like to make one type of song today, and another the next day. And I have a big vocal range and work driven by vibes and energy. I try to make all types of different songs because experimenting always helps me create an original sound for every track. In other words, it all comes from my heart and soul—and that means freedom to me.

Kreyolicious: What was the first song that you heard that had a profound influence on you?

I would say as far as Kreyol songs, it was “Lèm Pa Wè Soley La”. As far as English songs, it was tracks like “Redemption Song” and “Ain’t No Sunshine”.

Kreyolicious: And your first performance ever?

It was in Cap Haitien and I was about thirteen-years-old with my brother Fos. Back then, I was a radio DJ, so we set up a show at a local venue. We sold out the show and had over a thousand people attend—making it a huge success back then.

Kreyolicious: I’ve listened to a lot of your songs and I absolutely love the gospel-R&B blend to them.

When it comes to music, it’s like some people choose music, but I feel like music chose me. It’s my therapy when I write a song. My music’s poetry. I don’t make it just to be commercial. I make my music just because I love making music, and it’s the only way I know how to truly express myself, so I try to make it timeless.

Kreyolicious: How did you decide on the creative direction for your album Liberation 1804.

Well, I was in the hospital at that point of time. I was in an accident [and] ended up there and it was a life-changing experience. I spoke to God and promised that I would do something for Haiti. Having gone through what I had just gone through, I felt like my Haitian brothers and sisters were the only people that could relate to what I felt. So, I had to build strength to become the voice of a forgotten people and make a Kreyol album for my people in order to have an effect on the system. And when I did that [censored expletive], things went crazy quick because I took my original freedom formula and flipped it to Kreyol and we created a new sound that was undeniably one of the most original things ever.

Kreyolicious: What usually comes first to you…the lyrics to a song, or the melody?

It depends…usually the melody though, and then I see a vision for the lyrics. But then, if I start with a purpose in my mind it might start lyric-driven.

Kreyolicious: What goes into creating a beat for a track?

It depends on who I’m working with. Sometimes, I go in and do my own tracks, but usually I like collaborating with people I’ve cultivated relationships with and have locked in the formula of how I make my sound to push it to the limit, and make bigger hits every time. I can say I’ve worked with some of the greatest producers in the world and it is a blessing every time.

Kreyolicious: There’s a lyric line in one of your songs, where you go: “Mwen fimen pou mwen fè tèt mwen poze”, talking about how you be lighting it up, to get your head all cleared. Um, please tell me those lyrics were just for the sake of rhyme.

I would have never written that for the sake of rhyme. In the history of man kind, no one would have the courage to sing those words if they didn’t mean them. [Laughter] And from your choice of words when you asked that question, I know you turn up…[laughs] so next time you roll one, throw some Freedom on for me.

Kreyolicious: Sorry, but I don’t roll. Don’t you think that Illuminati forces can get in your head when you smoke?

You should learn how to roll or buy a roller…not trying to preach bad things but anyone who attempts to drink would realize the urb is better for you than the liquor. It goes well with the mind of a true rebel. Illuminati? [Laughter] That is the funniest question I have ever answered. Definitely not. There is a forcefield of positive energy around me. I trust it, and just live. I don’t complicate much or judge things that most of the world can’t understand anyways.

Kreyolicious: And how do you parents feel about that? Or do you think that because they’re not around, you can do whatever you want?

My parents always respect my decisions—and trust—I will follow my heart regardless. They are a huge inspiration to me and have always supported my dreams—whether they liked it or not. I was taught to stand on my own feet and be proud of the way I choose to live.

Kreyolicious: What do you wish you had known before you entered the music business?

Not to enter the music business.

Kreyolicious: You regret you ever entered the music business? How come?

It was me being funny…I wouldn’t trade it for the world. It is just not for the faint at heart. So if one decides to pursue a career in music, you must feel like you have something truly unique to give the world and be partially crazy and lost in art…I do feel that way. So, the movement continues until the end of time. Been working with everyone from Jayz and Beyonce to Snoop Dogg, so I guess I’m just grateful to be blessed with the path God has placed me on. Am excited about new music coming in the near future.

Kreyolicious: You have your own record label Freedom Recordz. Is it hard running your own label?

Yes. The music industry is complicated. It takes a lot of energy, resources, and dedication from your team. Everything great takes a lot of work.

Kreyolicious: Any tips to artists and those who would like to establish their own?

Never give up. Just keep your head up. Make your music, do what you got to do. Pay dues. Know that you’re working in an industry that consists of many crazy people—a lot of very prideful people. Focus on you. The art comes first. Don’t get tangled in the web.

Kreyolicious: Do you feel some sort of responsibility towards youths who look up to you?

Of course I do. When I started making this music, I said I wanted to make songs that inspire children to grow up and believe they can change the world. Never stopped.

Kreyolicious: What do you think of women’s images in hip-hop videos?

I feel like there is tasteful art, but I also feel there is a condescending side to women that is a cause for concern to a certain extent. I honestly never think about that though, and I’m not the person to tell the difference between art and excess.

Kreyolicious: You can tell a lot about an artist by his songs. In Liberation 1804, you come across as a history-freak, and a militant, who just happens to love his mom. Is that an accurate picture?

Yes. I have always been truly passionate about our culture. Everything I do is for Haiti.

Stay tuned for Part 2 of this interview. When available, it will be AVAILABLE BY CLICKING THIS LINK.

CLICK HERE TO PURCHASE FREEDOM’S TRACKS ON iTunes | FREEDOM ON FACEBOOK| FREEDOM ON REVERB NATION| CLICK TO VISIT FREEDOM’S SOUNDCLOUD STREAM|

Tamara Weber-Fillion calls her debut album Time, Wind and Fire, and by all indication, those elements were factors in her overall success as a singer.

Photo Credit: Kelly Jacob
Starting with time…great timing…on the advice of a music coach, the singer auditioned for La Voix (Canada’s edition of The Voice) in 2010, and became one of the show’s breakout stars that season. Fire…she’s got fire. You can see it when she performs on stage and when she belts out songs like her rendition of Bob Dylan’s “Knocking on Heaven’s Doors”. At the time she’s answering my questions, she was in a middle of a Canadian tour that brought her and her band’s members (Rosemarie Richard and Rachel Hardy-Berlinguet) to Canadian cities Montreal, Lavaltrie, Beloeil, and Ste-Marie-de-Beauce.

Kreyolicious: Tell us about yourself. And share some musical memories growing up.
I’m a big dreamer, but I always thought that everything was possible and I think that served me well up to now. [Smile] I remember clearly stealing my brother’s guitar to learn by myself when he was away. And also bying a few cd’s and learning all the lyrics, trying to sing like my favorite artists which were Avril Lavigne, Justin Timberlake and Our Lady Peace at that time.

Kreyolicious: Was there something about your upbringing that pulled you towards music?
I don’t really know, it was always in me.. I had to touch everything I saw that made sounds… I was always interested without knowing why. Nobody plays music in my family, but they all enjoy listening to it.

Kreyolicious: You entitled your album…Time…Wind and Fire. Why?
I put a lot of thoughts into my first album’s title. First, it was an album that took five years over all since the first song (“Unsettled Heartbeats”) was written an its release. “Time”. Im a little obssessed with astrology, i’m was born under a wind sign and been in a meaningful relationship for almost three of these five years with a fire sign “wind & fire”. It was also a hint to a book of my favorite author, Antoine de St-Exupery, Sand, Wind and Stars.

Kreyolicious: Coincidentally, your album’s title has the same initials as you. Was that intentional?
Yes. It was intentional.

Kreyolicious: What was it like putting the album together?
I wanted to make a personal album since it was my first one, so a lot of my friends are part of it…I wanted to be entirely me. It took a while, but it was a lot of fun and it’s been recorded in an old-fashion way. All the musicians together and we recorded the voices after.

Kreyolicious: When you were on La Voix…Did you feel any pressure…either internal or from tradition…to do a cover instead?
I didn’t perform any original song on La Voix…It’s forbidden in the rules of the contest, but I wish I could have.

Kreyolicious: You play the guitar expertly. You’re no novice. So, what advice would you give to someone who is?
I don’t consider myself as an expert guitarist at all. It’s more to accompany myself. I feel better with my guitar. I never feel alone with it—even though I am sometimes on stage, it gives me strength. The only advice I would have to give is to never give up, because it’s not always easy, but practice and believing makes everything possible. [Smiles] This advice can apply on everything in the [entertainment] business too.

Kreyolicious: Does your Canadian-Haitian heritage play a role in your music?
Not necessarily in my music, but in my motivation for sure. I always wanted to give back what I had and this is more than luck. It is love.

Kreyolicious: You’ve been to Haiti?
I’ve been to Haiti twice to build a school with the Mark Bourque association…

Kreyolicious: When you’re on stage…how do you maintain your connection to your fans?
I don’t have any tricks to maintain the connection, but I’m a pretty empathetic and emotional person and I believe I reach people with my own way of feeling even with my eyes closed.

Kreyolicious: While we’re on that topic…what are you preparing musically for them?
I’m actually working on my second album wich I hope will be ready before the end of the year.

Kreyolicious: Half-a-century from now, when a musical expert and biographer is analyzing your music and your life…how do you want to be remembered…what do you think they’ll say about you?

I hope that they will talk about me as a strong woman that made a positive impact as a musician and as a human being, because I’m planning on using my differences to help other people to accept themselves and knowing that they are beautiful the way they are. I also want to help in less fortunate countries—especially Haïti.

Special thanks to Six Media for making this interview possible.

Visit Tamara Weber-Filion’s Website| BUY HER MUSIC ON iTUNES

Lex Pierre-Louis? Ever heard of him? No? Well, you’re not cool. You’re really not. As one of the leading branding and marketing influencers in the nation, and one of the foremost trendsetters in Miami, he’s sure to have started a trend you’re following, and he’s sure to have concocted a marketing campaign you were served.

The owner and CEO of Lex Promotions and Marketing Group can do without your recognition anyways. He’s got all the zeroes with the proper decimals and the signatures in all the right places on the huge checks he gets from the big brands he worked with. Black Enterprise, Legacy Magazine, and The Miami Herald have all recognized his power as an influencer, event marketer, and promoter.

Brands and companies come to him when they’re trying to reach out to young trendsetters. Public relations strategists run to him when they’re looking to target specific demographics. They especially seek him out when they’re looking for an expert who knows how to effectively maneuver non-traditional advertising tactics, and apply grassroots methods.

Kreyolicious: Words can make, can break people. When you were growing up, were you ever told that you would amount to nothing? That you’d never get anywhere?
When I was growing up, I was lucky to have the support from family and friends. My parents were a positive influence on me. But at the same time, I saw friends whose parents would insult them. That made me happy to have the parents that I have.

Kreyolicious: You’re an influencer, and your power as an influencer and trendsetter goes beyond Miami. Everyone has a start. How did you get your start?
I got my start at an early age, in high school and middle school. I started to deejay and promote my own parties. From there, I moved on to promoting music, and eventually brands that wanted to reach the college and high school demographic. I realized my power as an influencer when I was in college. Every time I would visit Florida Memorial University, students and deejays would be eager to ask me what were the new trends, so they could follow.

Kreyolicious: It’s not unusual for someone to start out really well in a field, make a splash, and then hit obstacles, and quit. What has kept you going?
I have a love and passion for what I do: marketing, branding, promotions. This is me when the lights are off. Even when I am out at a restaurant, my mind thinks of ways that something can be re-branded. So, my love for what I do is what keeps me going in tough times.

Kreyolicious: Would your parents have preferred for you to be a doctor? Or attorney, even, since you definitely have persuasive skills.
My parents did not support my career choice at all. They wanted me to finish my pharmaceutical program, but I chose to join the entrepreneurship world in the marketing field. Once I started my company, the only thing my parents were asking was, “Are you paying your taxes?” But, for years they had no interest in my company. That did not stop me. It actually pushed me to work harder.

Kreyolicious: Have you been to Haiti?
I travel to Haiti every December for http://www.christmasgivinginhaiti.org A non profit program that collects toys, clothes, and shoes in throughout the South Florida area and sends them to children and families in Haiti. Travels to Haiti annually organizing and managing multiple toy and clothing distribution. Most recently in April 2016, I took two trips to Haiti to learn more about orphanages, how they operate, and to volunteer my services. I visited New Hope for Haiti in Les Cayes, and Mission of Grace. Outside of visiting orphanages, I have so much fun seeing family, and joy ridding ATVs, and jet skis in Haiti.

Above: Lex Pierre-Louis poses with members of his street team for Zo’s Winter Groove, one of Miami’s signature events.

Kreyolicious: Can you give us an overview of what it’s like to run a company like Lex Promotions?
Running a company Like Lex Promotions and Marketing Group is a difficult task. Everyday, you have to follow up with clients, manage staff, and supervise current projects. In addition to you have to be creative with your team, to execute creative marketing campaigns for clients. Twelve-hour work days, weekly flights to different cities, and last minute request to make miracles happen are the norm.

Kreyolicious: What should we expect from you in the future? Your own record label, perhaps? A film production company?
While I have had a strong role in the music and entertainment industry in the past ten years, in the future I see myself more on the marketing/branding side. I love working with brands and companies like airlines, cell phone companies, restaurants, corporate brands, financial institutions and clothing lines that want to reach the Millenial or Caribbean demographics and have difficulty. That’s where Lex Promotions and Marketing Group comes in. We are that demographic, and understand what makes [it] move. I have also considered venturing into the tourism sector. Specifically, bringing more consumers to underserved markets like Haiti and introducing them to the beauty and richness of the country.

Lex with rap legend and Miami’s very own Trick Daddy.

Kreyolicious: “This book changed my life”, or “These books changed my thinking,” people sometimes say about books that have had immeasurable influence on their lives. What books have played a role in your growth?
It’s Your Business—JJ Ramberg, MusicMarketing-Mike King, Steve stoute The Tanning of America. I also visit Entrepreneur.com and blackenterprise.com daily. They have some amazing articles.

Kreyolicious: What’s your proudest moment?
It’s hard for me to say what my proudest moment is. I have [had] the opportunity to be part of some amazing projects…Over twenty Number One albums. Worked with major brands like Burger King, Beats By Dre, Dub Magazine, platinum selling artists, and introducing new liquor companies like Luc Belaire Rose. But I think that I am happy about the recent launch of my personal website lexpierrelouis.com in March [of this year].

Above: Lex at a gathering with an associate and rapper Rick Ross.

Kreyolicious: If you mentoring someone who wanted to go into publicity, marketing and promotions, what would you say to him or her to prepare him or her for that sector?
Stray True to your brand. You have to quickly identify what your bran is, and stay true to it.

LEX PROMOTIONS ON INSTAGRAM | CLICK HERE TO KEEP UP WITH LEX HIMSELF!

This was another episode of Yap Mennen[They Ballin’]…in which…in which I—your girl Kreyolicious—profiles a baller in the community. Tune in next time.

There are DJs who hit on the profession quite accidentally. They filled in for someone and decided it was for them, and so on. And what of DJ Rad, one of New York’s finest? His love for deejaying actually started with a classic movie. “I got started by watching Beat Street the movie as a child,” he recalls. “Ever since then, I was amazed at the scratching sounds and the way the dh’s mixed the music…From then on, I was hooked.”

Growing up in Jamaica Queens, New York—in the Laurelton section—the little boy who would grow up to be DJ Rad, watched and idolized such musical greats as Jam Master J from Run DMC. Oh, and it also helped that he didn’t have to go far to get his DJ groove on. “My father’s friend had a DJ set,” DJ Rad remembers. “I used to sneak and practice what I saw on TV and heard on the radio.”

With all that practice, it was only a matter of time before he got pretty deft at the craft. “I got really good at mixing,” he says, “but was amazed to see deejays battling and doing tricks, so I practiced and practiced for years—until my skills were good enough to battle other DJs I used to idolize.” Those turntable masters he refers to are Jazzy Jeff, DJ Cash Money, Stevie D and DJ Scratch. “I got a rep around my area,” he remembers. “I was into the battle thing heavy, and blending R&B records with hip-hop beats. From there it was on.”

Indeed, it was “on”—on as in working with major labels like Atlantic Records, Uptown-MCA records at live events and producing demos for such artists as 50 Cent. The DJ mogul has had his musical projects released in places like Switzerland, France, Japan, Germany, as well as Sweden. A track he produced—“A Tear for The Ghetto” on the independent label Freeze Records—was released in Europe and earned gold status.

As part of the producing-DJ team The Triple Beam Team, Rad produced “High All The Time” for 50 Cent on the classic rap album Get Rich or Die Tryin’. He’s also produced Infamous Mobb, Dark Lo from O.B.H., Riot Squad Member Cau2Gz, Jadakiss (“Blasting Off”), and NorthStarr. He’s made beats for Lakey The Kid—the protégée of rapper Nas—and was the main producer of the compilations Miami Hip Hop Uncensored Part 1 and Part 2, Welcome 2 Miami.

Kreyolicious: Is there a story behind how you chose your DJ name?

Its part of my real name—Conrad. My friends called me Rad for years, so I just stuck with it… I had a few names coming up DJ Maestro, DJ Nestle Qwick, and DJ Rad…aka Radnificent. I got that from DJ Jazzy Jeff. He was known as The Magnificent Jazzy Jeff. I just called myself Radnificent. I kept it for my DJ name and my producer name [which is] also DJ Rad.

Kreyolicious: What are some of your favorite records…the ones that you feel are indispensable for a successful event?

Some of my fave records are “The Show” By Dougie Fresh and Slick Rick, “Get At Me Dog” by DMX, “Juicy” by Notorious B.I.G., “Made You Look” by Nas, and “Give it To Me” by Jay Z.

Right: DJ Rad hanging out with reggae star Elephant Man.

Kreyolicious: Say you’re hired for an event. How do you determine what you’ll play?

It all depends on the crowd the promoter is used to having at his or her venue. If it’s an older crowd, I know I have to have a good portion of late 80s, 90s and early 2000 songs with some dated music added in. If it’s a crowd that is mixed, then I know to have a little bit of everything to please the crowd…

Kreyolicious: What are your parent’s thought on your profession?

My father was always a supporter. He used to buy me all my records when I was young and first starting [out]. He bought me my DJ equipment. He is a big lover of music. My mother—also. They were skeptical at first, but when my father gave me a message one day saying this record company called and said, “Meet the artists at the airport. You’re going to Switzerland”—that’s when it hit them like…damn…okay—this is real.

Kreyolicious: Do they ever come to your shows?

No. They are not into the hip-hop shows. They like what they see on TV and hear on the radio. [Laughter] You know old school Haitian parents…twòp bidip bidip nan tèt mwen. [Laughter]

Kreyolicious: How do you stay linked to Haitian culture?

I stay linked to Haitian culture through family my cousins. I do my research and also go back and dig in the crates of my parents and other family members music and films and tv shows. but i follow a lot of outlets. I grew up watching [shows called] Languichatte, Les Gens D’ici and other shows. I listened to Tabou Combo, DP Express, Scorpio, Coupe Cloue, coupe cloue bossa combo ti mano all the way to Zin, Boukman Eksperyans, Djakout, Carimi…Sweet Mickey. I haven’t been to Haiti in a while, but it’s long overdue. I would like to go there and share my experiences of this hip-hop culture with the people in Haiti [since] I grew up around a lot of rappers, producers, actors, directors, record execs and singers in Queens. And also, [I’d like to] teach deejaying and music production…

Left: Chillaxin’ with rap scribe and music legend Nas.

Kreyolicious: That’s a great plan…What would you say has been the best moment of your deejaying life?

The best moment was when I was picked up to be the tour DJ and resident DJ for the rap group The Group Home from the Gang Starr Foundation. We traveled all over Asia and Europe…that was the first time I got to experience performing in front of thousands…

Kreyolicious: Wow…If an aspiring DJ was sitting across from you right now, and humbly asked you for advice on how to proceed with a career as a DJ, you would say…

[I’d say to] be original. Do a lot of research on the deejays that came before him…or her. Also, really study the art ’cause it’s an art form—whether you’re a battle party DJ or mixtape DJ. And don’t be afraid to ask questions. Learn by watching—and incorporate it in your original routines. And most importantly, be original and keep an open mind to music. Listen and collect all genres of music…

Kreyolicious: Deejays can be unpredictable on the turntables. But they can be calculated when they’re not on them. What should we expect from you?

When I’m behind the turntables or beat machine in the studio, always expect good energy…’cause I’m like the wind. You can’t see me, but you sure can feel me.

[All images provided by subject.]

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Nadine Renazile should be on your radar. Actually, she should be a big dot, huge dot on your radar.

Above: The artist Nadine Renazile poses with singer Lauryn Hill.

The Haiti-born, New York abstract and mixed media painter is known for melting multiple cultural identities in her work. She says her work expresses themes like displacement, language, race and social class ambiguity and of course, memory and family relationships. Recently, her work was part of singer-songwriter Lauryn Hill’s Diaspora Calling group exhibition.

Nathalie’s work has also been on display at the Smack Mellon Gallery, and her work was in the exhibition line-up at Princeton University’s All-Rise at Robertson Hall. You can catch an exhibition featuring the work of the Columbia University graduate at Selebrasyon, Haiti Cultural Exchange’s Haitian art, culture, music extravaganza going on right now until the end of June.

Kreyolicious: At which moment did you have your first epiphany that being an artist was going to be a huge part of your life?
In 2013 while painting in Studio #16 at the Art Students League, I knew I had found my passion and right then and there I dedicated my life to becoming a painter.

Kreyolicious: Was parental support heavy when you made your intentions known?
I was in my fifties when I started painting; parental support was not a consideration. However, it took a while for friends and family to understand how hugely important painting was to me. At first, they were annoyed at listening to me rave about this gallery show or that museum exhibition, but then slowly they came around to accepting the fact that this wasn’t simply a pastime.

Kreyolicious: Did you ever have to struggle within yourself between being an artist and pursuing something else?
Interestingly, I had just completed a Master’s in Information Management and Knowledge Strategy at Columbia University and was looking into becoming a Knowledge Manager at another institution but then I realized that I wanted to paint full time. I’ve had to say NO a lot! Knowing that I am a librarian and possessing a certain skill set, people have all kinds of requests of me but having waited so long to find the one thing I was born to do, I felt I needed to give it my all and not be sidetracked by other people’s needs. It’s hard for folks to understand, but I’ve been pretty uncompromising about not veering off my path.

Above: From Nadine Renazile’s Earthquake painting series. Photo taken by Gina Marcel.

Kreyolicious: What do you usually do when you have a creativity slump?
I read art books, lots of poetry, visit museums and galleries or I just work through ideas in my sketchbooks.

Kreyolicious: Have you been to Haiti?
I went to Haiti in 2010 two months after the earthquake. It was a life-defining moment. Previous to that time I hadn’t been in decades. In Haiti, all the familiar landmarks of my childhood were gone, the Cathedral where I had my first communion and my elementary school amongst other things.  My old family home in Fontamara was not only gone, but the whole area had become totally impoverished. It was no longer the haven I remembered it to have been forty years ago. It was devastating to see that the social and economic fabric of the country had deteriorated to such extent that people had to live this way.  I was staying in Frère, but didn’t feel very safe there. Despite the high walls everywhere, things were still in disarray. However, I took a side trip to Hinche and fell in love with the interior of the country. It was like time had stopped, young men and women reading their books were sitting in a sweet little park in the town center. People spoke this amazing lyrical Kréyol; they had a great dignity about them. I felt humbled. I think I fell in love with my language then. Although I had traveled there to volunteer my services, things didn’t turn out that way. I did a couple of things, but certainly not enough to warrant saying “I volunteered”. I am still haunted by what I saw there. I’ve been working on an ongoing series about the earthquake for a while now. I hope one of these days to do a residency somewhere that would allow me the space and time needed to work on that exclusively.  

Kreyolicious: What do you wish you had known before launching your career?
Had I known I would have developed this passion for painting I would have gotten both a BFA and an MFA (Bachelor and Masters of Fine Arts).  I think a formal art education would have been beneficial. That said I’ve been pursuing an atelier-style education at the Art Students League in New York and doing art residencies and taking workshops. Mostly, I am developing a practice where I paint everyday, developing my visual vocabulary—that’s the best way to build potency in my art. My brother Erick has an MFA and I was always in awe of his skill set and talent.

Kreyolicious: If you were to make a short list of books that have changed your life…what would make the Top 5?
I’m interested in a world of ideas. I’m a reader, I’ve been a librarian for over twenty years, so my list is deep, but I’ll try to stick with the five requested. A list of best anything is always a capricious endeavor, but here I go:

Siddhartha by Herman Hesse was the first book I read in high school that made me think beyond the obligatory classroom response. It is a philosophical novel. The idea of seeking enlightenment was astounding to me; I was becoming aware of myself as a person. I walked around the house for days in a trance. My parents thought I had gone mad.

A librarian friend, Jean Refusé, gave me this poetry collection by Félix Morisseau-Leroy titled Haitiad and Oddities. This was right after I returned from Haiti and having fallen in love with Kréyol. His “Thank You Dessalines” gives me a thrill each time I read it.

I love James Baldwin’s lucid writing but one in particular, Another Country, is a spellbinding book that raised my black consciousness to another level entirely.  This is black intellectualism at its best.
Like most of Toni Morrison’s books, Song of Solomon is not for the faint of heart. The story of a black family striving is so compelling. Morrison presents black life is such a radical way: unapologetic, unblinking and fierce. The end of the novel, which, can best be described as a flight of fancy, captured my Haitian imagination.

Citizen: An American Lyric by Claudia Rankine. Another poetry collection, this one presents as both a collection of poetry and criticism. This book is a timely meditation on race, violence, racism, and art. This tour de force is poetic and political. I created two paintings based on Rankine’s meditation on Serena Williams.

Above: Another Nadine Renazile painting. Photographed by: L. Blumberg

Kreyolicious: What are some accomplishments that you hope to check off in the next five years?
I want to paint full-time. I’m hoping to get gallery presentation, to continue showing my work and share it in all kinds of ways and grow my artist community. I’d like to be able to make a living while pursuing my passion. I’m trying to develop clarity in my art, be engaging and relevant. And yes, dare I say it, to have my art in museums however improbable the whole idea might seem. I always dream big.

CLICK HERE TO VISIT NADINE RENAZILE’S WEBSITE

CLICK HERE TO LEARN MORE ABOUT SELEBRASYON FROM HAITI CULTURAL EXCHANGE

Jean Amédé Cazé is one of the most recognizable musicians on the contemporary Jazz scene. After beating out other competitors in the Thelonious Monk Jazz International Jazz Competition in 2007, Caze launched off a career that brought him on the stages of “The Today Show” to playing with Caribbean Sextet, to touring with Michael Bublé and performing with Roberta Flack. Cazé is hard at work on his second opus, a follow-up to Miami Jazz Scene, a 9-piece album that practically had some touting Cazé as a Haitian Miles Davis. Tracks like “Caravan” recalled the moods of 1960s Jazz with a little bit of contemporary thrown in, while the bouncy “Love, Love”, fused classic Jazz with just—just—a hint of pop. Cazé has been touring practically non-stop, while overseeing the recording of his second album (which he plans on dropping prior to the Fall season), but made the time to do this charming little interview.

Of all the instruments in the world, you chose the saxophone and the flugelhorn.
When I was 9 yrs old, my teacher asked me if I wanted to be in the music program. I accepted and was given a choice between the trumpet, saxophone, or trombone. I looked at the saxophone and thought to myself, too many buttons to press, seems hard. I looked at the trombone and I thought, it’s too big to have to carry around. Then I saw the trumpet and thought, oh cool only three buttons to press, how hard could it be? Then it took me days before I figured out how to make a sound!

It’s been said that childhood turbulence is a prelude to the lives of most musicians. Was that the case with you?
No. I grew up with minor issues. I grew up without a father but never felt like I needed one. I grew up poor but I come from a very loving and supportive family. Looking back it wasn’t so bad.

In 2006, you recorded your first album Miami Jazz Scene.
Yes, Miami Jazz Scene is the name of my self-produced debut album which I released independently while studying at Florida International University. The title is a joke, since the jazz scene in Miami barely exists. The music on the album reflects the kind of music I would perform at venues while living in South Florida.

You teach music as well. What is your approach to teaching music?
I help my students develop skills while trying to keep it fun for them. I expose them to great works of art to keep them inspired and I perform for them during the lessons so that they have something to strive for. I’m very honest when it comes to telling them about what it takes to be a professional musician.

After having to wait a number of years following your debut CD, what can fans expect from your second CD?
It will be worth the wait. The 2nd CD I’m finishing up now is at least 10 times better than the first. It features a lot of great artists. Reginald Policard, Mushy Widmaier, Dener Ceide, Martine Marseille, Melanie Charles, Obed Calvaire, and many other talents. My compositions are also more upbeat and interesting. The sound quality is superior. It will also be my debut as a vocalist. I will sing on several tracks in English and Creole. Syto Cave and Ralph Boncy wrote the lyrics of the songs with Creole lyrics. The reason for the long wait is that I’ve been very busy touring and I needed time to develop as a vocalist.

Most jazz musicians didn’t experience their first taste of success until they were well into their 30s or later decades, whereas you, the acclaim started when you were still in your late teens and early 20s.
What can I say? I’m blessed! Not only did God give me the talent but he put people in my life that recognized the talent and gave me chances to grow. A career in music isn’t easy. You have to have faith and discipline.

Out of all the accolades that you’ve gotten, is there one that stands out for you?
There is no one accolade I can pick out. I am grateful for every accomplishment. Being a professional musician who can support himself is an accomplishment. I’m a much happier person because I love what I do for a living. Work doesn’t feel like work. I put all of my plaques away in the closet because I don’t like to be reminded of what I’ve done. I’ll do that when I’m old. There’s way too much work to be done, I’m always looking forward.

Who really is Jean-Amédé Cazé?
You might have to purchase more space on the site if I fully answer that question! Hehehe. For now I’ll pretend you’re just asking about my name. Not too many people know this, but my real first name is Amédé. Jean is my second name.

What was your parents’ reaction when it became obvious that you wanted to be a musician for a living?
They supported me. I got scholarships to fund my education. I never left it up to my parents to fund my education. I think everyone should be encouraged to do what they are passionate about. Who says you can’t be successful in the arts. One of my teachers told me, “Nobody can take your dream from you……you give it up”.

With such a busy touring schedule, not to mention teaching and freelancing, how do you find a balance and avoid burnout?
Great question, it’s a constant struggle. I go to see other artists who inspire me. To be reminded of the powerful effect of music can have. I also try to schedule time to get away from music. I make time to be alone, hang out with friends, watch movies, read, exercise, etc. The more of a life I have outside of music, the more life experience I have to put back into the music. I’m a Libra so I’m always looking for that balance.

Who’s your dream collaborator?
I can’t say I have just one. Quincy Jones is the first person that comes to mind though.

Where do you see the music industry going? It’s obvious from developments in the past couple of years, that consumers are rejecting traditional channels, labels are losing their past influence, making some fear that the music industry is on a downward spiral.
I’m not sure where the industry is headed, but as long as the real artists continue to do what they were put here to do, there is a chance that they will inspire a change for the better.

If you should die tomorrow, before you wake, though we hope not, what would be your biggest regret?
My biggest regret would be that I took time for granted. I know I haven’t reached my full potential. I’m just getting started.