You must know at least one person in your circle who’s an overachiever. No? Well, look to Gayel Pierre to fill that void. The founder of G’s Addiction, a clothing line, Gayel (also known as Cutiega) is also a fashion and image consultant for bands like Kreyol La and Akoustic. Her latest achievement is the creation of Living Hart, a collective for creatives of Haitian descent. The graduate of the prestigious Art Institute of Lauderdale with a Bachelor’s Degree in Fashion Merchandising might surprise some with this initiative, but then again, they might root for her. Creatives of Haitian descent are scattered all over, and Living Hart is going to be the project to bring them all under one artistic roof. The project will launch on April 24th in Haiti, and from there expand into the United States.

Kreyolicious: So, you have yet another venture. How did you come up with the idea for it?
Living HArt came to me out of the blue. I was trying to think of something new, another form of entertainment and all of a sudden it came to me why not have a live show/ fair where everything is being done live and people can just walk in, browse, appreciate our youth’s talent and purchase their work.

Kreyolicious: You have your own design line, you do custom-design for artists, and now Living Hart. You’ve made so many of your ideas happen. What advice would you give to others who are having a lot of success with coming up with ideas, but can’t seem to do anything concrete with them?
It’s important to always try to innovate, keep on thinking and coming up with new ideas. However, sometimes it’s hard to materialize them—truth be told. I have had so many other great ideas that I was not able to make happen. So the important thing is to always push forward, and have tenacity because there will always be obstacles and you will always find people to discourage you. You just have to be patient, surround yourself with people who share your visions and network! Always network. As much as we’d like to think that we can do everything by ourselves, it’s not always true.

Kreyolicious: It’s surprising, but then again, it’s not surprising that you are drawn to visual art.
It may seem surprising because the public never got to know this side of me, but those who know me won’t find it surprising at all. In fact, I also studied interior design, therefore I am familiar with visuals and find them quite inspirational.

Kreyolicious: G’s Addiction will always be your baby. How do you keep your passion and drive for it, while coming up and managing all these other ventures?
My dream for G’s addiction is what drives me to push forward. I have a vision I have yet to [fully] accomplish. Therefore, I always focus on the objective no matter how hard things can get at times. In that sense, all my other ventures are all part of the big picture…my dream for G’s Addiction.

Kreyolicious: Life is all about growing. Can you think of anything that you weren’t too good at…say two, three years ago​ that you’ve mastered or have at least gotten twice as good at?
I have gotten better at everything I’m doing—whether it’s the jewelry, the designs. I have been growing ever since I started G’s Addiction, [so] I can’t think of just one thing! The list would go on forever. However, I think my most impressive growth [area] over the course of my journey, has been my personality. I have grown so much as a person, a businesswoman. This life has taught me a lot and I am grateful for every step I take.

Kreyolicious: What will people be surprised to see from you in the future in terms of new ventures?
People can expect so much more from G’s Addiction. Like I mentioned earlier, I am not done growing and innovating! Even I am still surprising myself with new ideas, [whether it be] new clothing line [ideas], new apparel and so on! I have so many exciting new projects coming…So stay tuned!

CLICK HERE TO FOLLOW GAYEL “CUTIEGA” PIERRE. |CLICK HERE TO FOLLOW LIVING HART ON INSTAGRAM

Carel Pedre is at IVLP!

Earlier this month, Haiti multimedia personality Carel Pedre left Haiti to participate in the International Visa Leadership Program, an exchange program sponsored by US State Department’s Bureau of Cultural Affairs.

In existence since the early 1940s, the program recruits media leaders from all over the world, and in a series of exchanges, schools, trains, and immerses them into the US media landscape. Participants, in return, share ideas with another—and not just media-related insight, but cultural insight as well. This year participants came as far as Tanzania.

Carel was nominated and selected by the U.S. Embassy in Haiti, and the other participants were selected by the US Embassies in their respective home countries.

Here he is posing with his colleagues.

Carel has made stops in cities like Austin, Seattle, Capitol Hill…and by the conclusion of the program, he will have assisted educational and exchange sessions in Denver, New York and Minneapolis.

And speaking of Capitol Hill…

here is the multimedia personality inside Capitol Hill…

Carel poses with fellow participants as well as radio personnel Erin Gesiler, Ben Philpot, Andrew Weber and Rebecca McInroy inside the KUTX/KUT building in Texas. KUTX broadcasts through the University of Austin’s Moody School of Communication.

Carel and the rest of the IVLP participants make a stop at the Austin Police Station and met with the Public Information officers for the station. They discussed the strategies they employed to assure the department’s transparency.

An International Visitor Leadership program would not be complete without a stop at Facebook!

Inside the Facebook office.

Spending time at Voice of America, broadcast through the Bureau of Broascasting Governors.

The radio and TV host has been chronicling his adventures at IVLP on his social media channels as well as on his personal website. The program is scheduled to end at the end of May, and is one of his primary triumphs as a media professional this past year. Earlier this year, the multimedia personality joined forces with Loop Scoop, a current events website, and got into a partnership with broadcasting vertical Zenio.

[All photos via Carel Pedre IVLP].

Eunide Edouarin—the Haiti-based rapper more popularly known as Princess Eud—doesn’t like to do interviews. “When I’m being interviewed,” the raptress contends, “I have so many things going on my head at the same time that I sometimes answer questions they never asked me, and I’m kinda shy.” Yet shyness is a quality that very few would identity with Edouarin. Take a performance for example in which the self-described homebody held her own alongside CaRiMi, one of the most popular Haitian pop bands on the market, during one of her first big performances in New York. Slithering sexily onstage, the singer-rapper rapped effortlessly on the band’s hit “Fanm Nan Move”, before dissolving into a verse of her own song “Hey”. It’s utter confidence and bravado that shines through; no signs of timidity.

Edouarin is a self-proclaimed traditional girl, but her start in the Haitian rap music game was far from conventional. While hanging at a local radio station in Port-au-Prince, she was invited by a rapper named Easy One to freestyle on a beat, and after being at a loss as to what to put in her improvised lyrics—Edouarin who grew up in a Baptist Church—started to recite the words of the first chapter of the Book of Psalms, pulling in listeners and the radio station’s DJs into a mild frenzy. Ingenuity was her name.

At the request of Easy One, one of Haiti’s most popular rappers at the time (since deceased), Edouarin, who having received a rebirth hip-hop baptism, was renamed Eud (pronounced Ood, you know like ‘hood’ without the ‘h’), joined Le Tribu de Job, a rap group where she was the sole female member.

Le Tribu de Job eventually dissolved, and Eud became part of Mystic 703, which now consists of her, the rapper Ded Kra-Z and 11 other members. From there, in addition to performing as part of the group, Eud cleverly started to position herself as a solo artist. Her duet with male rapper Izolan is one of Haitian hip hop’s first love duets, and one of the best. “Ou konnen ke’m renmen’w/Ou konnen ke’m damou’w,” she growls in one verse, “Mwen pa konnen pou kisa w’ap fè mwen fè jalouzi”(You know that I love you/You know that I am in love with you/Can’t figure out why you’re tryin’ to get me jealous). Says Carel Pedre, a radio personality based in Haiti and host of the Haitian radio morning show “Chokarella” of the raptress-songstress: “I think she is one of best female artists that we have in the Haitian music industry. She’s versatile, she’s smart and she has style.”

Indeed, with a combination of style, talent and sheer marketing savvy, Edouarin managed to create a buzz both in and outside of Haiti before even releasing an album. The wheels of her marketing machine got a great deal of oil both through online and off-line channels, coupled with a carefully crafted persona and mystique—made more viable by a music video for “Hey”, in which Edouarin is depicted as a nonsense diva with rapping and singing skills, who is not about to be duped into any man’s web of lies and deceit, thank you very much.

It’s that confidence that makes admirers like Adley “DJADD 1” Raymond of New York City’s “Sakpase Radio” show praise her endlessly. “Princess Eud is the epitome of rap creole,” observes ADD 1. “She is beautiful, talented and she has a notable swag. She has a distinctive rap style that can capture anybody’s attention from miles away.”

Last summer, the rapper and her artistic partner Ded Kra-Z released an album Limyè Rouj. Two songs “Yap Pale” and “A Dans Mizik la” were released as singles, and supported by flashy music videos. But understandably, whatever bursting fuse that’s lit within her is going to be bursting through when she makes her solo debut. “I find inspiration from everything that’s going on in everyday life, in my own life, and those in my entourage and such,” indicates Eud. “My melodies come to me pretty easily once I hear a beat in my head.”

Eud and her Mystic 703 cohort Ded-Kra-Z peformed in Japan recently at a hip hop festival. But the international trip that made the biggest impression on own and that she credits with reviving her confidence in herself as a performer, was during a musical festival dedicated to hip hop. “I’ve never had a welcome like that,” she says of her trip to Havana. “Even though the crowd didn’t know what I was saying, but with the power that I was delivering the lyrics I was knocking on the stage, it made everyone jump up and down and repeat everything I was saying. They welcomed me like a true princess, and frankly I was really ecstatic about it. Up to this point, [Cuba] is the country that’s really made an impression on me since I’ve been going overseas.”

While Edouarin claims not to feel any special sisterhood with fellow female rappers, most of the other artists that she admires and draws inspiration from are female. “I love Lauryn Hill; I love her personality, her singing style,” and with her cocoa-brown complexion, and natural twists, Edouarin could easily be mistaken for a distant young relative of Hill’s circa the release of Miseducation of Lauryn Hill.

Edouarin continues through her laundry list of inspirations. “I love Manzè of Boukman Eksperyans. This woman there’s no way you can be around her and not feel strong. I like the way she carries herself and her self-respecting ways. I like Beyonce for her energy and Rihanna because she’s not afraid of saying what she thinks. I love Pink because she’s so real. I love Amy Winehouse for her voice and Ayo and Adele for the all the emotion they put in their songs and their simplicity, but there are others I could mention as well.”

In an industry where feuds are the norm, Edouarin is drama-free for the most part. She is not particularly chummy with any other female artists (members of her family, including her sister Dina in particular, she avows, are her best friends). “But I don’t have a problem with anyone,” she is quick to affirm. “I love everyone who’s doing positive things, and I would love for everyone to get to the top, and to make all their dreams come true.”

If the Haitian pop music industry as a whole is dominated by males, moreso is the world of Haitian hip hop, which leads one to ask, is it hard being a female rapper, to which Eud answers rather diplomatically: “Well, I don’t know if it’s difficult for the other female rappers in Haiti, but I know it’s been a long road for me to get to where I am, and I worked hard for it, and when you work, it’s the fruit of your labor that you reap.” She adds: “Life is not the same for everyone; what you picture isn’t what you usually get. Up to this point, things aren’t exactly the way I would want them them to be, but they’re not too bad, but of course I can’t answer for the other female rappers.”

And speaking of other Haitian female rappers, Haiti isn’t exactly covered with them the way it’s covered with mountains. Eud is definitely one of the most visible, if not the most visible next to Niskkaa and J-Ruff. Perhaps Eud’s edge stems from the fact that she raps mostly in Creole, while Niskkaa raps mostly in English, with more risqué lyrics, and appeals mostly to the young elite crowd. J-Ruff, for her part, is pretty new to the Haitian rap scene, or at least to the Haitian-American audience. Eud’s popularity is also due to her timing on the Haitian hip hop scene—she made an early entrance into the rap game in Haiti, (when very few females dared to enter, or if they did they didn’t persevere to the point where they could get the visibility she’s enjoying). And then there’s again the social media marketing factor, which Eud has used consistently as part of her promotion strategies. And it does help that Eud is easy on the eyes with her svelte physique, glamorous style and image—and overall good looks. Her lyrical recipe of self-assertive, socially conscious and upbeat songs also have played a part in her success.

Pedre has no doubts about the fact that the rapper’s popularity is based on talent. “She’s like the queen of Haitian hip-hop,” he affirms. “She’s a great composer and lyricist too. She’s different because she never missed the opportunity to showcase her talent. People think that the Haitian music industry is not a good business for females and Eud prove them wrong.” DJADD 1 echoes the same stating, “She displays a positive attribute through her work ethic.” In her, he sees historical significance for this generation of young women. “She represents all women who are afraid to showcase their talents in Haiti and everywhere else.”

But beyond all the industry gushing, is Princess Eud just a part of a well-orchrestated hype machine or is she the real deal? Is she someone who just got lucky, and was at the right place at the right time? Is she just a clever little number, who thanks to the adage that anyone in Haiti can be a star provided they get enough screen time, and know a few influential people. But lots of people can get TV screen time, and hobnob with the Big Dawgs. So, how is it that they don’t move the fans and catch the eye like Princess Eud does?

When not performing, Eud—that’s Princess Eud to you—usually likes to stay within the confinements of her home. The married raptress and the mother to one says the birth of her son changed her life. “He’s taught me so much. He taught me what true love really is, what affection is, what joy is. He’s the best thing that’s happened to me so far.”

Her album is another child that she cherishes to her heart. She’s got big plans, thank you very much, and in the long run, her plans don’t necessarily evolve around the world of rap. She’s got talents and dreams all over the place. A skilled cook, one of her dreams is to become a uber chef, the type that invents dishes. Quite the stylist, she plans on having her own styling firm, with the biggest international stars as part of her client stable. She also envisions being a mentor to up-and-coming artists a decade or so from now, and most of all she sees herself as a leading and influential advocate of women’s rights.

Ironically enough, Ms. Edouarin/Eud/Princess Eud doesn’t view herself as a feminist. “No, I am not a feminist,” she admits outright, “because frankly I wouldn’t want to have the same rights as a man in the sense of me thinking that I can do all that a man can do. I am a woman and I know what I can do and what I cannot do. I just want for everyone to respect women and to recognize their usefulness in society, and not to scorn them or abuse them.”

Asked if she has any regrets so far, and she will tell you that, well, no. “So far I don’t have any at all and I don’t think I’ll ever have any regrets, because everything that happens in my life—whether good or bad—happens so I can draw a lesson. I just thank God and keep right on living.”

CLICK HERE to keep up with the rapper on Twitter!

Yael Talleyrand, an artist based in Port-au-Prince will no doubt be among the ones being celebrated the same way the artists from last century are being lauded at auctions and exhibitions.

In Part I of my interview with her, we talked about how she got her start, and we also discussed about where business meets art. Now, follow along as we talk about creative blocks, and her future as a visual artist.

Kreyolicious: When people think of visual art…they don’t think that just like writers can have creative blocks a painter can have creative block too. I know I didn’t even think about until recently when I started to interview visual artists. Do you experience blocks?

Of course. Usually it happens when I am asked to paint something specific. It’s like being forced to talk about something you have no opinion about. Also, if I am painting about something that confuses me or that I have mixed feelings about.

Kreyolicious: How do you usually deal with this?

Then I just switch pieces and work on something else. It is very rare that I will not want to paint at all.

Kreyolicious: Do you have any unfinished paintings?

I dont think of paintings in terms of finished or unfinished unless its a commission. A lot of time I thought I was done with a piece, and later on ended up needing to make drastic changes to it for it to convey what I wanted to say. Sometimes I start painting on impulse, based on something I am feeling very strongly at that particular moment and later on, as the feeling fades off, I lose motivation to finish the piece or stop feeling as if it is relevant. In that case I either start over or let the piece be and forget about it.

Kreyolicious: Are you particularly picky when it comes to choosing tools to paint? What are some of your must-haves?

Not as picky as some masters, but I love for my oils to be rich in pigments. I like for my gesso to be creamy and do not like to have to substitute it for house paint, like some artists do here due to the lack of materials — or soap for brush cleaner. I like sharp square paintbrushes, long and flexible palette knives, lots of blades, and I love having access to art stores not to feel limited in any way whatsoever in my choice of materials. I’ve found it however to be very confining to think like this and it creates blocks. I’ve been recently in some situation where I’ve had to create work with absolutely none of the materials I am used to, painting with a spoon and hibiscus tea as ink for instance.

Kreyolicious: Do you feel that there are misconceptions about female visual artists out there?

Women tend to be underestimated in all fields. Art included.

Kreyolicious: I was shocked to see Paul Gaugin and Van Gogh on a list of artists who died broke. But these are people who lived decades and centuries ago. I think that not only artists these days are more keen to making their artistic lives sustainable, but there are a whole lot more outlets and opportunities in our day. Does the business woman in you ever have to fight with the artist in you and vice versa?

I am emotionally attached to my work, thus making it very hard for me to see as the business it needs to be to allow me to live off of it. The reason why positions such as patrons, managers and advisers for artists exist is because it isn’t obvious for the individual creating to be able to handle all the different aspects surrounding their work by themselves. And I would lie if i said I didnt struggle with that every day, but I am getting closer and closer and having that balance.

Kreyolicious: What’s the best thing that’s happened to you so far?

As an artist? I guess being blessed with hundreds of creatively inclined people as my entourage and getting to constantly gravitate from art space to art space learning more and more from other artist. Other artist help me grow considerably.

Kreyolicious: Where do you hope to take your career?

The art world is magical, best is to keep creating and letting the destination be a surprise. I definitely want to do something relating to art education in Haiti, as well as owning a gallery or art store there. As for the rest I am leaving it up to the Universe.

Kreyolicious: What advice would you give the Yael of five years ago maybe…in terms of what’s coming ahead?

I really wish there was an actual way for me to go back five years and tell that Yael that it isn’t necessary to try to morph herself into something that is socially acceptable, an artist needs to learn to accept their true nature in order to produce the best and truest work they can. Back then I was very confused as to why I was so hard for me to be “normal”, or why I had no interest in so many things everyone seemed to die for; that confusion created a nightmare: it was very hard for me to accept what I felt were the right calling to follow, the right decision to make. But to be honest, I would probably not even say anything because going through that nightmare taught me so much—and am not sure I would’ve wanted to avoid it.

This concludes Part II of the interview with Yael Talleyrand. Did you miss out PART I? GO HERE.

CLICK HERE TO CHECK OUT OTHER ARTICLES IN THE STRAIGHT OUTTA HAITI SERIES

FOLLOW YAEL TALLEYRAND’S JOURNEY ON TWITTER |

It’s known as Dlo Pwòp in Haiti and is unofficially known as Haiti Water, but International Action—isn’t merely an organization that operates in Haiti to bring clean water to communities in Haiti. It is also involved in other projects, like encouraging the use of solar lighting (about 10 have been installed so far in Jacmel and Port-au-Prince by International Action), providing school supplies, spreading cholera awareness, and executing an intestinal worm elimination program. For the latter program, the organization teams up with AmeriCares and International Action to distribute albendazole tablets to about 90,000 children. In terms of total reach, the organization estimates that it has positively affected the lives of 900,000 people in Haiti through its clean water programs.

International Action counts Haiti’s local churches, schools, and orphanages among its partners as well as DINEPA–the Haitian water agency—and other organizations such as the International Committee of the Red Cross, the American Institutes for Research, Oxfam, Samaritans Purse—among others. The organization’s efforts has led 419,358 people gain access to clean, safe water in 2011 through their cholera prevention consortium. Its donation of 350 buckets of chlorine has provided clean water education to 33 different International and local groups working in Haiti. International Action is continuously working with community leaders to find additional locations locations for chlorine bank branches.

This year when Hurricane Isaac hit Haiti, the organization’s staff trucked clean, safe water to six affected communities, including those in tent cities and residents who had abandoned their homes due to the the storm. Zach Brehmer, International Action’s Director of Research, further explained the organization’s goals and achievements.

Q & A

How did the Haiti Water organization come to be?
The vision for International Action started in 2003 when Lindsay Mattison and Youngmin Chang visited Haiti with a friend. They saw that many of the community water tanks in Port-au-Prince were filled with untreated water. The water was causing children to get sick with cholera, typhoid, hepatitis and diarrhea. They thought this was a tragedy. Children were dying and unable to go to school because they didn’t have the basic need. They realized that the people of Haiti demanded cooperation and understanding, not good intentions and abandoned handouts. In 2006, Lindsay and Youngmin returned to Port-au-Prince with chlorinators and a whole lot of ambition. They immediately began forging community relationships that they’ve strengthened and expanded over the past five years. Lindsay and Youngmin also created a base of operations in Haiti, led by Dalebrun Esther, to execute the organization’s many programs and to address urgent community needs.

Your organization’s tag line is ‘Bringing Clean Water to Haiti’. Just why doesn’t Haiti have clean water?
There is a simple explanation to this, and then a complicated one to explain the simple explanation. Simple explanation: There has not been a completed central water treatment system in any of Haiti’s cities, let alone water treatment systems in rural locations. Explaining the simple explanation: Many of the current issues in Haiti are directly and indirectly related to Haiti’s tumultuous political and social past. The struggle to gain freedom in the late 1700’s destroyed almost all infrastructure in the country including hospitals, access to clean water, sanitation, and food supplies. After the Haitian won freedom, the new leaders forced share cropping because they wanted to keep the plantation system for two reasons: one, the leaders wanted to prove to the world that a plantation export-based economy could be supported without slavery. And two, because the plantation system was the only economy the new leaders of Haiti had ever known. The Haitian population wanted to be done with the plantation system and own their own land to farm on. They were forced to work the plantations, only keeping a quarter of the crops for themselves, or risked punishment.

Oppressive regimes have led Haiti until the late 80’s when Aristide took office. Aristide then disassembled many of the institutions that had been linked to oppressive behavior. However Aristide could not see his policies through and was ousted and brought back on two different occasions. This left the country crippled with very few working institutions and the countries public services fell into even worse disrepair. Throughout all of this internal conflict there were foreign countries that greatly diminished Haiti’s chances of moving forward. These foreign powers forced Haiti into debt, economic isolation, and coerced Haiti into poor tariff policies that benefitted foreign interests rather than the countries own growth.

To build a water disinfection system that supports an entire country there needs to be funds, stability, and trust. In Haiti, there has been very little of these three needs due to the aforementioned history.

Most people who work in the development field often come across challenges. What has been Haiti Water’s biggest challenges?
I’ll talk about our biggest challenge in Haiti and our biggest challenge outside of Haiti. First, biggest challenge in Haiti. Predicting the government’s behavior and enabling the chlorinators to be completely community sustained are our greatest challenges in Haiti. The unpredictability of the government was talked about earlier—highlighted by the resignation of the Prime Minister months ago. Sustainability is always an issue. For the chlorinators to be self-sustaining, the community needs to be able to buy tablet chlorine for their chlorinators themselves—donations of chlorine are not a 50 year solution. Many communities make enough money from water sale to pay water station staff, buy more water, and buy chlorine. However, there is not an establishment in Haiti that sells chlorine tablets at an affordable level.

Second, biggest challenge outside of Haiti. Raising awareness and fundraising is our greatest challenge outside Haiti. It is a constant battle. It takes a long time and a lot of work to help a community reach the point where they can sustain a project on their own finances. Multi-year support and patience is very important.

You’ve no doubt reach several milestones with Haiti Water. What accomplishments is it most proud of?
We have reached 110 various community water stations and nearly 250 schools throughout Haiti. The estimated total population we are helping to provide clean water to be 900,000. Being able to help 900,000 people is amazing.

One of our most important accomplishments is that the communities we work with truly own their chlorinator system — they can test the water, calibrate the chlorinator valve, educate their neighbors about clean water and the chlorinator, and know when to retrieve more chlorine tablets. After two months of training they do all of this without our help.

What does Haiti Water need the most at this point? Lots of people might want to help. So how can they best do so?
There are many ways an individual can help. Our biggest challenge in country is finding a way to make each water station and chlorinator completely self-sustainable — meaning that the community can test their water, adjust the chlorinator so they have the proper amount of chlorine residual, and can buy their own chlorine from a non NGO source. The most difficult of these to accomplish is the latter.

We are working with Haitian communities to create a locally-owned chlorine distribution system — we call this system the Chlorine Bank Network. In order to achieve sustainability there needs to be more exposure of the issue, more funds, and a wide range of ideas discussing ‘community-led funding and community income generation possibilities.’ Anyone can help with the first two needs. If one is not able to donate, it always helps to introduce our group and the work we do to other people. International Action is always very happy to assist people interested in organizing a awareness or fund raising campaign – in some cases we may send staff to help or speak at an event. We are also going to be beginning an in-Haiti volunteer program. It will be focused around clean water education in Haiti and the Chlorine Bank Network.

Ayiti Men Rock, is the culmination of rocker Yohann Doré’s childhood love affair with rock. A love affair that had obstacles and thorns in its path, no doubt since Haiti’s official musical genre is konpa. But at this point, the Rock-Yohann love affair, is at the love triumpheth level, and let no man set it asunder. Hello world, men wòk wi!

Considering rock’s appeal it’s questionable whether it would have been a better move to do an all-English album, though Doré acknowledges that he felt no particular pressure to release one. Initially, the plan was to release a 10-track disc, but after recording and mixing it, By My Side, the resulting album was a 4-track EP. It at least introduced Haiti to the band Ayiti Rock and its Pétionville-born and bred leader. The general reaction, says Doré was that most people couldn’t fathom that it was coming out of Haiti. One day, Doré hopes that the album will be considered a classic in the Rock Creole genre. Such an aspiration is not so far-fetched. How many times have certain genres been spurned only to be embraced later? People who play it safe musically, never thrive in the long run.

Yohann Doré definitely doesn’t play it safe, and at the end of the day, the music world should be thankful. Ayiti Men Rock, the all-Haitian-Creole full-length disc (“Tell me” is actually the only songs that throws in a few English words), is genre-bending, experimental, and unique. The theme in most of the songs is heartbreak, excruciating heartbreak, the type that would lead someone—who heretofore had been just fine—to slash tires, to stalk in the parking lot, to scribble letters using blood for ink. Please don’t get inspired! Just giving some extreme examples, that’s all! “Nou fini”, for instance, has the narrator lying somewhere between going berserk and insane. There’s definitely an element of anger in all the songs, even the ones whose story lines are relatively, joyous.

“Ak Raj” features the lyrics: “M’ap kontinye renmen’w/Menm nan yon lòt vi/Tonnè boule’m mwen sèmante mwen renmwen’w pase’m (I’m gonna keep loving you/Even if it’s in another life/Thunder strike me I swear I love you more than myself). Talk about obsessive love! The video does nothing to dispel preconceived notions of rockers as sons of darkness. In the video, Yohann pretty much resembles a Goth, with black fingernails and mascara-smeared eyes, and a scary movie undertaker look on his face. Perhaps that was the aura that he was going for in that song. The song on the album and the video that resulted from the video differ from one another. The record version depicts the narrator as the victim of a cruel woman (think a Delilah and Jezebel hybrid); whereas in the video the song is given an entire new dimension. The narrator is angry not at being abandoned in love, but being deserted by a loved one in death. How often do psychologists note that we sometimes feel anger towards a deceased loved one, and that we nurture anger towards them for deserting us, though it is beyond their control?

Thus far, the music videos that have been shot in relation to Ayiti Men Rock, have not been short on creativity, but rather have defied what rock music should be, what a Haitian artist ought to be singing, and what visual style he (or she) ought to be projecting.

Other than linguistically-speaking, it’s hard to find a traditional “Haitian” aspect to Ayiti Men Rock. Except for maybe “Rèv Si Dou” (A Dream so Sweet), which is almost tender, and amidst the guitars and alternative music beats, there’s almost a konpaish softness to it. It’s almost reminiscent of 90s-era alternative band Green Day, with an island flavor. “Rèv Si Dou” will for certain appeal to those who don’t usually count rock music as their cup of tea, but who are suckers for a well-told love story. As the album progresses, the rage does die down. Interestingly enough, the album launches off with “Anmwey”, the word anmwey being the ultimate cry for help in Creole, and ending with “Banm Beat”, a mellow, jovial party-type song.

Along with J.Perry and Wanito, Doré is part of a visible youth movement in Haiti, introducing new styles, or in some cases not necessarily new styles, but a new approach. His anti-uniformity and pro-innovation stance are certainly appreciated and welcomed in the land of homogeneity.

Q&A

What do you think is the biggest misconception about rock music?
Although I respect everyone’s taste in music, it annoys me sometimes when people have pre-conceived ideas and think that it’s just noise or it’s violent without first listening. I think people who don’t know about rock music should do some research, especially here in Haiti. On the net you can find out about the origins of rock, how it came to be and how it is played all over the world independently of age, color, race or creed, and how it is incorporated in so many different styles. Our Rock Creole CD is a first; now everyone in Haiti can understand the lyrics and relate; there is no violence in it. There is some rage in some songs, but all the rage is an expression of love. Rock was a way for teenagers all over the world to express themselves, their thoughts and their claims. They wanted change. We have a similar example here in Haiti with the hip-hop movement. What bugs me too is to have people in key positions tell me, “I really like your music and I like rock, but I’m not sure about the other people.” If you like it, you think it’s good, I think you should push it. Give the others, the public a chance to decide for themselves.

We’d love to hear about the girl who inspired the song “Nou Fini”. Dish it.
I’m sorry, but I am not at liberty to give the details. It has been inspired from a true story, the phone scene in the video is a twist we added. Maybe Kenrick our keyboard player could tell you more if he wanted to. That being said, allow me to shut up.

While we’re on the subject of the song, how did the concept for your video “Nou Fini” come about? And also “Ak Raj.”
The original idea came from our producer/manager Joe Doré, who also edited the video. It was supposed to be much more elaborate with scenes of magic, special effects and much more, but because of budget constraints, we had to tone it down a bit. We are receiving great feedback from everyone who has seen it. People are really surprised. “Ak Raj” was Reginald Georges of Mage Entertainment’s concept and realization.

Now Haiti’s national pop form is konpa, and with you choosing to do rock music, what challenges have you been facing?
The main one is finding Sponsors, and the second is access to the audience through the medias. Most of the shows are about konpa or hip-hop—which faced the same challenge 15 years ago. This Rock Creole that we are doing is extremely different and brand-new. I might take a little time but the Fan base is growing rapidly. Seeing us play live has changed a lot of people’s mind about our music.

How did this love of music begin?
My father was working with a lot of bands when I was a kid; so I had the chance to be around musicians and music all the time. My mom was always listening to all kinds of music at the house. I guess I had no choice [laughs] it’s in my genes.

Some artists use “recreational” substances, claiming it helps them to gain “inspiration”. What do you think? Do you adhere to such a philosophy?
To be honest, I don’t judge. What you do is your personal business. A few beers from time to time relaxes me when I am stressed in the studio late at night when the creativity is flowing. But it is not what helps me create.

Which artists have influenced you?
First and foremost, it was Linkin Park that opened my eyes to rock music. I would love to get a chance to share a stage or do music with them someday. I was browsing the net, when I heard “Pushing me Away” for the first time. I looked for their videos and had my parents buy me their CDs. There was Three Days Grace, Breaking Benjamin, Evanescence, SevenDust, Enya…yes Enya too; and so many others. I listen to all kinds of music, from French songs to Latin to hip-hop, reggae, konpa, and classical. I incorporate all this into my music at some point or another.

Your name Yohann means ‘God is gracious’ in German. What are you most grateful for in life?
For my family and the gift of music.

Speaking of which, do you consider yourself a spiritual person?
Yes, I do. I believe we all have a purpose in life.

Do any of the songs on the Ayiti, Men Rock album have any special stories behind them?
Most of the songs have a story. “Anmwey” is the one song that just sort of happened. I was creating this groove and Patrice screamed, “Anmweyyy”. We thought, “cool”, so we kept it and worked on it. “Anmwey” was the first Creole song we wrote. “Ak Raj” is about this guy who was crazy in love with an older woman—inspired by a band member’s true story. “Nou Fini” is a bit more complicated; but what you hear in the song is real and a lot of people can relate. You have this rage against a person that did you wrong but you are still madly in love with her. “Kijan Pou’m Rele’l” was at first about child abduction, which at a time was a big issue here in Haiti with the kidnapping. We transformed it, and made it about a teenager finding out from an outsider that he was adopted. “Telling Me” is about the point of view of 3 friends that were at the studio with us during the [2010] earthquake. “Rèv Si Dou” was written by Sakaj [a musical group] fifteen years ago as part of their second album, but it never came out.

What’s your relationship like with your mom and dad?
As in every family we have our heated moments but they don’t last, the relationship is great, they respect my choices. It’s the same with my brother Jonathan we used to fight when we were younger, but now everything is cool. And my parents are huggers (laughs). They say that no matter how old or whatever status you get to, we will always be a family and we should never be embarrassed to show that we care! (Sniff).

How have they—your parents—responded to your music?
They have always supported me, the only two conditions were: Do your school work first—and If you choose this, do it with all your heart and take it seriously. They always tell me, “It’s your life, your choice.”

Are you pleased with the response to your album?
All those who heard it so far like it, the hard copy will be released on June 29th, and everyone has a favorite song on it. I hope it will become a classic as the first ever Haitian Rock Creole CD!

How did you and the members of your band get together?
Most of us met four years ago—except for our drummer who came in two years ago. Kenrick Pierre—keys— worked at the studio with me; Patrice Jean (guitar) heard I was playing rock and came to meet me. Then came Zacharie André (bass) brought by James Dumornay (congas) and our first drummer. At one of the first rehearsals, James started fooling around with a pair of congas that were just there and at the next rehearsal he came back and every other one after that. Before that we never thought about including the congas in the music, but it made such a difference that we kept it. And he became part of the band. Wendy Noncent our actual drummer came two years later. Patrice is unfortunately in the States now, so at this moment we are five in the band.

How do you handle your fame?
Fame? (laughter) I’m don’t think I’m famous. I do get recognized, but famous is not being able to walk down the street because of paparazzi’s, that hasn’t happened yet. I still live my day-to-day life like a “normal person.” If I do become famous, cool! But it’s all about the music for me!

What’s the strangest thing did you do as a child?
I was four or five; I drank half a bottle of cough medicine and was drunk and quiet for a whole day. My parents sometimes say it was one of the best days of their lives!
_______________________________________________________________________________________________________________

KREYOLICIOUSLY YOURS…YOHANN

Ah, let’s get to know Yohann further. We start off the sentences, and he completes them.

My best friend is…Cedric—MrCedDj.

I’d rather die than…lose my family or music.

If you really want to tick me off you…mess with my music.

Most people don’t realize that I…am really Haitian and not that crazy.

My father…is extremely supportive, most likely an alien (call M.I.B.)you would have to spend a couple of hours with him.

My closest friends would say that I…am out of this world, and slightly nuts.

Three words that describe me…passionate, laid-back, a bit crazy at times—here is that word again.

The last time I cried was when…tears came down my face…I’m dodging this one.

I would never…say never because you never know. Life has too many surprises.

Girls who…like me, find me different than most, and if they don’t it’s okay too.

Five years from now, I…would like Ayiti Rock to be recognized as the first worldwide Haitian rock band.

I honestly cannot go a day without…water…and music.

Let’s support our Haitian artists. Check Yohann and Ayiti Rock out here.

Haiti’s Millennial creatives showcased their talent over the weekend in Port-au-Prince during the second edition of Living Hart. An initiative of fashion designer and philanthropist Gayel”Cutiega” Pierre, Living Hart had its first edition in May. This initial expo was so popular, the founder decided to hold one for the month of July at the venue Yanvalou, located in Pacot, a suburb of Port-au-Prince.

The Second Edition featured entertaining performances by Akoustik and K’Zino, two bands emerging out of Haiti and was hosted by musician Badikamal. DJ Nos was on hand to rock the crowd. Haiti’s Millennial creatives from every imaginable creative sector made their presence felt: photography to visual arts to the performing arts.

An attendee sits down as her portrait is drawn by one of Haiti’s creatives. [Photo Credit: Ganderson Lebref/Elma’s Flaco]

Scenes like this were the essence of Living Hart. An artist doing a live mural, as attendees watched. [Photo Credit: Ganderson Lebref/Elma’s Flaco]

Two attendees are all smiles. Living Hart t-shirt on deck.

Participants Ralph St. Fleur and Jetlo on the scene. [Photo Credit: Ganderson Lebref/Elma’s Flaco]

The woman of the hour herself…Ms. Gayel “Cutiega” Pierre. [Photo Credit: Ganderson Lebref/Elma’s Flaco]

Living Hart allows her to promote the talent of her fellow creatives, whose opportunities to showcase themselves are thought to be intermittent at best. Now that Living Hart Haiti has concluded, the creative entrepreneur has plans to do launches in a U.S. city—most likely Miami.

Maelle David! Remember that name, folks! Haiti’s Olympics team got cited as one of the Olympics Opening Ceremony’s Top 3 Best Dressed by a Yahoo style writer. Maelle Figaro David is the fashion designer behind the team’s much-discussed style.

Here are some things you should know about her.

1. Maelle David was born in Port-au-Prince Haiti and currently operates out of Petionville.

Above: Team Haiti at Rio, sporting the get-ups created by Maelle Figaro David. Photo Credit: AFP

2. The designer is a graduate of Centre D’etudes Secondaires, a school based in Haiti.

3. She previously dressed former beauty queen Anedie Azael for the Miss Haiti Universe pageant. David designed a traditional costume for the one-time-Miss-turned-entrepreneur.

4. David initially launched her company Maelle David Creations in the late 1990s, and celebrated her 17th year in the fashion design business this past February.

5. She designed a line of clothes for curvy women that she exhibited at Runway Haiti, Haiti Fashion Week, and Islands of the World Fashion Week.

We’re sure that having a spotlight on her for such a global event will bring this designer even more business and notoriety.
CLICK HERE TO SEE MORE OF THIS DESIGNER’S WORK!

CLICK HERE TO READ ABOUT OTHER FIGURES EMERGING OUT OF HAITI!

Fashion designer and lifestyle brand owner Gayel “Cutiega” Pierre created her first business while she was still taking undergrad courses at the Art Institute of Fort Lauderdale. She brainstormed the concept for Living Hart, an expo that would bring Haiti’s creatives together to promote their work.

This year alone, the fashion-entrepreneur has had not one, but two editions of Living Hart. Hundreds gathered in Port-au-Prince for both editions, and they came from all walks of creative life in Haiti: painters, singers, stage actors, graphic artists, photographers, deejays, writers, among other fields. The colossal job of bringing all these creatives together belonged to the entrepreneur herself. So, how did she manage it? And what was the outcome. Let your curiosity get the best of you, and read on.

Kreyolicious: Due to tremendous demand, you did the first and second edition of Living Hart within just a few months of each other. Do you have any regrets?
Like you mentioned, [the] first and second edition of Living Hart were put together within just a few months not only because the public wanted another edition, but also because it was within our plan to do them within just a few months so it becomes something regular. We thankfully got lucky. The crowd showed its appreciation, and always looked forward to a next edition.

Above: One of many live paintings created during the second edition of Living Hart in Port-au-Prince.

Kreyolicious: When you compare the first and second edition, what did you notice in terms of talent and participation?
Obviously, the second edition was better organized because we had the opportunity of having the first edition [as a precedent to refer to]. Therefore, it was easier to fix little issues that we encountered in the past! In terms of participation, the second one also had a bigger audience. The artists, who by then had experimented [during] the first edition, were even more excited.

Kreyolicious: What was it like planning an event of this caliber this time around?
Less stressful than the first time but still incredibly challenging. we had to deal with more participants and plan for a bigger audience. Furthermore it was also challenging because we had our own expectations to surpass.

Kreyolicious: What advice would you like to give to those living in the USA who’d like to hold events in Haiti?
Arm yourselves with determination, patience and consistency. The public is different. the service is different and sometimes you might end up being on your own and unable to rely on other due to the fact that you’re a “foreigner” but as long as you keep on your head high it will all turn out great!

Kreyolicious: I once watched an Ava Duvernay interview and in it she said that Oprah told her that when bad things happened, when obstacles tumble in, to think of the obstacles and terrible moments as things that happened for her, not to her. It’s a rather interesting perspective. What do you think?
Personally, I am someone that loves when thing work out just like I plan them. The industry proves [to] me everyday that Oprah is right. Sometimes, things go wrong and not always according to our plan, but it is important that we think of them has opportunities and not obstacles so even though I love always being in control I do understand the importance of obstacles and partial setbacks.

[Main photo Credit: Elmas Flaco]

Photo: Martine Stephenson (standing) and Gabrielle Rigaud (sitting) are the masterminds behind Perle Hospitality.

Haiti’s hospitality and tourism industry will be flourishing if Martine Stephenson and Gabrielle Rigaud have the last word. Stephenson and Rigaud have teamed up to create Perle Hospitality, a venture in which they are placing their respective power, clout, experience and investment to lend a hand in strengthening Haiti’s fledging hospitality offerings. In addition to the entrepreneurs’ investments, Perle Hospitality is being backed by Haiti Ventures, a private seed financing company based in Boston.

Stephenson, who was born in the United States, went to live in Haiti when she was nine years old. She immediately fell in love with Haiti’s rich culture and vibrancy. Years later, when she moved back to the USA, she promised herself that she would one day return to do something of value there. A married mother of two, Stephenson says she is grateful to her husband who wholly supports her entrepreneurial dreams.

A graduate of Marylhurst University, with an MBA from that University and a Bachelor’s of Science in Computer Information Systems, Stephenson is using her business know-how and her whopping twelve years of experience in sales and marketing to help leverage Perle Hospitality at the upper echelons of the hospitality and tourism industry in the Caribbean.

As for Rigaud, she was born and raised in Haiti (she is an alumni of Haiti’s Institution du Sacré-Coeur) and has been living in the United States for over a decade. She earned degrees in Civil Engineering and Geotechnical Engineering from Tufts University, and participated in a study abroad program with the Institut National des Sciences Appliquées in France. Rigaud is an ardent believer in volunteerism and presides over Coops4Haiti, a non-profit organization whose aim is to assist the fishermen and farmers of Haiti in increasing their production of locally-produced food and lessening reliance on imported food products.

The dynamic ladies discussed their venture with Kreyolicious.

Q & A

How did you and Gabrielle Rigaud connect?
STEPHENSON: We grew up in Haiti together as children and were very close. We then parted ways when I moved back to the States. Years later, we crossed each other’s paths and reconnected. Gabrielle and I have very similar characteristics – we’re both very passionate, ambitious, and deeply rooted in our Haitian heritage. It’s our love for Haiti that drives us to keep doing more. So it was only natural for us to come together for this joint venture, Perle Hospitality, which makes traveling to Haiti more convenient, safe, comfortable, accessible, and most assuredly memorable.

Perle Group Homes is another venture of your company.
RIGAUD: Perle Hospitality, formerly Perle Hotels, is not the only project under Perle Group’s umbrella. We intend to launch other ventures where we can utilize our skills and experience in marketing, real estate and engineering as well as what we learn from Perle Hospitality. Our goal is explore the feasibility of a resort and mixed use development where eco-tourism and living would be dominant. Perle Hospitality and Perle Resorts would cater to both tourists and residents looking for a unique and sustainable experience.

Now the name of your company Perle Hospitality is practically a no-brainer. Is it a reference to Haiti being the pearl of the Caribbean?
STEPHENSON: Absolutely. Haiti is, after all, La Perle des Antilles—the Caribbean Pearl. To know Haiti, is to know how beautiful this island truly is and how rich we are in our culture, history, cuisine, and traditions. Haiti is more than a location. It’s who we are – it’s our way of thinking. It’s a culture that has not been shared for the most part with the world and this is us sharing the “perle” with the rest of the world. There’s a peace of mind that comes from a rich culture, and deep pride in knowing who we are and where we come from. It’s this rich history and culture that we intend to share with the world. Haiti is the only country that has lead a successful slave revolt and has held its independence until this date. And that’s something that cannot be said for any other country in this world. We want to keep that momentum going and help change Haiti’s image into a positive one as one of the most beautiful Caribbean island that it truly is.

As the co-founder of Perle Hospitality, which is under the umbrella of your main company The Perle Group, did you come across any obstacles as you took upon this entrepreneurship venture?
RIGAUD: Our main obstacle when starting was acquiring information during our research and due diligence as well as registration phase. Haiti’s infrastructures and agencies are nowhere near the efficiency of those in the U.S. where one can call, go online or walk in to request certain information. That was the main issue, especially starting our initial studies from the U.S. The second obstacle once our concept was in place was separating ourselves from newly formed companies trying to copy our vision but are not able to execute it properly. We’ve been successful in partnering with the right people to deliver the high level of standards and quality that is signature to our brand Perle Hospitality.

Now the way Haiti was perceived from the 1940s up to the mid-1980s has changed considerably in the minds of potential tourists. What initiatives and strategies do you have in place to reverse that perception?
STEPHENSON: Our goal is to promote the other side of Haiti that has been overshadowed by negative media. Our initiatives promote travelers on business or leisure to visit Haiti more frequently and accessibly by facilitating modern and comfortable accommodations in desirable guest homes throughout the country. We offer each guest the opportunity to experience Haiti with the highest level of quality, service, amenities and excellence. To illustrate, from the moment you arrive in Haiti, Perle Hospitality is there throughout your stay to pick you up from the airport, take you to your living quarters where you’re greeted by our professional, courteous, uniformed staff to care for all of your essential needs. We provide all the conveniences of a hotel in the comfort of an island home from free Wi-fi Internet, housekeeping, personal chef services, security, transportation, and concierge service that can assist our clients with their travel needs. We make it easier and possible for travelers to have access to their point of interest and travel from one destination to the next seamlessly.

Perle Group Hotels Hospitality aims to transform private homes into hotels. Are the homes you’re planning on renovating homes of historical significance?
RIGAUD: Not necessarily. There are areas in Haiti that we are considering and are very interested in for their historical significance, but also their uniquely preserved architecture, way of life and welcoming communities. Renovation of historical properties is something that we will consider should the right partnership and opportunity arise.

How do you plan on making Perle Resorts stand out from other resorts in the Caribbean?
STEPHENSON: Location, location, location. This undisclosed location is the key to Perle Resorts. We’ve found Paradise in places that many people would not think to look. You’ll hear more about our development with Perle Resorts in the future. For now, our focus is on Perle Hospitality, which provides a network of guesthouses throughout Haiti. We’re offering various amenities that are not offered elsewhere. We set our standards high when it comes to offering quality, hospitality, and services. We believe that our model will promote repeat business into the country and boost the economy through job creation in a sustainable manner. We source all of our products in Haiti and pour money back into the economy in support of Haitian manufacturers.

Since the 2010 earthquake, there has been considerable feeling about how too many things, including hotels and amenities were centralized in Port-au-Prince. Does that have, or would you say that has had an effect on your plans for the resorts, the homes, and the group hotels?
RIGAUD: As Haitian-Americans, having lived in Haiti, we experienced and felt the centralization of Haiti first-hand long before the earthquake. Though this project materialized in the 2011 and 2012, we had recognized the need for such venture before that. Following the earthquake and the push for decentralization there is a better understanding of the value of this project. That is why we decided to take this opportunity to be pioneers in creating such a network with Perle Hospitality. Our hope is to enable travel into Haiti to become more frequent and accessible and provide lodging in various places through our network of guesthouses.

Where do you hope to take the company?
STEPHENSON: Our parent company Perle Group will have a number of projects, which includes Perle Hospitality. Clients can book stays at any of our guesthouses located in some of the best places in Haiti. Perle Resorts will be an extension of our high quality hospitality standards in a bigger market that attracts tourism and leisure travelers. Haitian people are known for their hospitality. A visit to Haiti, and one can see how friendly, and hospitable we are as a people. We are bringing a great level of care and attention to the needs of our clients with the launch of Perle Hospitality in an effort to promote frequent travel into Haiti. We’ve already gained considerable interest in our company from people who are looking for better and convenient lodging and amenities in Haiti so this is a very exciting time for us.

Above: The Perle Hospitality Haiti staff members in Haiti.