Would you like to walk in Stacy Armand’s shoes for a day? Do you have what it takes? Armand’s busy day as a fashion stylist and jewelry craftswoman starts out with sips of her morning green tea, followed by a glimpse at her emails, and the social media highways. Last but not least, is her daily meditation session, and gratitude-giving to God, followed by a shower. A model of organization, the designer’s day is accentuated by trips to bookstores, meetings with friends, walks through Manhattan in search of inspiration. And there’s the endless job bookings, honoring meetings, returning phone calls and texts, scribbling notes out quickly before ideas are forgotten. Brands like Aquafresh and Toyota vie for her attention to style TV commercial scenes, and print ad shoots, while popular high fashion magazines like Blink, Runway, and Status are blowing up her phone.

Through it all, the designer has to keep up with her personal life, and keep herself mentally fit. Balance is key. Though she lives a simple life, her designs are far from that. Think of Stacy Armand’s jewelry pieces and think extravagance, opulence of the Roman Empire; think of the glamor of the court of Pharaoh Ramses during the Moses era. Armand’s artistry is based on making bold statements not on outlandish fashion. Read on, as the native New Yorker and daughter of Haitian parents, gives us a glimpse into her glamorous life.

Everyone in the fashion industry had a journey that got them where they are.
My journey is never-ending. That is the beauty about life—every moment is a different story. I created my line in 2010. It was birthed in a place where limitations and the lackluster of current trends were boring. I needed to push concepts and reshape the way people define jewelry. I would prefer to make statements in a world that need new vision.

What did you want to be when you were in high school?
An artist, a performer, a shining star.

Some people tend to neglect accessories when putting an outfit together.
Style is a form of self-expression and a means to communicating through inspirations and connections. You have to be inspired to wear accessories. What you wear is your personal communication. If you choose to neglect accessories that is your statement to society. Now, if you neglect because of fear, or wanting to “play it safe” then journey of self-awareness has not begun, and a curiosity or connection has not been made.

Are your designs influenced by Haitian culture at all?
Being Haitian is everything to me. The Haitian culture is so rich with constant inspiration. The language, music, self-expression and creativity is what made me. I grew up watching my grandmother, mother and aunts display their viewpoints of fashion, music, and politics. The stand we as Haitian individuals take is so powerful, free, and liberating. Our confidence level as Haitians has never been less than 100 percent. That is why I take on this industry so bold and fearless!

You are based in Los Angeles. Do you find it beneficial as opposed to…say, New York?
I am not based in Los Angeles; I am based in NY. I would love to live bi-coastal from L.A to New york. L.A will be my future stomping grounds. In terms of NY, “If you can make it in NY, you can make it anywhere.”

Where did you find the inspiration for the latest pieces in your collection?
My designs are bold and graphic, thriving on the juxtaposition of harmonious and incongruous materials. Embracing my many art influences, the interpretation of form are inspired by the spontaneity and mysticism of abstract expressionism. I craft my pieces to reflect the aesthetic of minimalism, modern architecture and numerous cultures such as African, Asian and The West Indies.

Do you have any pointers for aspiring jewelry designers?
Take risks and do not ever doubt your role as a creator. Go for it! Don’t hesitate, and do things passionately. Don’t ever doubt hard work because luck doesn’t exist for those who don’t work.

Would you recommend attending fashion design school for those who want to follow in your footsteps?
Everyone’s process is different. School is great; not every great designer is school-trained. Do what makes sense to you. School helps, but you must have some talent and a whole lot of determination to make it in any industry.

What was the best advice given to you by your parents?
“Life doesn’t give you a bunch of opportunities and chances, if you don’t take advantage of what presented to you, someone will take your place.” And…”Excuses are for failures, so don’t even bother.”

Have you experienced one of those moments, where you had to pinch yourself?
When I collaborated with a clothing designer for Fashion Week, to see my designs go down the runway was breath taking.

What’s next for you and for your line?
Perfecting my line, opening doors for showroom representation, sales, and press opportunities.

You probably have worn a piece in the Caribbean Apparel line and not even know it. Or you may have seen someone or have had a friend who has donned one of the cultural slogan-laden jackets and shirts of the line. Truth is, the Caribbean Apparel is among the fastest growing brands among young folks and is especially popular with the urban market.

Legrand Gandhi Lindor, the man behind it, likes it that way. Born in Boston of Haitian parents, Lindor graduated with a Bachelors degree in Finance and Real Estate Investments/Development from The George Washington University before receiving his Juris Doctor and a Masters of Business Administration at the University of Connecticut.

At one point, he thought he could somehow combine his love of different cultures, and his knowledge of entrepreneurship, finance and business law and parlay all three fields into a business. Lindor truly wanted to form a company that would focus not on just one country, but many in a way to help create cohesion or at least an understanding of different cultures starting with the Caribbean islands.

But many new entrepreneurs dream about mixing all their passions together, and sometimes the results fall considerably below their expectations. Would this venture of Lindor’s work? Six years after it officially launched—Caribbean Apparel the company Lindor founded—still stands. From Grenada, to the Virgin Islands, to Barbados, and to the flagship Haiti collection, Caribbean Apparel helps consumers celebrate their identity and cultural self-expression.

Lindor discussed his entrepreneurial journey, the fashion business, and what comes next for his eponymous brand.

Q & A

Kreyolicious: When did it first occur to you that starting a company selling Caribbean-themed and Haiti-themed apparel would be profitable?
Well, ever since my undergraduate days my friends and I would go to the various West Indian Festivals —DC, Miami, New York, Boston—and we would spend our money on various things, apparel being one of them. That is when it first occurred to me that in the future we could make money selling higher quality apparel with more thought intensive designs. Being a business major I figured why not have fun and make money at the same time at these festivals. I finally put that into practice in my third year of my JD/MBA program when the opportunity arose. I put a plan together and sold shirts at the Annual National Haitian Student conference in 2007 which was hosted at Penn State University. I went to the event with about forty shirts or so and sold out in thirty-minutes. While I started with the t-shirts, the process of making jackets for Haiti was well under way which we debuted in the fall of 2007 with the Haiti Flag Jacket, Haiti 1804 Jacket and the Limited Edition white Haiti jacket for females and Blue Haiti jacket for men.

It was more about giving our people good quality clothing to wear not just during Kanaval—Carnival—but everyday and a way to express our cultures in ways that people may not know about: for example our Toussaint L’Ouverture shirt or our Haiti shirt which has Est. 1804—meaning established 1804 as some young Haitian-Americans don’t know the history of Haiti—but only what they see on television—which normally isn’t anything positive. So our whole motto, Unity. Culture. Pride. ™ is coming from a different angle—being all inclusive and high quality designs on high quality apparel. We love hearing stories from our customers about positive reactions that others give them when they are either wearing one of our jackets or shirts.

Kreyolicious: Caribbean Apparel™, a rather simple name we think. Was it difficult to come up with?
Not really. We first started as LGappareL®—with the LGL representing my initials. We then wanted to create a brand name that would be more descriptive of what we do and focus on right from reading or saying our brand name. It gets the point across and simply a hot concept that many people have caught onto in a rather short period of time.

Kreyolicious: You’ve been running Caribbean Apparel™ for years now. Do you have any advice and tips for someone who might be wanting to take up a similar venture?
The advice would be to love what you do and do it well. Things are not always easy and there are many more behind the scenes work that gets done that many people don’t see or realize because all they see is the end product. Also, don’t get discouraged. Learn from mistakes or failures to improve upon what you are doing and don’t let someone tell you that you cannot do something; use it as fuel for your fire within.

Kreyolicious: What are the daily going-ons of running Caribbean Apparel™? Are you the type that wakes up at 5 a.m. and goes home at 9 p.m.?
Daily, we are in thoughts of how to make more designs and countries. We are continuously contemplating new designs with our Creative Director and partnerships with others to expand our brand. Also, we are learning more and more about the apparel and printing industry. We have expanded our business to custom print and embroider for others, whether it be student groups, entertainment bands, family reunions, companies, etc. I am more of the type to wake up at 9 and go to bed at 3 a.m. [Smiles]

Kreyolicious: As you began running Caribbean Apparel™, what was the biggest challenge you faced as a shot-caller?
The biggest challenge of being a decision maker is to listen to others and their ideas and even if I may not personally feel it is the best look or what have you, it may make more business sense to go in that particular direction. We have so many ideas that the actual hardest thing is figuring which direction to go in next in terms of expanding our business.

Kreyolicious: You have so many selections. Do you have a bestseller?
Currently, our best seller is our L’Union Fait La Force and Nègre Maron design—Unity Makes Strength. I believe this is our greatest concept shirt and the Haitian motto is a powerful phrase and to combine with the Nègre Maron statue—which is a staple in Haiti and symbolized freedom and the power of working together—is a design that has resonated with all types of people, not just Haitians.

Kreyolicious: Does your company partake in any Haiti-related activities?
Caribbean Apparel™ is constantly working with various companies and organizations who help people help themselves. We like to work with organizations that focus on health and education, not just in Haiti but throughout the Caribbean. We have been invited and have attended many events for non-profits including fashion shows, fundraisers, etc. We have been invited by the Haitian Embassy in Washington, DC for a few events over the years, we have participated in a fashion showcase in Haiti. People can keep up to date with what we are involved with on our website, where we post on our blog events that we have
participated in or will participate. We have also help sponsor events as well.

Kreyolicious: What’s next for the line?
Next for us, is to create more countries and then to start our production in Haiti to create jobs. From there, our other goals and ambitions will come to fruition.

You can visit Caribbean Apparel’s website and view their selections here.

Marie-Valerie Placide’s line Bohiomania is literally taking the fashion world by storm. The line is less than three years old, and already it is creating a major buzz in Placide’s adopted home state New York.

Her pieces are practically out of this world, and reflect fashion in pre-Columbian times in Haiti.

Unlike most designers, Placide has a business background, having worked as a banker in Haiti before moving to the United States.

Were you a fashionista as a little girl?
In my early years, I was fascinated by secretaries and flight attendants right from the small screens. I was interested by their sophisticated outfits—yet so chic and so simple. As a Haitian girl, you were not allowed to be playing with your outfit. Your parents would dress you a way and want you to keep it clean and not to add any personal touch to it; otherwise you would be in trouble. However, the major fashion statements in my life happened when I got my hair shortly shaved at the age of 11. I grew up never having to worry about the hair hassle. I always found a way to dress up or down my short do. Even now when I try to grow it up and perm it for a change, I always go back to my beloved TWA. It was my fashion accessory back then—now my signature!

Is it Haiti’s old Arawak name from which you drew the name of your line Bohiomania?
Indeed, Haiti is not only those depressing images and facts that are being displayed over the internet, Haiti is also and most importantly that prosperous era when the Indian tribes lived freely, happy and carefree! That was the time when Haiti was so rich with gold in her riverbeds, when the Taino lived under a stable and well organized political structure. I want to revisit that era with their lifestyle, their fashion accessories. [I want to] bring it along to our contemporary life. I am highly interested by the Golden Flower, The Queen, The Great Anacaona! The Aboriginal Line is inspired by her name and her story. Bohiomania‘s colors are coffee, olive green and brick, those colors are relevant to me in a way that speaks deeply to my heart.

Do you remember the first piece of jewelry that you really, truly prized?
No, unfortunately. But I remember when I had sown by hand my first white tunic with red rickrack to attend one of the Chapiteau events at Place Boyer, in Petion-Ville Haiti. My mother wouldn’t let me go because I was way too young to be out late at night! But I did wear it the entire night for a family reunion.

What was Chapiteau about?
Chapiteau was a music event organized in Haiti in the 90’s under a huge tent where the major Haitian classic bands like Sweet Micky, Mizik Mizik, Magnum Band—and so on—would perform for the entire holiday season in December at Place Boyer, in Petion-Ville, Haiti. I dreamed of attending so much but as I can remember they only had a very few editions if not only one. When I got older, I attended other performances at Tara’s, Ritz, Parc de la Canne-a-Sucre at Tabarre and other clubs in Haiti. My favorite performances remain the Haiti Troubadou Project in 2000’s and the awesome Tabou/Zekle Festival in 2009. Those for me are timeless and I finally got over my Chapiteau disappointment!

What inspired you to start your jewelry line?
When I left for New York in January 2010, I missed the women from the [arts and crafts] project in Fond-des-Blancs I had been running for four years. I missed my family and my friends and, as controversial it may sound I was missing Haiti, my lifestyle and those creative activities I was taking part in every year. I wished every single day that I could go back! I still do. Bohiomania is inspired by the [powerlessness], the hard reality of making a choice and not being able to revert your decision for the sake of your family. It was a way to dry out the insecurities, homesickness tears of moving to a different country and trying to adapt the most you can; It was and still is my survival way to keep myself grounded. Bohiomania is my refuge, my home port and so much more and beyond. It is at last the result and expression of the creative and entrepreneurial sides of my personality.

You mention an arts and crafts project. How did you become involved with the artisan workshop?
In 2005. I had been approached for a new position in Fonds-des-Blancs, Haiti. I was working as a secretary with Healing Hands for Haiti (HHHA) at the moment. I had been told that I would get paid higher than my then actual salary and would hold the title of Director of the Women embroidery cooperative project with my own driver and the other privileges associated with the title. I was happy and excited, but of course my family, especially my mother wasn’t. I was at the height of my secretarial career and a single mother. It was a new adventure and the chance for me to perform at a higher level. I found the whole thing very challenging and decided at least to meet with the lady. I remember having my job interview at Hotel Oloffson, one of the very entertaining hotels in Haiti. The lady and I clicked instantly. I loved the fact that as an American woman she retired from nursing in the States, moved to Haiti and was devoting her time and money to empower the women from the small village; she loved my poise, my creativity and my motivation. It was a deal instantly! A week later, returning from my visit of the site, I signed my contract. I started right away after the holiday and they threw me a surprise party for my birthday on January 4 of the same year…since then our story began.

I directed the project from 2006 to 2010, overseeing all aspects from production, marketing, payroll, new orders from the states, reports, sale, fairs etc…The project was awesome with a wonderful management team and the women were fabulously creative, resilient and dedicated. They would go through the entire production process with no gimmicks. In fact, they loved their job. Not only because it was their main source of money but also because of the warm and friendly atmosphere at the workshop. I introduced them to the public at different fairs so they would no longer be the embroiderers but for them to see how their work was appreciated and valued. We went to fairs in Jacmel, Cap-Haitien and Femmes en Democratie and Artisanat en Fete Fairs editions. Sold the embroidered linen tablecloths, cotton nightgowns to fairs and boutiques. We were pretty active and the work was a total hit! Unfortunately I had to leave after the earthquake for family purposes. However our adventure continues. The ladies and I remain friends and we talk as often as possible. I am planning to go back to Haiti to open a workshop and I am willing to contract them for some specific projects in order for them to sustain their needs and to provide for their family. The project is still running to date with a different team but the ladies are still motivated and selling their work on site and online.

Now, in terms of the different pieces that make up the line, where do you mostly find the inspiration for them?
Victoria Beckham is my ultimate style icon! She is just clean! other than that I am the visual type. I read and follow the stars a lot. I love the gossips surrounding their lives, but I am most definitely scrutinizing their outfits and their styles. My inspirations come from the women from the reality shows, that little girl from a mountain carrying over her head a basket of fresh fruits, a picture from a bus. Inspiration for me comes from anywhere with everyone and pretty much everything. You just have to open your senses, be confident, audacious. It happens that in the middle of the night I wake up [and] realize that special idea just crossed my mind. Like I said, you have to be open to your senses and be able to catch that once in a lifetime idea and create it!

Is there a piece in the collection that’s especially popular with your clients?
The Aboriginal Line is very popular. Made out totally and–or—partly from turquoise, coral and magnetite they would outshine the other two lines—Classic and Funky. However the three lines are very different from one another and they each have their one fan base.

How would you describe your line Bohomania?
Unique, timeless and beautiful! When you own a Bohiomania piece, you not only own a story, but a versatile piece that can change the entire look of your outfit. It is sophisticated, simple and chic. On top of that we work hard to guarantee you never come across anyone with the same exact piece of jewelry!

You have a financial background. Has that helped you a great deal as an entrepreneur?
Yes. My entrepreneur mindset is inherited from my mother. She is a business woman who knows how to sum up four or more rows of decimal numbers over her head with no electronic help! I wish I could have her abilities, but I am from the lazy era, I go for the easy options: calculator, laptop etc. [Smiles] However, I inherited her strong personality and the willingness to start over and over again until I find the right way. It is a combination of professional and personal experiences. My secretarial and administrative backgrounds are also very useful in managing my office and keeping my papers update and well organized.

What should a person wanting to buy jewelry, but who’s on a limited budget, make priority, when starting their own personal jewelry collection?
Definitely the Aboriginal Line! Turquoise and coral can be dressed up and down if you know how to rock your style.

Some people have a thing for fashion entrepreneurship, but aren’t necessarily adept with the financial and entrepreneur part. What counsel do you have for such persons?
Find yourself a business-minded and educated family member and–or—friend to associate with. Your business and project can only benefit from their advice and professionalism. Or hire yourself a business adviser and a lawyer. I am luckily surrounded by highly educated family and friends I can relate to as mentors for guidance.

Do you see a full-blown expansion ahead?
Luckily yes! Bohiomania is evolving for the better. There are multiple projects and events in the pipeline. I just had a our Mother’s Day sale event and I am planning a major and interesting event for September, private sales and promotional tours in Haiti.

What’s next for your Bohiomania?
Finding funds to implement a cooperative in Haiti and hitting the major stores are the main focus now, but Bohiomania is also open to multiple ideas, is willing and will be venturing other paths.

You can learn more about the Bohiomania line by clicking here and by visiting the line’s Facebook Fan Page.

Some fashion design students can’t wait until they walk the stage so that they can get started with their fashion design careers. Rose-Gaelle Pierre, the youngest of a family of three and a student at the Art Institute of Fort Lauderdale—isn’t waiting until graduation. She’s already on her way to conquering the fashion world with G’s Addiction, her fashion line, which includes anklets, bracelets, and shirts.

Born in Haiti, Gaelle—you culturally-attuned ones, being so kreyolicious—know the drill, the middle name is the first name—moved to Florida when she was thirteen—nearly seven years ago. As an interior design and fashion student at the institute, exploring her inner creativity is a must.

Her adorable little pieces are put together with ease, and she doesn’t mind discussing her style, as well as where she gets the inspiration for the brand that she hopes the whole world will get addicted to.

Q & A

Did you dress up your dolls when you were little?

When I was a kid, I was not interested in dressing up my dolls. I was more into sports and dancing. I grew up with my brothers and cousins and I was the only girl, thus dressing my dolls was not something I would do.

Are you learning a lot in fashion school?

Fashion school is more interesting that I thought it would, exceeding my education expectation. Everyday is a new learning experience and my fashion sense is developing and growing more. So I could say I learned a lot and there’s more to come.

How did you get the idea for G’s Addiction?

It didn’t take much to come up with the idea of G’s Addiction, The G stands for the initial of my first name thus, “Gaelle’s Addiction”. I have been making jewelry pieces for my friends and family for years so with the appreciation they’ve been giving me I decided to turn my passion into a business. The main goal of this business idea is not for the purpose of only making money, but for people to appreciate a simple side of accessory.

What inspires the pieces in the clothing line?

My clothing line is inspired by my jewelry designs. G’s Addiction anklets and bracelets are rare. From their unique designs, I decided to base the clothing line in relation to them.

Were you a fashionista when you were in high school?

In high school, I wasn’t much of a fashionista. My style was more of an extension of my personality and the mood I was in. Fashion gives a certain amount of freedom to people and allows them to be who they want to be.

What advice do you have for those who love fashion, but can allocate only a small budget towards clothing and accessories?

I think there is beauty in everything. There will always be something beautiful in what people perceive as ugly. The only real elegance is in the mind; if you’ve got that, the rest really comes from it. Budget cannot limit creativity.

Is there a piece in the G’s Addiction collection that is especially a hit with your clients?

I would say the fact that they can customize their own jewelrY is a hit for the G’s Addiction clientele. In terms of customization, the customers get the choice of a variety of things such as: color preference, style preference and whether or not they want to write a name or a memo.

Where do you hope to take G’s Addiction?

My closest goal is to take G’s Addiction to the next level—meaning I want to have my own store in Haiti and familiarize everybody with my products. I want to make it world wide, not only known and available to the Haitian community but to every ethnicity. I would like to take this opportunity to let everyone know that I will be having a grande premiere in Haiti in December. This is all thanks to the support of everyone such as: International Event Entertainments (IEE), TheTeam Illegal working in Haiti, and specially my family and friends. In five, ten years I see myself very successful and G’s addiction will be a major part of it. I will definitely be the next Murielle Leconte, She is my idol! I will stay focus until then and with the support of everyone that believes in me I will definitely succeed.

Can you tell us more about Murielle Leconte?

Murielle Leconte lives in Miami, She’s been struggling with cancer for a couple of years now. Her line is called Murielle Creation. It was created in December of 1990—and also—she had a modeling agency. She designs clothes, accessories, and also home decor pieces. She’s not only a designer, she’s also a civil engineer and a survivor of domestic violence.

Have you met this designer?

I would take this moment to let her know that her art was marvelous, and brought great joy to us. I hope that God gives her the strength to get well soon and the courage to grace us with more of her talents. My dream is to meet her one day and learn her craft.

Get addicted…visit the website of G’s Addiction HERE.

Fashion designer Dayanne Danier is known for her chic women’s fashion line Bien Abyé. But she’s always wanted to intersect it with philanthropic activities. Enter her non-profit organization Fleur De Vie, which when translated means Flower of Life. The organization’s name is very telling of its work in Haiti. It strives to help young women to dare to dream of bigger and better things.

Q & A

How did the idea for Fleur De Vie take shape?
The idea of Fleur De Vie came from a number of influential moments in my life. After watching Oprah’s first Christmas in Africa special, I was inspired to reach out to my own community in a similar way which led to first sponsoring a number of children in Haiti. Later, I felt that writing checks to an organization was not enough. I really wanted to get reconnected with Haiti directly. So I traveled to Haiti for the first time in 25 years in July of 2009. I had such a remarkable and emotional trip that all I wanted to do was schedule a return trip immediately. I didn’t realize that coming back would be that soon, but when the earthquake took place, it did not just crush Haiti, it crushed my heart. My aunt told me about the MEVA school and how they lost their building and the children were suffering emotionally. So Jenny Batista—the cofounder—and I decided we would go spend a week with the children. After spending a week and seeing how they had no dreams for their future, we knew at that point, we had to do something. I remember it like it was yesterday; I sat on the balcony of my uncle’s house and told him I wanted to start Fleur De Vie. Jenny was right there with me and said “and I want to help you.”

What are some of the must-hit goals that you have for the organization?
Some of the must hit goals are to promote sustainability, to be transparent to our donors, and to assist those who need help in a way that will effect positive change in their life.

In terms of the response you have gotten, what’s the general reaction towards Fleur De Vie?
Overall, the general response we have received has been very positive. Our donors are very happy that they are helping effect an individual’s life and that they can visually see that what we say we are going to do, we actual do. Our volunteers in Haiti are so happy that many of them ask when the next program is scheduled. They like the idea of being a part of something positive, they want change as well. The volunteers that come from the United States welcome the opportunity to not only volunteer on the ground in Haiti, but see a different side of the island and culture that is not often portrayed in the media. The recipients of our aid are extremely pleased because the types of projects allow their students to have a different experience in their life which they might not ever have.

You are also the mastermind behind your own fashion line Bien Abyé. Is it hard being an in-demand designer, and one who is so heavenly involved in philanthropy?
This is extremely hard. Time management is a must in such a situation. I have to admit, Bien Abyé took a slight back seat to Fleur De Vie in its first conception year. Planning an event internationally is not easy and I found myself traveling back to Haiti quite often, that I now can’t stress enough the need to build partners on the ground. At the same time, the theory of giving back is very important to me as an individual. It is something my parents taught me ever since I was young. My parents came to the United States because they wanted a better life for their future family. I have a strong passion about wanting to complete that circle and say thank you by giving back to the place that made my parents. I hope I can find diaspora who feel the same way and want to join Fleur De Vie on this mission.

Fleur De vie has a great many events and activities and projects to help it achieve its goals. Can you please discuss them?
Sure, in the past we have done so much, usually reaching out to children. The first project of the official organization was the Back To School Recreational Day event in September. This project was focused on preparing children for the upcoming school year while getting them excited about education. We took 500 children to a huge open field, thanks to Fabrice Rouzier who was open to us using Sun Auto, and had a day filled with fun activities, music, and food. We also incorporated a health awareness aspect with basic screening and dental care promotion. It was like an education party! The day ended with every child getting a new backpack which contained school supplies. The children and volunteers had such a good time. We can’t wait to do it again this year. December of last year, we returned in collaboration with the Consul General of Haiti New York office and did a True Noel Day. Again, we reached out to 500 children from 5 different schools/organizations and spent a day at each organization doing arts and crafts activities, sang Christmas carols, and gave them each a gift from Santa. That week really made the holidays something special to these children and to the team.

The focus of Fleur De Vie is to promote positive change mostly through educating communities on all topics that can help improve their lives. At the same time, when you see a child’s face light up just because we made them feel special from a small activity, all the hard work to make these programs happen are so worth it. For [this year], we have repeat activities planned and some new ones as well. Overall, we try to do better and better each year to promote positive change. So that just means the projects will get better and better each year!

What would you say is the organization’s greatest need, or needs rather?
There are two greatest needs of the organization and the most important, is volunteers! The reason I say that is because of the strong need for positive reinforcement in the lives of the people. As you see, our numbers are not small and we want it to only grow bigger as far as people we connect with. But we can’t do it by ourselves. The more people willing to travel with us will create a bigger impact in Haiti. It is all about numbers working together for a greater cause.

Also, of course, donations. One of the things we try to do the most is buy supplies on the ground in Haiti. It helps support the local economy and also cuts cost on shipping. The schools and organizations we work with are really in dire need of help. I will never forget the time I went to visit one of our schools, the conditions of the benches literally brought me to tears. I was so embarrassed talking to the principal with tears coming down my eyes, at the same time I could not believe the conditions these children where learning in. It just broke my heart. And just when I thought it was an isolated issue, we returned in December to go to one school in Mirebalais where the benches were no wider than seven inches and the material was just untreated, rotten wood. These images drive me insane and I wish we could do more. When these schools say, “Thank you so much” for just a backpack or arts and crafts activities, I feel so sad because to me, I wish we could do more. One day, I hope Fleur De Vie receives enough funding to cover the back to school activities and the hardware needs for some of these schools. If we want to effect positive change, we first have to change the way the population learns in their foundation years and that means helping schools with children.

Volunteers are without a doubt huge contributors to the organization.
Oh yes, of course! We like to have volunteers for a number of reasons. Number one, it promotes transparency. With so much bad press surrounding where funding to Haiti goes, it is very important to have volunteers see the proof in our work and the size of our projects. It is also a great way to connect the world to Haiti. We like to promote both Haitian diaspora and non-Haitian people to join us because we want the world to see a different face of Haiti. Many people are interested in going to Haiti, but they hesitate to travel on their own. This way, they travel in a group, get to see numerous sides of the culture, and reach out to the Haitian community directly. We also love to get the volunteers who are on the ground in Haiti. They are so eager to help their country in a positive way, that they are usually the first people to contact us and say, “What is next for Fleur De Vie?” There is a positive energy over Haiti. People just need to get on the right path and work together for the change that is needed. With the right volunteers, this can all happen.

What are your future plans to add more buds to Fleur De Vie?
I love this question! It can be viewed in so many different ways. I will first say the buds can be compared to the different project. So for [this year], we are adding a few new projects to our list which are very important. One is donating Reading Centers to school. Many of the schools in Haiti don’t have a library or books for children to read for pleasure. And with literacy rates so low, Fleur De Vie will like to promote reading by donating a center directly to school. Also, we are brainstorming on a “Tools of The Trade” classes for young adults because education is important at all levels. So any knowledge we can give to the community that can help better someone’s life is important. I am also trying to come up with a program that does outreach to young adult women. The lack of role models that show the young girls to “use your brain not your body” drives me bananas and I would really like to do an event geared to young woman. I haven’t come up with anything yet, and this is news to my board as we speak. [Laughter] But it is so needed and I will not rest until I come up with something.

The artist in me comes up with some really creative programs so hopefully whatever it is will make an impact. I am very fortunate to have a strong board of individuals who share the same drive as me and who is usually in agreement to my crazy ideas. For that, I am truly blessed!
The other way to refer to the “buds” is through volunteers. And for that we are always open to accepting new volunteers to join us on our trips to Haiti.

You can check out the Fleur De Vie website HERE to see how you can help with its initiatives.

Jean-Yves Marchand’s greatest fashion influence is his grandmother. Growing up in Port-au-Prince, the Haiti-based fashion designer, used to watch his grandmother concoct all sorts of intricate designs for her clients. It’s around this time that young little Marchand started to develop an eye for all things high fashion. He discovered the world of fashion magazines. He even started to etch his own sketches of fashion designs.

Later, Marchand contends, he made the acquaintances of several key heads in Haiti’s fashion community, including fellow fashion designers, models, modeling coaches who acknowledged his talent and gave him the confidence and determination to make a name for himself.

In the mid-2000s, Marchand says he joined Habimode, a couture firm based in Petionville. Within a few months of coming on board, he was promoted as the chief designer of the line, and created hip and chic pieces for the collection.

Today the designer has his own line of accessories and clothing—the Jean-Yves Marchand Collection. He still remembers the day when he introduced the line to his friends, colleagues alongside the public. “There was so much emotion,” he recalls, “and everything comes out amazingly perfect. I even had tears.”

One of Marchand’s goals is to get his line in other countries, and establish a few lone-standing boutiques; another is to push the line further on the international fashion market, and create more fans for the Jean-Yves Marchand Collection.

What inspires your designs?
I’m inspired by many things; it could be in the street, nature. It could be a personal feeling, a dramatic situation. I usually design what I have in mind, trying to make it wearable. I always want to bring unique and original designs.

How involved are you when you have a fashion show?
Well, I usually plan my fashion shows [unless it’s Haiti] Fashion Week. They usually [do] their own planning. You just bring your clothes…[So] yes, I do plan all my fashion shows: the place, the decor, the DJ. I usually want everything to be perfect—so I make sure I have an eye on what’s going on.

Do you choose your own models?
Yes, I definitely have to choose my own models because they are the ones who will sell out the clothes. I usually set up a casting call to choose the better ones. My preference goes to tall models with attitude and good face expression—who can really walk the runway.

What’s the fashion world like in Haiti?
Well, I think—in Haiti—the fashion world is growing year after year. We are a few designers who are really talented and have made the media here and overseas. There is a designers association [that launched] years ago, but [we] only [got] our first fashion week [off the ground] last year, which was a success in the international media. I definitely think we “Haitians” need to support our own creations, [and] support new and young talented designers. Be more involved in what’s happening in our country and take the Haitian fashion world to another level.

What advice do you have for those who want to make their mark in fashion?
I’d tell them to stay focused, to follow their dreams, and never give up—even when they really feel like there is no open door. Keep the faith.

When you think back to your childhood, who was the most stylish person you knew?
Well, my grandma was a stylish woman. [She was] always looking good, [and was] well-dressed. I think all the women in my family have style.

Now think of the sloppiest, and frumpiest person you knew. Looking back now, and knowing what you know now, what would you have done to help that person?
I don’t exactly remember ever knowing such a person in my childhood, but there are a few present-day people whose style I would love to upgrade. I’ve been thinking of putting on a show on TV where I could change people’s style. It would be a total makeover, from changing hairstyle, color, fashion taste, nutrition. [Show participants] how to walk, to style and [have] attitude and, of course, [apply] makeup.

What’s the most rewarding thing about being in the fashion industry?
I think for a designer having everyone wearing your clothes and liking you style is a great reward. Also, the financial aspects [too], if you are a successful designer and sell a lot. I think the other side is to be respected and [be] known for your career and the work you have done in this industry.

Jean-Yves Marchand takes a bow at Haiti Fashion Week, flanked by a model wearing one of his designs

What do your parents think of you being a designer?
I think they were scared [because of the] the financial aspect, because in Haiti fashion did not always mean a lot like [it does] today. And parents do care for [the future of] their kids. But, it was my choice and no one could have stopped me. My parents are proud of my work, and I’m so happy about it.

What is your greatest source of pride?
I appreciate the respect and the confidence people have for you when you are known in the fashion industry as a great designer. And also the ability to make people happy and have a better image of themselves by wearing your clothes. A happy client is a sign of success received for the work I’ve done.

[Photos provided by subject.]

Be sure to check out the fashion designer Jean-Yves Marchand on Facebook HERE.

Hadascha Brutus always dreamed of becoming an attorney. But even as a little girl, she was smitten by fashion. She loved dressing up her Barbie dolls. She would scribble little fashion doodles on her homework—a special touch her teachers didn’t find too amusing.

For practically every special project assignment she had in school, she always found a way to incorporate fashion here and there—somehow! And when she was dressing for school, she got supercreative with pieces. Somehow, fashion had made it into the innermost coils of her DNA, without her realizing it.

Now, the Massachusetts-born fashion diva is the mistress of ceremonies behind her own fashion line, aptly called Hadascha. From Las Vegas Fashion Week to Miami Fashion Week, Hadascha’s presence is impossible to overlook. The pieces are flashy, without being overly flamboyant. They are made for the fashionable girl, who loves to stand out and appear to be at the height of sophistication.

Right: Fashion designer Hadascha Brutus wearing her own designs.

Growing up, did you feel comfortable with a name like Hadascha, which is by no means common.
I was picked on for my name, when I was younger. But as I grew older, I saw a positive reaction to my name in high school, college, and work. I love how my name starts a conversation, but by high school I loved my name. It was different.

But I bet you are grateful that you didn’t have to go too far for a name for your collection. Did you think of other possibilities or was Hadascha the one and only possibility.
I did play on the idea of a different name, besides my birth name. The funny thing is, people already think I made up my name “Hadascha” for my brand. So I am happy that my family picked out a name for me that is strange yet timeless for a name of a brand, as if they knew what career path I was about to get into.

You obviously design with your fans in mind. Where else do you find inspirations for your design?
Every collection has a fictional story behind it—either a love story or an empowering story. I don’t know how not to design without my consumers in mind. Every collection is personal; my collection is a gift from me to my future clientele. I want the women to look sexy and classy on vacation—to have fun in a Hadascha garment. I look at iconic ladies that look amazing whether on stage, in a movie, in a music video, or a type of a lady a song describes. I write a story around that and place her in beautiful countries around the world. From there, I want a clientele to make that story her own story and experience.

Is there a piece in your collection that you think of as your favorite?
Everything I design is something I would want to wear: the best fabric, and a gorgeous silhouette. I need to love it, feel it, and make it fabulous for anyone’s closet and luggage. I can’t say that I have one favorite. I love them all—or else you wouldn’t create it.

Who was the best dressed person you knew when you were little?
My mother and her sisters have impeccable taste—then and now. My mother wears whatever looks good for her body type and color; it’s not about what is trend, it’s about what looks good on her. For her and her sisters it’s about style; they could care less about labels. It just so happens they love quality, so their style is a bit expensive, but at a great price. I steal my mother’s clothing that she still has from the 1980s. I mean great quality. She buys timeless pieces. You would never know the era—and all you know is that it looks great.

Do you consider the 1980s as the best fashion decade ever?
I consider the 1960s the best fashion era: fun and flirtatious.

[Left] Fashion Designer Hadascha Brutus poses to the right of Krista White, one of her models at Las Vegas Fashion Week.

What’s the one color you can’t function without?
Well, it’s not a color; it’s a print. I can’t live without animal print. I love all colors that look good on me, but I love gold, white and black.

Between shows, fittings, material selection, and coordinating photo shoots, is it hard to find time for yourself?
I have fun with what I do, though it is very hard and a struggle—but it’s beautiful. I have time for myself on Sabbath morning at church—praising God and every day with my devotions. I’m always with my family; there is no need for reality TV; there’s always excitement in my household. If I travel, it’s for a reason and I try my best to sneak away and take pictures of my surroundings that inspire me for a collection. So, work is always on my mind.

How should aspiring fashion designers prepare themselves for a career in the field?
In the words of my grandfather, “Persevere, persevere, and when you want to give up, persevere”. Prepare mentally and emotionally for a beautiful struggling roller coaster. But it’s your ride. So, through the tears, enjoy it and be thankful for whatever support you have around you.

Is the fashion industry really the way it is portrayed in the movies and on TV shows?
It depends. Everyone sees a fabulous fashion show, but backstage is crazy. Movies and television show a beautiful side of fashion, which is true, but for designers it’s very hard work and [it] takes most of your time.

Have your parents given you their stamp of approval?
I’m so thankful to have Haitian parents who want to see me succeed—[who] want to see my dreams and hard work pay off. I wouldn’t be where I am today if they didn’t allow me to think, dream and do. For them, as long as they see action, I can be anything and do anything I want to do as long as I work hard.

When was the last time you went to Haiti?
The last time I went to Haiti was in 2010. It was beautiful and magical. I wish they showed more of those parts on television. Haiti is beautiful with beautiful people. I’m so proud to be a Haitian woman.

What qualities do you think are a must for a fashion designer to have?
Ambition, drive, passion, focus, and Love for what they do. Everything else falls in line.

Hadascha is popping. Where do you hope to take the brand in the future?
I hope to take the brand Hadascha internationally, and place my garments in luxurious resorts, cruises, yachts and boutiques; we’ll see what God has in store.

[Vegas Fashion Week photos by Andrew Kirshner of Las Vegas Pro; others courtesy of Hadasha]

And see what’s in store for the moment by visiting Hadascha here and connect with the line on FACEBOOK.

Talk about being at the right place at the right time! At the age of eighteen, Hencha Voigt left her home in Haiti to go attend college at St. John’s University in New York City. Who should spot her on her first night out in the city of lights and high towers, but a talent scout from the street wear clothing line FUBU! The Miami resident has been modeling ever since, showing off her unique look in music videos, commercials, and at club events.

Hencha Voigt lives to be Hencha Voigt. She’s a combination of attitude, spunk and, well, confidence. She’s like one of those popular girls you knew when you were in high school—the type who walked with a shrugging, overly confident air. The type who was whispered and gossiped about, but whose caravan could not be stopped.

Ms. Voigt discussed expanding her brand with Kreyolicious.com.

Your first name is pretty unique.

Yes, it is. It’s my father’s name backwards. His name is Charles-Henry, so he took the “Hen” from Henry and the “Cha” from Charles.

Do you always strive to stand out in life?

Everywhere I go, I’m always the sun of the venue. I stand out not only in looks, but in personality. I always make sure to leave a great impression and stamp my mark on that person’s memory.

Do you sometimes feel pressure to maintain a certain weight, or look a certain way?

Yes, because in this industry it’s all about having the best body and maintaining it. If not, the next younger, pretty girl with the fit, nice or curvaceous body will take your spot—quick.

You come across as someone who has a grip on her own style—who doesn’t adhere to trends. What fashion tips do you have to offer to girls out there?

I’m actually a trend-setter. I love fashion in every sense. My way of dressing varies, because I always switch it up. Rihanna is my fashion icon, so I feel I always have to keep up with her. She knows what’s in and hot!

If you’re down to your last dollars in your fashion budget for the month, what do you tend to invest in…accessories, hair or makeup…or clothes?I invest in hair, because I’m obsessed with weave and my hair always being on point! When my hair is done, I feel so brand-new and invincible.

How does Hencha Voigt define beauty?

I define beauty by first having a good heart inside and out, which is being a good person. Second, having a bomb ass personality, meaning you are your own person—kind, outgoing and original. Third is having a good body, which anyone can obtain if they eat healthy and stay in the gym. And last is the superficial part—which is a pretty face and how you carry yourself as a person and lady—meaning your hair, nails, make-up—if you like. Always looking clean and nicely done.

Do you feel beautiful?

I feel blissfully gorgeous. [Laughter] That’s more than beautiful!

From Young Berg, to DJ Khaled, Meek Mill and Rick Ross, you’ve played the lead and the feature model in several hip-hop videos. There are very few rappers who have not been chastised for the portrayal of women in their videos. Do you have a certain criteria in terms of what you will do or won’t do? Do you examine a song’s lyrics for example, before deciding to take part in the video version of the song?

First, I don’t do usually do videos if I’m not cast [as the] lead or feature [model]. There’s no point of being in it if that’s the case. Me being in videos helped put my name out there in the industry. Yes, I feel some type of way about video models being called “video hoes” or such sort of disturbing names, because I know my worth and I am way far from being that. It’s a job to me—just like some people get out of bed and go to their 9 to 5 job every day. This is how I eat and I also struggle to make ends meet. We all got to eat. Not all video models think like me; a lot of them do misbehave and act non-lady-like, and that’s where the stereotype is coming from. But like I said, I will stand for all the models like me. Not all of us have a bad image. People need to quit with that crazy, stereotyping issue.

What would you say are some of the pitfalls in the modeling business?

You have to be a really strong woman to survive in this business, because you will get f__ over multiple times—just because you are a pretty face. People will f___ with your money and it’s a 50/50 percent chance that you’ll always get booked because there is always somebody new and popping coming up in this game. So to always stay on top, I’m always on point—never slacking. I’m very diverse; I don’t only do videos. I’m a published commercial model, a fitness model, a host and an actress. Hollywood will soon be hearing my name.

If you could give the Hencha of say, three to five years ago, some advice, what would you tell her?

I would say to go mainstream and to stay away from urban modeling because there is more money and work in mainstream.

The classic movie actress Susan Hayward, who started off as a model was quoted as having said: “You aim at all the things you have been told that stardom means–the rich life, the applause, the parties cluttered with celebrities. Then you find that you have it all. And it is nothing, really nothing. It is like a drug that lasts just a few hours, a sleeping pill. When it wears off, you have to live without its help.” What are your thoughts on this?

This is the realest thing I’ve ever heard. She said it the way it is. The dream really stops at the door—in other words. It’s almost like a fake dream and lifestyle and if you don’t wake up from it, you might ruin your life forever. You got to maneuver quick and know what your next move is—or you’ll fail.

Are you opposed to doing reality TV?

That is definitely on my bucket list.

When you sit there and consider all of your accomplishments in life, which gives you the biggest source of pride?

I have accomplished a lot, but I am not even close to what I [want] to accomplish, so I can’t even [rank my accomplishments] yet. You’ll just have to put that question on pause and wait. [Laughter].

Photo Credit: True Colors Digital

What have you learned about friendship so far in life?

You really have no friends in life, but your family. Friends are always envious and jealous. They slow you down and always want a piece of the pie you worked hard for without even giving ten percent of themselves in it.

You participated at the Miss Haiti International pageant last year, in Paris France. How did you like that experience?

It was amazing—the best experience by far, and I don’t regret anything about it…First time I’ve ever been to Paris and [all] I can say is [it’s] an amazing city. It was a great experience and opportunity. I made a lot of cool friends and visited an amazing country I had never been to. If I had to redo it again, I would and actually become Miss Haiti Universe next time. I didn’t take it so seriously; it was mostly fun to me. I know exactly what it takes to be any Miss now. I cried and laughed through the whole pageant; it wasn’t easy at all. I salute any Miss that has made it to the Number One spot because representing your country and nation as a young woman is very prestigious and difficult.

Are you and your parents close?

Yes, I love my mother and father. They are the best, they love me for me and never doubted me.

Are they proud of you?

They are my Number One fans and always have my back—no matter what!

What are your thoughts on natural hair versus chemically processed hair?

My thought on hair period, is do what makes you look good in the most natural way possible. Don’t go overboard, but be unique. If you’re going to wear you’re natural hair, rock it! If you’re going to wear weave, rock it! They all look amazing. I look good both ways and love them both!

Your fans follow your every move, and hang on to your every postings on social media. Some, it seems, even live vicariously through you. Where do you think all that fascination stems from?

It’s because I set my own trends and never care about critics or opinions. I live my life freely and live for myself. I make myself happy. I don’t care about society, rules and laws. They see it so they live carelessly free through me. I’m the realest it gets. [Smiles and winks]

Were you always that way? As in, did you always have that don’t-care-what-they-say attitude or is it something that developed as a result of an experience or string of experiences. I think for some of us out there, who do care what others think, wonder all the times about people who don’t care about what others think, and wonder how they got that way.

Yes, I was always that way. When you are the center of attention everywhere you go growing up—up ’til now, people talk and most of the talk is negative. I can care less about negative talk, because they don’t pay my bills or help me with my dreams. Any kind of talk to me is good, because I stay relevant and never die. Something like a legend. People wish they can walk a mile in my shoes because I’ve seen been done things they will never live to do or see.

It seems to some of your fans that the past year has brought a mellower Hencha Voigt. To what can this slight change of direction be attributed to?

Yeah, because life and its experiences mature you. I can’t stay wild and crazy forever; life has a way of taming its horses…I was the wild horse in this case. Traveling the world and meeting different people, and going to top official business meetings turned me into a business woman, and in business you have to keep the crazy out the door. I guess we live and we learn.

Do you have a favorite designer?

No. I love fashion broadly. I mix and match designers. If it’s dope—and in my taste—I’ll rock it—no matter the designer or the price.

You attended St. John’s University. Do you ever think about going back to school?

Yes, I do! I actually was thinking about that today! I am going back for forensic science. I love those crime shows! They influenced me to go back.

When was the last time you went to Haiti?

I go every month. My father always owned an airline. If you guys go to Haiti, go on HaitiAviation. Best experience ever!

Do you have any regrets?

Never have regrets; always a lesson!

A great number of models widen their brands. What are your plans in that arena?

I’m planning on being on the big screen. Acting is in my favor right now, because I’ve met many big name directors and they’ve proposed it to me many times. I’m actually in acting school right now. I’m tryna be the next Kim K: on screen, with my own clothing line, show, perfume etc. I’m on my way to the top!

So, you’re interested in widening your brand. If you were writing a book right now, and if you were basing it on a particular principle, what principle would it be?

It would be about society, especially the Haitian society. And the dos and donts. Who is society to tell you what is right or wrong! I would write a book about my life and how I did whatever the f__ I wanted and succeeded off of that.

Connect with Ms. Voigt on Twitter @HenyVBaby and follow her on Instagram

[Photo Credit: C. Varela (Flapper Boudoir photos); Beach shot: James Cossna Photography; motorcycle pic via Instagram]

Let’s get to know Haitian groups and bands, and isn’t fashion the best way to get a perspective of whom they are?

Today’s Kreyolicious fashion spotlight will shine on the group named Gabel. Let’s see now…

The crew in their suits!

The band’s co-lead singer isn’t shy when it comes to experimenting with colors. Here he is in a sun-yellow, long-sleeved shirt and form-fitting jeans.

The members sport the title of their newest albums.

The Gabel boys looking very debonair in their custom suits and pink bow ties.

One of the singers hide his eyes behind some bright shades, while the band’s drummer goes for a casual nylon jacket thrown over a gray shirt.

One of the lead singers wears a yellow pants that pop, and a flashy mohawk. Hater blockers on deck.

Band members show their individuality through distinctive get-ups.

The band’s drummer sports a striped top over khakis! And a light gold necklace and playful wristband.

The boys of Gabel are dressed for traveling! Hoodies that can easily come off in hot weather or that can be pulled close in case the weather gets extra cold.

And this is Gabel! Aren’t the boys of Gabel looking Kreyolicious at every turn?

Photos: Via Band FB Fan Page

What time is it? It’s time to explore fashion as worn by some Kreyolicious celebrities. The band in question today is going to be…T-Vice. Yee-yay!

One of the T-Vice lead singers sports a pair of jeans, perfect for nighttime partying.

This look says tropical and island and Caribbean all over it. The boys in T-Vice are definitely wearing popping colors. With this look, the band demonstrates that a little color here and there can work, and will take nothing away from one’s masculinity.

The band gives tribute to 18th Century fashion in this photo, from their dramatic diagonal hats to tight pants.

Here the boys of T-Vice are dressed for a night of performing. They favor the long-sleeved shirt look. Rather than dressing alike, each frontrunner sport their own style. They choose to wear shirts that can transition easily from casual to semi-formal.

Ooh, I like this look. The boys don solid yet comfortable kicks to walk around and perform in. They have a penchant for hoodies and comfortable clothing.

And this concludes this edition of Kreyolicious’ Celebrity Style segment. See you guys next time!

Image Credit: All photos from band’s Facebook Page; colonial wear photo credit…Francois Adrien