Charles Corvsky Dieujuste creates designs that are on the chic side. Dieujuste’s hip and trendy creations can be seen on women who have a flair for elegance. Born in Haiti, and currently residing in New York, the self-described optimist, got his penchant for fashion from his stylish mother and seamstress aunt. And after getting an introductory taste to the world of fashion by interning for one of the world’s biggest fashion brands, Dieujuste started his own line, and has never looked back. Read our interview with him.

Strangely enough, in the Haitian patriarch-driven, often chauvinistic culture, sewing, and therefore being a designer is not seen as an effeminate vocation.
There is nothing effeminate about being a fashion designer, unless someone researches the true meaning of being effeminate. Being effeminate would describe a person trait or characteristics on how they carry themselves. Fashion design or being a designer is a form of business also a form of art that is being translated into what we wear. I was fortunate to have supporting parents that were my cheerleaders and they cheered me on all my endeavors. I haven’t experienced the stigma and honestly couldn’t explain my thoughts.

As a Haitian I can say they are some downfall in our culture. However, to tell you that I have experience these issues. I would be dishonest towards the question. I had an amazing childhood growing up in Haiti. I couldn’t ask for anything else. I am extremely fortunate.

We know that it’s not due to a lack of imagination that you named your line Charles C. Dieujuste.
My Brand/Line is CCDSL in other words Charles Corvsky Dieujuste Signature Label. I believe when you are born your name that is given to you by your parents means lot. It is simply up to you to make your name stand out from others by either being great at what you do or making a difference. However, my father was a professor and my mother in textiles. They instilled in me values and always reminded me of how wonderful my name was. Let me dissect it for you. Charles: As in prince Charles, Royalty, Born to lead. Corvsky: Polish, Unique, Bold. Dieujuste: Humble, Kind, Giving, Passionate. I have always kept this as a motivation. Now you see why chose my name to represent my line. In the future it will be branded to CCDSLWomen.

“Fashion is a form of ugliness so intolerable that we have to alter it every six months,” said Oscar Wilde. At least it’s a quote attributed to him!
This is an amazing quote. It is simply referring to Fashion and its seasons. If you can dissect it is say. “Fashion is a form of ugliness so intolerable that we have to alter is every six months. The quote could simply mean when you purchase something for the first time and wear it becomes outdated that you have to change. Also, with Fashion Week that goes around for 2 seasons and also resort. Fashion is seasonal and you always have to change your looks to become anew. In other words out with the old in with the new.

How influential has Haitian culture been in your designs?
Haitian culture has been influential throughout all my designs. I am inspired by the strong Haitian women. I am inspired by our amazing country. I am inspired by our vibrant and full of life scenery. I am inspired by our culture.

Do you think black designers have it tough in the world of fashion?
I am not sure about black designers. However, I can only speak for myself in terms of my journey. In Fashion you have to simply be ready to deliver top of the line work. Everything has to be industry standards and your work must be polished. I cannot speak for myself in terms of my work. I can say that my aesthetic and work is amazing. Nevertheless, to consumers it can be translated to something completely different. Fashion is competitive in itself. You simply have to bring 110% to the table or go home. Fashion is a lot of work that requires all of you. This is just the beginning stages of course but it is really tough. Everyone story is different of course. I can truly say I am being patient and simply building one step at a time.

We’d love to know more about Charles C. Dieujuste the man.
I am a simple guy with a dream that I am trying to make a reality. I am a white-Tshirt-black-jeans kind of guy with a focus in building a Fashion Brand. I am passionate in what I do and very protective about it. That’s simply me in a nut shell.

What do you have planned for your fans?
For the people that appreciate my work. I plan on creating amazing, well constructed, vibrant, sleek, clothing to the women that love my work.

What’s Mr. Dieujuste’s idea of a perfect day?
A perfect day for me is working on a collection. Every aspect of working on my collection makes my day perfect.

Is fashion designing something that can be learned in schools?
Not necessarily. However, you do need to the appropriate training to be able to do what is required. Everyone situation is completely different from the next person. But an education is required. Lastly, if you are going towards that route you must have impeccable taste.

In the book The Life Audit, the author Caroline Righton emphasizes the need for all of us to take stock of our lives to see where we stand. What do you feel has been your biggest accomplishment? And what are you still looking to accomplish?
My biggest accomplishment is being realized as we speak. I am working towards something I am passionate about. Honesty, I am not sure what the future holds. I am keeping an optimistic mindset and move forward no matter the circumstances.

Nora David is probably the most easy-going handbag designer you will come across. A self-professed hater of boredom and lover of life who sees things in black in white—though she admits that philosophy isn’t necessarily always good, David has fashion in her blood. Her mother Maëlle F. David is a designer, and her aunt is none other than classic beauty queen and stylist Gerthie David, who was the runner-up in the 1975 Miss Universe contest.

David is the originator of her own line of handbags Collections Xaragua. The pieces are a sensation, and the Adabelle Tote in the collection is especially creating buzz in the industry, earning David finalist standing in the “Socially Responsible” category at the 6th Annual Independent Handbag Designer Award. InStyle magazine took note and gave her a mention. The simplicity of the designs with their Caribbean flair, and gorgeous texture are among the factors that are drawing patrons to David’s designs.

Each collection caters to the different types of women in the universe. Edina is for the girl who’s an adventurer at heart; while Heloise was undoubtedly designed for the busy woman on the move, who doesn’t see packing light as an option. The professional woman has a friend in the Selma handbags, while the Rexana is for the glamour-loving woman who’s active in the nightlife.

Behind the glitz, glamour and award nominations, there’s a whole lot of work that goes in. David’s alarm wakes her up at 7:30 A.M. From there, she hops over to the gym. Then her day officially begins, with her reading and sending emails, contacting movers and shakers in the industry, performing research, budgeting, planning activities, and that’s just a start. Research is a big part of her day, of her life, but she doesn’t sit and or stand starring at the screen of a computer or wireless device. She makes in-person, competition-checking visits to stores, and most of all she studies women shoppers, passers-by and analyzes what type of handbags they tend to carry the most.

Naturally, Kreyolicious.com wanted to chat her up about Collections Xaragua. Listen in.

Q&A

You must have shown some signs during your childhood to indicate that you would become the designer that you are today!
Yes, I did. At a very young age, I was designing clothes. I never thought that I would design handbags though. Then I designed one bag inspired by a skirt, and it was the kick-off.

It’s rather obvious, but we want to ask anyway: how did you settle on the name Xaragua for your collection?
I wanted a name that would pique everyone’s curiosity about Haitian history. And I also wanted a name that reflects who I am. And Xaragua was the best fit! It was one of the 5 and the most popular and strongest of the chiefdoms of Hispaniola and the chief was a woman. I intend to make of Collections Xaragua the most popular Haitian brand owned by a woman.

One of your aims with your collection is to is to create jobs for the talented Haitian craftspeople in Haiti and bring jobs to them.
Very simple. I will work day and night to take the brand to a higher level. I will make it become popular, show the local and foreign markets what we are capable of. I will not stop until I get orders so I can come back home and have as many employees it will take to produce these bags. We will make sure the bags are of excellent quality so we always keep our position in the market. This is a big task that I intend to successfully complete.

When you’re creating these pieces, when you’re coming up with then, do you find inspiration somewhere in particular?
Every season I choose a theme for my inspiration. Next collection will be Azzure. I will get my inspiration from the ocean, the sky, scenic views. I cannot wait to start!

Is the world of fashion as cutthroat as some of the reality shows make it seem out to be?
There are so many brands out there. It’s hard to enter a market even if you offer something different, innovative, with good quality. Be perseverant, take criticism in your advantage, learn from your mistakes and others’ mistakes, be informed and I believe you will be able to achieve success.

How would you describe your collection as a whole.
My inspiration is mainly the Haitian lifestyle. I get easily inspired simply by looking at people in the streets, paintings or graffiti on walls. For example I can see a shape on a painting or on a structure and adapt it to make a handbag out of it. I select the fabrics for their quality and durability. The colors are selected according to international trends, while keeping an eye on local demand. All the bags have their lining made from a fabric that plays a big part in Haitian history, siam.

To encourage the Haitian economy, I purchased the fabrics from local suppliers in Haiti. The woven straw is made by artisans in the South of the country. Once woven, the straw is treated against bugs and a varnish is applied to give it a shiny look.

You majored in Fashion Design at a Fashion Design School in Montreal. How was that?
That’s when I realized that designing just for fun doesn’t work. There are rules to follow: trends, sizes, colors, materials, shapes…My very first designs, that I thought were great, ranked a “F”. No need to tell you how insulted I was! Then I learned to follow the rules and went from “F” to “A”. Today I realized the fashion industry is as harsh as the school was…Even though I still think some of my designs didn’t deserve an “F”, I know how to adapt my style to a specific market.

Would you recommend fashion and design schools to aspiring designers?
Yes! Yes! Yes! No school can make you be a designer. I believe it’s something that comes from within. But the school can help you stay grounded and be a success. A designer is an artist and sometimes we don’t know when to stop! We create beautiful designs that are priceless. So when it comes to take your designs and make it into a business, school will show you how.

Does Ms. Nora David have a piece in her collection that she especially likes?
I love my crossbody bag! It became part of me! It’s so practical with its easy access front pocket. It also has two inside pockets to help keep your stuff organized.

Your mom is a stylist, and your dad is an architect. Do you think that’s had any bearing on your creativity as a designer?
Yes, I definitely think so. Very young I started designing dresses. At school I was also designing outfits for my friends so we could go to heaven and look different. I felt like I was imitating what my mother was doing. Her clients would always feel happy in their custom made outfits.

What advice would you give to a woman shopper who’s selecting a handbag?
When buying a handbag a woman has to know what is more important: the look of the handbag or the use of the handbag. If it’s the look, then she should go with her taste. If the use of the bag is more important she should take into consideration everything she carries in her handbag to make the choice for the perfectly-sized handbags.

You no doubt faced some hurdles over the course of your journey as a designer.
Yes I do face some hurdles—not to say many—but they are part of life. Being aware of that, I keep my head up and always look forward. When I encounter obstacles, I choose another path. My goal has to always be stronger than any obstacles.

Collections Xaragua was recently selected as a finalist for the 6th Annual Independent Handbag Designer Award.
This is such a blessing! There is no word to describe how I feel when my work is appreciated. Collections Xaragua is competing against 4 other finalists in the category “Best Socially Responsible Handbag”. This is already a big step towards a positive image of Haiti. The competition is tight. I tried my best to meet all the international standards. I do hope to be the winner!

What’s next for you?
I strongly believe in education. I am planning to have a non-profit organization helping kids with any matter related to school. I want to provide school supplies and extra-curricular activities including involvement in the community.

My next step is to introduce the Collections Xaragua clothing line. I will be wearing one of my creations the night of the Independent Handbag Designer Award. So you will get an idea of the look Collections Xaragua will offer. Stay tuned and I hope you like it! A percentage of the profit from the clothing line will go to my organization.

Would you like to walk in Stacy Armand’s shoes for a day? Do you have what it takes? Armand’s busy day as a fashion stylist and jewelry craftswoman starts out with sips of her morning green tea, followed by a glimpse at her emails, and the social media highways. Last but not least, is her daily meditation session, and gratitude-giving to God, followed by a shower. A model of organization, the designer’s day is accentuated by trips to bookstores, meetings with friends, walks through Manhattan in search of inspiration. And there’s the endless job bookings, honoring meetings, returning phone calls and texts, scribbling notes out quickly before ideas are forgotten. Brands like Aquafresh and Toyota vie for her attention to style TV commercial scenes, and print ad shoots, while popular high fashion magazines like Blink, Runway, and Status are blowing up her phone.

Through it all, the designer has to keep up with her personal life, and keep herself mentally fit. Balance is key. Though she lives a simple life, her designs are far from that. Think of Stacy Armand’s jewelry pieces and think extravagance, opulence of the Roman Empire; think of the glamor of the court of Pharaoh Ramses during the Moses era. Armand’s artistry is based on making bold statements not on outlandish fashion. Read on, as the native New Yorker and daughter of Haitian parents, gives us a glimpse into her glamorous life.

Everyone in the fashion industry had a journey that got them where they are.
My journey is never-ending. That is the beauty about life—every moment is a different story. I created my line in 2010. It was birthed in a place where limitations and the lackluster of current trends were boring. I needed to push concepts and reshape the way people define jewelry. I would prefer to make statements in a world that need new vision.

What did you want to be when you were in high school?
An artist, a performer, a shining star.

Some people tend to neglect accessories when putting an outfit together.
Style is a form of self-expression and a means to communicating through inspirations and connections. You have to be inspired to wear accessories. What you wear is your personal communication. If you choose to neglect accessories that is your statement to society. Now, if you neglect because of fear, or wanting to “play it safe” then journey of self-awareness has not begun, and a curiosity or connection has not been made.

Are your designs influenced by Haitian culture at all?
Being Haitian is everything to me. The Haitian culture is so rich with constant inspiration. The language, music, self-expression and creativity is what made me. I grew up watching my grandmother, mother and aunts display their viewpoints of fashion, music, and politics. The stand we as Haitian individuals take is so powerful, free, and liberating. Our confidence level as Haitians has never been less than 100 percent. That is why I take on this industry so bold and fearless!

You are based in Los Angeles. Do you find it beneficial as opposed to…say, New York?
I am not based in Los Angeles; I am based in NY. I would love to live bi-coastal from L.A to New york. L.A will be my future stomping grounds. In terms of NY, “If you can make it in NY, you can make it anywhere.”

Where did you find the inspiration for the latest pieces in your collection?
My designs are bold and graphic, thriving on the juxtaposition of harmonious and incongruous materials. Embracing my many art influences, the interpretation of form are inspired by the spontaneity and mysticism of abstract expressionism. I craft my pieces to reflect the aesthetic of minimalism, modern architecture and numerous cultures such as African, Asian and The West Indies.

Do you have any pointers for aspiring jewelry designers?
Take risks and do not ever doubt your role as a creator. Go for it! Don’t hesitate, and do things passionately. Don’t ever doubt hard work because luck doesn’t exist for those who don’t work.

Would you recommend attending fashion design school for those who want to follow in your footsteps?
Everyone’s process is different. School is great; not every great designer is school-trained. Do what makes sense to you. School helps, but you must have some talent and a whole lot of determination to make it in any industry.

What was the best advice given to you by your parents?
“Life doesn’t give you a bunch of opportunities and chances, if you don’t take advantage of what presented to you, someone will take your place.” And…”Excuses are for failures, so don’t even bother.”

Have you experienced one of those moments, where you had to pinch yourself?
When I collaborated with a clothing designer for Fashion Week, to see my designs go down the runway was breath taking.

What’s next for you and for your line?
Perfecting my line, opening doors for showroom representation, sales, and press opportunities.

It took the death of his father to open the eyes of Richard Petit, and lead him to discover his true calling: designing clothes. But he had been a designer, for, like, forever. But once his father passed away, he came to a huge realization: another day is not promised in this world, so why not do what one is born to do? In his case, it was clearly designing.

A graduate of Keiser University’s fashion and merchandising program, Petit initially discovered his love for fashion as an eleven-year-old in elementary school. By high school, he had concocted his first creation in sewing class: a pair of boxer shorts.

Petit was enrolled at Keiser University, when his biggest inspiration in life, his dad, died. “I was close to my father. We did everything together and had long talks and everything,” Petit recalls of his passing in the early 2000s. But from that devastating moment, came a moment of reckoning. Design was going to be his business from now own and a very serious affair.

Petit’s designs have been featured in international publications like D’arche and Africa’s Tribal Moxie.

Petit, who was born in Haiti and came to the United States as a toddler, operates his firm Papillon Designs out of his atelier in Miami. He’s not only a fashion designer, but also a stylist, having most recently livened up the image of the konpa singer Kleo for a music video shoot.

His participation at Style Week Miami was one of the highlights of that show. His designs are explosive, stylish, and reek of simplicity at the same time. Just like the man himself.

Q & A

You’ve dressed models for runways and singers for photo shoots. How did you get your fashion sense?
To be honest I call it a gift from the man above. Sometime I sit there and think to myself where does it come from when I have an idea that pops to my head.

As far as we can tell, the whole designing bug was innate in you. Do you feel that it is necessary for designers to attend fashion schools, do internships and stuff like that?
Yes it is. I feel like when your born with a gift yes things may come as easy to the person but we all here need the guidance of someone else who has been doing the same thing that you are into to help us enhance our craft. Designer’s like Versace, Elie Saab and Karl Lagerfeld wasn’t born with the knowledge of sewing, pattern making, and knowing how to manipulate are dart. They had to be taught by someone, so I really think it’s necessary to go to school and work right along with a designer who is already in the game. That way you get see what you’re about to get yourself into.

Would you mind discussing your Papillon Collection?
Well, the Papillon woman is bold, exotic, and independent. She feels confident, sexy, and sassy with an attitude. She is always on the go and is always the center of attention. Hmm..Spoiled, Conceited? She doesn’t think so. She is a rebel with her own unique style. And that’s what I keep in mind as I design for her.

As someone who grew up as the child of an immigrant, did you feel any pressure from your folks about your career choice?
Of course. [Laughter] Anyone who has Haitian parents knows that they do not believe in any other career except the medical and justice fields. I can remember when my mom was the one who was not for it and it took my aunt to be the one to convince—or should I say open her eyes to the world of fashion. And ever since she has been supporting me.

[Right: one of Richard Petit’s creations]

What materials do you mostly work with?
I’ve worked with a lot of different materials, but my favorite materials to work with is Lycra—which I use when I’m making anything that required stretch. For example, the nice fitted dress that most girls wear to the clubs—which I like to call the freakum dress—is made out of this material. Peau de Soie also known as classic satin is usually good for those elegant gowns for bridal or red carpet event. And also the common fabrics like chiffon, sequence, satin, and vinyl fabric.

Without a doubt, the Richard Petit of the present is much, much different from the person he was when he was just diving into the fashion world. Based on this, what counsel would you give to other up-and-coming designers?
Wow…um—well first and foremost be you—meaning be true to yourself and your designs aspect. You will find people that try to change the way you designs and what you design. Fashion is already something that repeats itself so being true to yourself helps you to take a spin on something that was already done and make it yours. Also don’t let anyone ever tell you can’t or it won’t work. If you strongly believe you can execute it, then go for it and hey if it doesn’t work out then continue to push until you make something greater than your first idea. And lastly, be open for criticism because it can only make you better. But then again, follow what you think is right—when it comes to designing.

For every person who’s running their own business, there’s sometimes this challenge in balancing the traditional demands of life and career. How do you handle it?
Well, that’s something I’m still learning. At times, it can get stressful and that’s when I would literally back off the fashion or if I’m working for a client, I usually tell them give me up to two to three weeks if they need something made; that way it gives me enough time to finish their garment. And like any other job, you take a vacation—same with me and fashion. My longest break once was six months of minor sewing and sketching. Within that period, you play catch up with friends and the outside social life, not saying you don’t have one, but it’s not everything you get to do when you’re working on a line and the business aspect of it. But the best part of that is when you get back to it, you always come out with a bang and people are shocked from not seeing you for a good minute.

The day in the life of a designer buzzes with activity. Give us a tour of a typical day in the life of Richard Petit.
This is a typical day: getting ready for a new line and there is a special ingredient into creating. Shhhh…Don’t tell anyone my secret; it’s just between me and you Kat—but it’s music. Music usually sets the tone of what’s next for me to design. And I listen to everything from oldies to what’s hot now and even my Haitian music and zouk and it just has the creative juice going. Next step is sketching, fabric shopping, pattern-making and my favorite—sitting down and sewing what you just did all those steps for.

What would you say has been the biggest obstacle in your journey as a designer?
I have no answer for this one. Obstacles come and go; it’s what you do to overcome them.

What’s in the works for your next collection?
To be honest, I’m not so sure. But whatever it is, it’s going to be big because I would like to celebrate me coming up and also I have a couple things in store for this year, so you guys watch out for me.

Is the fashion industry pretty much a dog eats dog world? Or is that just a myth?
Oh, it’s no myth; everything you hear about it is real and it only gets crazy as you advance on your journey to the top.

The right clothes can transform the “every day” woman to a fashion bomb. Women sometimes get makeovers and all, but they rarely maintain the change. What advice do you have for a woman who wants a change in the fashion area?
First, take it step by step. Don’t be afraid to try new silhouettes or colors and if you should feel forced then stop and go back to it when you are ready. Remember, clothes are not all that you are it just enhances your beauty.

Is there a moment in your career so far that you rate highest among all others?
Um, well to be honest I’ve had great moments in my fashion career so far, but I don’t think I have been rated highest among all my peers. But like I stated, I’ve had some great, great moments. [Laughter]

Do you have fashion crushes…other designers you find especially inspiring?
OMG. [Blushes] I have really admired Elie Saab. He is hot in fashion. He is the epitome of elegance and taste when it comes down to fashion. I also love Versace—the old Versace—and there will always be a place in my heart for his work.

What place does Haiti and Haitian culture play in your designs and in your career?
That is a hard question to answer because I’m not influenced by Haiti or by the culture. I might say maybe it’s from the colors I choose, but then I’m not afraid of color. I just tend to do what I feel like doing.

Life comes with lessons. What’s the biggest lesson you’ve learned?
I think that this quote from Forever 21 can best answer this question: “To live a creative life, we must lose our fear of being wrong.” And also what I live by my motto: “Do you”.

Photo Credit: Gold Piece photo M. Borrero

Maelle David! Remember that name, folks! Haiti’s Olympics team got cited as one of the Olympics Opening Ceremony’s Top 3 Best Dressed by a Yahoo style writer. Maelle Figaro David is the fashion designer behind the team’s much-discussed style.

Here are some things you should know about her.

1. Maelle David was born in Port-au-Prince Haiti and currently operates out of Petionville.

Above: Team Haiti at Rio, sporting the get-ups created by Maelle Figaro David. Photo Credit: AFP

2. The designer is a graduate of Centre D’etudes Secondaires, a school based in Haiti.

3. She previously dressed former beauty queen Anedie Azael for the Miss Haiti Universe pageant. David designed a traditional costume for the one-time-Miss-turned-entrepreneur.

4. David initially launched her company Maelle David Creations in the late 1990s, and celebrated her 17th year in the fashion design business this past February.

5. She designed a line of clothes for curvy women that she exhibited at Runway Haiti, Haiti Fashion Week, and Islands of the World Fashion Week.

We’re sure that having a spotlight on her for such a global event will bring this designer even more business and notoriety.
CLICK HERE TO SEE MORE OF THIS DESIGNER’S WORK!

CLICK HERE TO READ ABOUT OTHER FIGURES EMERGING OUT OF HAITI!

Marie-Valerie Placide’s line Bohiomania is literally taking the fashion world by storm. The line is less than three years old, and already it is creating a major buzz in Placide’s adopted home state New York.

Her pieces are practically out of this world, and reflect fashion in pre-Columbian times in Haiti.

Unlike most designers, Placide has a business background, having worked as a banker in Haiti before moving to the United States.

Were you a fashionista as a little girl?
In my early years, I was fascinated by secretaries and flight attendants right from the small screens. I was interested by their sophisticated outfits—yet so chic and so simple. As a Haitian girl, you were not allowed to be playing with your outfit. Your parents would dress you a way and want you to keep it clean and not to add any personal touch to it; otherwise you would be in trouble. However, the major fashion statements in my life happened when I got my hair shortly shaved at the age of 11. I grew up never having to worry about the hair hassle. I always found a way to dress up or down my short do. Even now when I try to grow it up and perm it for a change, I always go back to my beloved TWA. It was my fashion accessory back then—now my signature!

Is it Haiti’s old Arawak name from which you drew the name of your line Bohiomania?
Indeed, Haiti is not only those depressing images and facts that are being displayed over the internet, Haiti is also and most importantly that prosperous era when the Indian tribes lived freely, happy and carefree! That was the time when Haiti was so rich with gold in her riverbeds, when the Taino lived under a stable and well organized political structure. I want to revisit that era with their lifestyle, their fashion accessories. [I want to] bring it along to our contemporary life. I am highly interested by the Golden Flower, The Queen, The Great Anacaona! The Aboriginal Line is inspired by her name and her story. Bohiomania‘s colors are coffee, olive green and brick, those colors are relevant to me in a way that speaks deeply to my heart.

Do you remember the first piece of jewelry that you really, truly prized?
No, unfortunately. But I remember when I had sown by hand my first white tunic with red rickrack to attend one of the Chapiteau events at Place Boyer, in Petion-Ville Haiti. My mother wouldn’t let me go because I was way too young to be out late at night! But I did wear it the entire night for a family reunion.

What was Chapiteau about?
Chapiteau was a music event organized in Haiti in the 90’s under a huge tent where the major Haitian classic bands like Sweet Micky, Mizik Mizik, Magnum Band—and so on—would perform for the entire holiday season in December at Place Boyer, in Petion-Ville, Haiti. I dreamed of attending so much but as I can remember they only had a very few editions if not only one. When I got older, I attended other performances at Tara’s, Ritz, Parc de la Canne-a-Sucre at Tabarre and other clubs in Haiti. My favorite performances remain the Haiti Troubadou Project in 2000’s and the awesome Tabou/Zekle Festival in 2009. Those for me are timeless and I finally got over my Chapiteau disappointment!

What inspired you to start your jewelry line?
When I left for New York in January 2010, I missed the women from the [arts and crafts] project in Fond-des-Blancs I had been running for four years. I missed my family and my friends and, as controversial it may sound I was missing Haiti, my lifestyle and those creative activities I was taking part in every year. I wished every single day that I could go back! I still do. Bohiomania is inspired by the [powerlessness], the hard reality of making a choice and not being able to revert your decision for the sake of your family. It was a way to dry out the insecurities, homesickness tears of moving to a different country and trying to adapt the most you can; It was and still is my survival way to keep myself grounded. Bohiomania is my refuge, my home port and so much more and beyond. It is at last the result and expression of the creative and entrepreneurial sides of my personality.

You mention an arts and crafts project. How did you become involved with the artisan workshop?
In 2005. I had been approached for a new position in Fonds-des-Blancs, Haiti. I was working as a secretary with Healing Hands for Haiti (HHHA) at the moment. I had been told that I would get paid higher than my then actual salary and would hold the title of Director of the Women embroidery cooperative project with my own driver and the other privileges associated with the title. I was happy and excited, but of course my family, especially my mother wasn’t. I was at the height of my secretarial career and a single mother. It was a new adventure and the chance for me to perform at a higher level. I found the whole thing very challenging and decided at least to meet with the lady. I remember having my job interview at Hotel Oloffson, one of the very entertaining hotels in Haiti. The lady and I clicked instantly. I loved the fact that as an American woman she retired from nursing in the States, moved to Haiti and was devoting her time and money to empower the women from the small village; she loved my poise, my creativity and my motivation. It was a deal instantly! A week later, returning from my visit of the site, I signed my contract. I started right away after the holiday and they threw me a surprise party for my birthday on January 4 of the same year…since then our story began.

I directed the project from 2006 to 2010, overseeing all aspects from production, marketing, payroll, new orders from the states, reports, sale, fairs etc…The project was awesome with a wonderful management team and the women were fabulously creative, resilient and dedicated. They would go through the entire production process with no gimmicks. In fact, they loved their job. Not only because it was their main source of money but also because of the warm and friendly atmosphere at the workshop. I introduced them to the public at different fairs so they would no longer be the embroiderers but for them to see how their work was appreciated and valued. We went to fairs in Jacmel, Cap-Haitien and Femmes en Democratie and Artisanat en Fete Fairs editions. Sold the embroidered linen tablecloths, cotton nightgowns to fairs and boutiques. We were pretty active and the work was a total hit! Unfortunately I had to leave after the earthquake for family purposes. However our adventure continues. The ladies and I remain friends and we talk as often as possible. I am planning to go back to Haiti to open a workshop and I am willing to contract them for some specific projects in order for them to sustain their needs and to provide for their family. The project is still running to date with a different team but the ladies are still motivated and selling their work on site and online.

Now, in terms of the different pieces that make up the line, where do you mostly find the inspiration for them?
Victoria Beckham is my ultimate style icon! She is just clean! other than that I am the visual type. I read and follow the stars a lot. I love the gossips surrounding their lives, but I am most definitely scrutinizing their outfits and their styles. My inspirations come from the women from the reality shows, that little girl from a mountain carrying over her head a basket of fresh fruits, a picture from a bus. Inspiration for me comes from anywhere with everyone and pretty much everything. You just have to open your senses, be confident, audacious. It happens that in the middle of the night I wake up [and] realize that special idea just crossed my mind. Like I said, you have to be open to your senses and be able to catch that once in a lifetime idea and create it!

Is there a piece in the collection that’s especially popular with your clients?
The Aboriginal Line is very popular. Made out totally and–or—partly from turquoise, coral and magnetite they would outshine the other two lines—Classic and Funky. However the three lines are very different from one another and they each have their one fan base.

How would you describe your line Bohomania?
Unique, timeless and beautiful! When you own a Bohiomania piece, you not only own a story, but a versatile piece that can change the entire look of your outfit. It is sophisticated, simple and chic. On top of that we work hard to guarantee you never come across anyone with the same exact piece of jewelry!

You have a financial background. Has that helped you a great deal as an entrepreneur?
Yes. My entrepreneur mindset is inherited from my mother. She is a business woman who knows how to sum up four or more rows of decimal numbers over her head with no electronic help! I wish I could have her abilities, but I am from the lazy era, I go for the easy options: calculator, laptop etc. [Smiles] However, I inherited her strong personality and the willingness to start over and over again until I find the right way. It is a combination of professional and personal experiences. My secretarial and administrative backgrounds are also very useful in managing my office and keeping my papers update and well organized.

What should a person wanting to buy jewelry, but who’s on a limited budget, make priority, when starting their own personal jewelry collection?
Definitely the Aboriginal Line! Turquoise and coral can be dressed up and down if you know how to rock your style.

Some people have a thing for fashion entrepreneurship, but aren’t necessarily adept with the financial and entrepreneur part. What counsel do you have for such persons?
Find yourself a business-minded and educated family member and–or—friend to associate with. Your business and project can only benefit from their advice and professionalism. Or hire yourself a business adviser and a lawyer. I am luckily surrounded by highly educated family and friends I can relate to as mentors for guidance.

Do you see a full-blown expansion ahead?
Luckily yes! Bohiomania is evolving for the better. There are multiple projects and events in the pipeline. I just had a our Mother’s Day sale event and I am planning a major and interesting event for September, private sales and promotional tours in Haiti.

What’s next for your Bohiomania?
Finding funds to implement a cooperative in Haiti and hitting the major stores are the main focus now, but Bohiomania is also open to multiple ideas, is willing and will be venturing other paths.

You can learn more about the Bohiomania line by clicking here and by visiting the line’s Facebook Fan Page.

Fashion designer Dayanne Danier is known for her chic women’s fashion line Bien Abyé. But she’s always wanted to intersect it with philanthropic activities. Enter her non-profit organization Fleur De Vie, which when translated means Flower of Life. The organization’s name is very telling of its work in Haiti. It strives to help young women to dare to dream of bigger and better things.

Q & A

How did the idea for Fleur De Vie take shape?
The idea of Fleur De Vie came from a number of influential moments in my life. After watching Oprah’s first Christmas in Africa special, I was inspired to reach out to my own community in a similar way which led to first sponsoring a number of children in Haiti. Later, I felt that writing checks to an organization was not enough. I really wanted to get reconnected with Haiti directly. So I traveled to Haiti for the first time in 25 years in July of 2009. I had such a remarkable and emotional trip that all I wanted to do was schedule a return trip immediately. I didn’t realize that coming back would be that soon, but when the earthquake took place, it did not just crush Haiti, it crushed my heart. My aunt told me about the MEVA school and how they lost their building and the children were suffering emotionally. So Jenny Batista—the cofounder—and I decided we would go spend a week with the children. After spending a week and seeing how they had no dreams for their future, we knew at that point, we had to do something. I remember it like it was yesterday; I sat on the balcony of my uncle’s house and told him I wanted to start Fleur De Vie. Jenny was right there with me and said “and I want to help you.”

What are some of the must-hit goals that you have for the organization?
Some of the must hit goals are to promote sustainability, to be transparent to our donors, and to assist those who need help in a way that will effect positive change in their life.

In terms of the response you have gotten, what’s the general reaction towards Fleur De Vie?
Overall, the general response we have received has been very positive. Our donors are very happy that they are helping effect an individual’s life and that they can visually see that what we say we are going to do, we actual do. Our volunteers in Haiti are so happy that many of them ask when the next program is scheduled. They like the idea of being a part of something positive, they want change as well. The volunteers that come from the United States welcome the opportunity to not only volunteer on the ground in Haiti, but see a different side of the island and culture that is not often portrayed in the media. The recipients of our aid are extremely pleased because the types of projects allow their students to have a different experience in their life which they might not ever have.

You are also the mastermind behind your own fashion line Bien Abyé. Is it hard being an in-demand designer, and one who is so heavenly involved in philanthropy?
This is extremely hard. Time management is a must in such a situation. I have to admit, Bien Abyé took a slight back seat to Fleur De Vie in its first conception year. Planning an event internationally is not easy and I found myself traveling back to Haiti quite often, that I now can’t stress enough the need to build partners on the ground. At the same time, the theory of giving back is very important to me as an individual. It is something my parents taught me ever since I was young. My parents came to the United States because they wanted a better life for their future family. I have a strong passion about wanting to complete that circle and say thank you by giving back to the place that made my parents. I hope I can find diaspora who feel the same way and want to join Fleur De Vie on this mission.

Fleur De vie has a great many events and activities and projects to help it achieve its goals. Can you please discuss them?
Sure, in the past we have done so much, usually reaching out to children. The first project of the official organization was the Back To School Recreational Day event in September. This project was focused on preparing children for the upcoming school year while getting them excited about education. We took 500 children to a huge open field, thanks to Fabrice Rouzier who was open to us using Sun Auto, and had a day filled with fun activities, music, and food. We also incorporated a health awareness aspect with basic screening and dental care promotion. It was like an education party! The day ended with every child getting a new backpack which contained school supplies. The children and volunteers had such a good time. We can’t wait to do it again this year. December of last year, we returned in collaboration with the Consul General of Haiti New York office and did a True Noel Day. Again, we reached out to 500 children from 5 different schools/organizations and spent a day at each organization doing arts and crafts activities, sang Christmas carols, and gave them each a gift from Santa. That week really made the holidays something special to these children and to the team.

The focus of Fleur De Vie is to promote positive change mostly through educating communities on all topics that can help improve their lives. At the same time, when you see a child’s face light up just because we made them feel special from a small activity, all the hard work to make these programs happen are so worth it. For [this year], we have repeat activities planned and some new ones as well. Overall, we try to do better and better each year to promote positive change. So that just means the projects will get better and better each year!

What would you say is the organization’s greatest need, or needs rather?
There are two greatest needs of the organization and the most important, is volunteers! The reason I say that is because of the strong need for positive reinforcement in the lives of the people. As you see, our numbers are not small and we want it to only grow bigger as far as people we connect with. But we can’t do it by ourselves. The more people willing to travel with us will create a bigger impact in Haiti. It is all about numbers working together for a greater cause.

Also, of course, donations. One of the things we try to do the most is buy supplies on the ground in Haiti. It helps support the local economy and also cuts cost on shipping. The schools and organizations we work with are really in dire need of help. I will never forget the time I went to visit one of our schools, the conditions of the benches literally brought me to tears. I was so embarrassed talking to the principal with tears coming down my eyes, at the same time I could not believe the conditions these children where learning in. It just broke my heart. And just when I thought it was an isolated issue, we returned in December to go to one school in Mirebalais where the benches were no wider than seven inches and the material was just untreated, rotten wood. These images drive me insane and I wish we could do more. When these schools say, “Thank you so much” for just a backpack or arts and crafts activities, I feel so sad because to me, I wish we could do more. One day, I hope Fleur De Vie receives enough funding to cover the back to school activities and the hardware needs for some of these schools. If we want to effect positive change, we first have to change the way the population learns in their foundation years and that means helping schools with children.

Volunteers are without a doubt huge contributors to the organization.
Oh yes, of course! We like to have volunteers for a number of reasons. Number one, it promotes transparency. With so much bad press surrounding where funding to Haiti goes, it is very important to have volunteers see the proof in our work and the size of our projects. It is also a great way to connect the world to Haiti. We like to promote both Haitian diaspora and non-Haitian people to join us because we want the world to see a different face of Haiti. Many people are interested in going to Haiti, but they hesitate to travel on their own. This way, they travel in a group, get to see numerous sides of the culture, and reach out to the Haitian community directly. We also love to get the volunteers who are on the ground in Haiti. They are so eager to help their country in a positive way, that they are usually the first people to contact us and say, “What is next for Fleur De Vie?” There is a positive energy over Haiti. People just need to get on the right path and work together for the change that is needed. With the right volunteers, this can all happen.

What are your future plans to add more buds to Fleur De Vie?
I love this question! It can be viewed in so many different ways. I will first say the buds can be compared to the different project. So for [this year], we are adding a few new projects to our list which are very important. One is donating Reading Centers to school. Many of the schools in Haiti don’t have a library or books for children to read for pleasure. And with literacy rates so low, Fleur De Vie will like to promote reading by donating a center directly to school. Also, we are brainstorming on a “Tools of The Trade” classes for young adults because education is important at all levels. So any knowledge we can give to the community that can help better someone’s life is important. I am also trying to come up with a program that does outreach to young adult women. The lack of role models that show the young girls to “use your brain not your body” drives me bananas and I would really like to do an event geared to young woman. I haven’t come up with anything yet, and this is news to my board as we speak. [Laughter] But it is so needed and I will not rest until I come up with something.

The artist in me comes up with some really creative programs so hopefully whatever it is will make an impact. I am very fortunate to have a strong board of individuals who share the same drive as me and who is usually in agreement to my crazy ideas. For that, I am truly blessed!
The other way to refer to the “buds” is through volunteers. And for that we are always open to accepting new volunteers to join us on our trips to Haiti.

You can check out the Fleur De Vie website HERE to see how you can help with its initiatives.

Jean-Yves Marchand’s greatest fashion influence is his grandmother. Growing up in Port-au-Prince, the Haiti-based fashion designer, used to watch his grandmother concoct all sorts of intricate designs for her clients. It’s around this time that young little Marchand started to develop an eye for all things high fashion. He discovered the world of fashion magazines. He even started to etch his own sketches of fashion designs.

Later, Marchand contends, he made the acquaintances of several key heads in Haiti’s fashion community, including fellow fashion designers, models, modeling coaches who acknowledged his talent and gave him the confidence and determination to make a name for himself.

In the mid-2000s, Marchand says he joined Habimode, a couture firm based in Petionville. Within a few months of coming on board, he was promoted as the chief designer of the line, and created hip and chic pieces for the collection.

Today the designer has his own line of accessories and clothing—the Jean-Yves Marchand Collection. He still remembers the day when he introduced the line to his friends, colleagues alongside the public. “There was so much emotion,” he recalls, “and everything comes out amazingly perfect. I even had tears.”

One of Marchand’s goals is to get his line in other countries, and establish a few lone-standing boutiques; another is to push the line further on the international fashion market, and create more fans for the Jean-Yves Marchand Collection.

What inspires your designs?
I’m inspired by many things; it could be in the street, nature. It could be a personal feeling, a dramatic situation. I usually design what I have in mind, trying to make it wearable. I always want to bring unique and original designs.

How involved are you when you have a fashion show?
Well, I usually plan my fashion shows [unless it’s Haiti] Fashion Week. They usually [do] their own planning. You just bring your clothes…[So] yes, I do plan all my fashion shows: the place, the decor, the DJ. I usually want everything to be perfect—so I make sure I have an eye on what’s going on.

Do you choose your own models?
Yes, I definitely have to choose my own models because they are the ones who will sell out the clothes. I usually set up a casting call to choose the better ones. My preference goes to tall models with attitude and good face expression—who can really walk the runway.

What’s the fashion world like in Haiti?
Well, I think—in Haiti—the fashion world is growing year after year. We are a few designers who are really talented and have made the media here and overseas. There is a designers association [that launched] years ago, but [we] only [got] our first fashion week [off the ground] last year, which was a success in the international media. I definitely think we “Haitians” need to support our own creations, [and] support new and young talented designers. Be more involved in what’s happening in our country and take the Haitian fashion world to another level.

What advice do you have for those who want to make their mark in fashion?
I’d tell them to stay focused, to follow their dreams, and never give up—even when they really feel like there is no open door. Keep the faith.

When you think back to your childhood, who was the most stylish person you knew?
Well, my grandma was a stylish woman. [She was] always looking good, [and was] well-dressed. I think all the women in my family have style.

Now think of the sloppiest, and frumpiest person you knew. Looking back now, and knowing what you know now, what would you have done to help that person?
I don’t exactly remember ever knowing such a person in my childhood, but there are a few present-day people whose style I would love to upgrade. I’ve been thinking of putting on a show on TV where I could change people’s style. It would be a total makeover, from changing hairstyle, color, fashion taste, nutrition. [Show participants] how to walk, to style and [have] attitude and, of course, [apply] makeup.

What’s the most rewarding thing about being in the fashion industry?
I think for a designer having everyone wearing your clothes and liking you style is a great reward. Also, the financial aspects [too], if you are a successful designer and sell a lot. I think the other side is to be respected and [be] known for your career and the work you have done in this industry.

Jean-Yves Marchand takes a bow at Haiti Fashion Week, flanked by a model wearing one of his designs

What do your parents think of you being a designer?
I think they were scared [because of the] the financial aspect, because in Haiti fashion did not always mean a lot like [it does] today. And parents do care for [the future of] their kids. But, it was my choice and no one could have stopped me. My parents are proud of my work, and I’m so happy about it.

What is your greatest source of pride?
I appreciate the respect and the confidence people have for you when you are known in the fashion industry as a great designer. And also the ability to make people happy and have a better image of themselves by wearing your clothes. A happy client is a sign of success received for the work I’ve done.

[Photos provided by subject.]

Be sure to check out the fashion designer Jean-Yves Marchand on Facebook HERE.

Hadascha Brutus always dreamed of becoming an attorney. But even as a little girl, she was smitten by fashion. She loved dressing up her Barbie dolls. She would scribble little fashion doodles on her homework—a special touch her teachers didn’t find too amusing.

For practically every special project assignment she had in school, she always found a way to incorporate fashion here and there—somehow! And when she was dressing for school, she got supercreative with pieces. Somehow, fashion had made it into the innermost coils of her DNA, without her realizing it.

Now, the Massachusetts-born fashion diva is the mistress of ceremonies behind her own fashion line, aptly called Hadascha. From Las Vegas Fashion Week to Miami Fashion Week, Hadascha’s presence is impossible to overlook. The pieces are flashy, without being overly flamboyant. They are made for the fashionable girl, who loves to stand out and appear to be at the height of sophistication.

Right: Fashion designer Hadascha Brutus wearing her own designs.

Growing up, did you feel comfortable with a name like Hadascha, which is by no means common.
I was picked on for my name, when I was younger. But as I grew older, I saw a positive reaction to my name in high school, college, and work. I love how my name starts a conversation, but by high school I loved my name. It was different.

But I bet you are grateful that you didn’t have to go too far for a name for your collection. Did you think of other possibilities or was Hadascha the one and only possibility.
I did play on the idea of a different name, besides my birth name. The funny thing is, people already think I made up my name “Hadascha” for my brand. So I am happy that my family picked out a name for me that is strange yet timeless for a name of a brand, as if they knew what career path I was about to get into.

You obviously design with your fans in mind. Where else do you find inspirations for your design?
Every collection has a fictional story behind it—either a love story or an empowering story. I don’t know how not to design without my consumers in mind. Every collection is personal; my collection is a gift from me to my future clientele. I want the women to look sexy and classy on vacation—to have fun in a Hadascha garment. I look at iconic ladies that look amazing whether on stage, in a movie, in a music video, or a type of a lady a song describes. I write a story around that and place her in beautiful countries around the world. From there, I want a clientele to make that story her own story and experience.

Is there a piece in your collection that you think of as your favorite?
Everything I design is something I would want to wear: the best fabric, and a gorgeous silhouette. I need to love it, feel it, and make it fabulous for anyone’s closet and luggage. I can’t say that I have one favorite. I love them all—or else you wouldn’t create it.

Who was the best dressed person you knew when you were little?
My mother and her sisters have impeccable taste—then and now. My mother wears whatever looks good for her body type and color; it’s not about what is trend, it’s about what looks good on her. For her and her sisters it’s about style; they could care less about labels. It just so happens they love quality, so their style is a bit expensive, but at a great price. I steal my mother’s clothing that she still has from the 1980s. I mean great quality. She buys timeless pieces. You would never know the era—and all you know is that it looks great.

Do you consider the 1980s as the best fashion decade ever?
I consider the 1960s the best fashion era: fun and flirtatious.

[Left] Fashion Designer Hadascha Brutus poses to the right of Krista White, one of her models at Las Vegas Fashion Week.

What’s the one color you can’t function without?
Well, it’s not a color; it’s a print. I can’t live without animal print. I love all colors that look good on me, but I love gold, white and black.

Between shows, fittings, material selection, and coordinating photo shoots, is it hard to find time for yourself?
I have fun with what I do, though it is very hard and a struggle—but it’s beautiful. I have time for myself on Sabbath morning at church—praising God and every day with my devotions. I’m always with my family; there is no need for reality TV; there’s always excitement in my household. If I travel, it’s for a reason and I try my best to sneak away and take pictures of my surroundings that inspire me for a collection. So, work is always on my mind.

How should aspiring fashion designers prepare themselves for a career in the field?
In the words of my grandfather, “Persevere, persevere, and when you want to give up, persevere”. Prepare mentally and emotionally for a beautiful struggling roller coaster. But it’s your ride. So, through the tears, enjoy it and be thankful for whatever support you have around you.

Is the fashion industry really the way it is portrayed in the movies and on TV shows?
It depends. Everyone sees a fabulous fashion show, but backstage is crazy. Movies and television show a beautiful side of fashion, which is true, but for designers it’s very hard work and [it] takes most of your time.

Have your parents given you their stamp of approval?
I’m so thankful to have Haitian parents who want to see me succeed—[who] want to see my dreams and hard work pay off. I wouldn’t be where I am today if they didn’t allow me to think, dream and do. For them, as long as they see action, I can be anything and do anything I want to do as long as I work hard.

When was the last time you went to Haiti?
The last time I went to Haiti was in 2010. It was beautiful and magical. I wish they showed more of those parts on television. Haiti is beautiful with beautiful people. I’m so proud to be a Haitian woman.

What qualities do you think are a must for a fashion designer to have?
Ambition, drive, passion, focus, and Love for what they do. Everything else falls in line.

Hadascha is popping. Where do you hope to take the brand in the future?
I hope to take the brand Hadascha internationally, and place my garments in luxurious resorts, cruises, yachts and boutiques; we’ll see what God has in store.

[Vegas Fashion Week photos by Andrew Kirshner of Las Vegas Pro; others courtesy of Hadasha]

And see what’s in store for the moment by visiting Hadascha here and connect with the line on FACEBOOK.

In Kreyolicious.com’s continuous attempt to get to know Haiti a little bit better, the site is also attempting to present you, oh, beloved Kreyolicious.com readers with talents straight out of Haiti. Today’s person of interest is Patrice Esperant, a business school student, who has started a clothing line in Port-au-Prince.

Kreyolicious.com: Tell us about yourself.

I’m Creator/CEO/Designer of the new Haitian clothing line Nègre Marron X Culture. I’m 19 years old. I’m studying Business Management at Université Quisqueya, in Haiti. It’s my first year. I always wanted to be an entrepreneur like my parents and that’s what I am right now. I also love art, street fashion and Haiti’s cultural heritage and its subcultures.

Kreyolicious.com: What especially motivated you to start your own clothing line?

I came up with the idea to create a clothing line mostly inspired by Haiti’s culture! In the US, streetwear brands are really popular and they are the true expression of a certain culture or a certain cultural tendency. Most of streetwear clothing line based in the US were inspired by the skateboarding, surfing, hip hop, graffiti. Boom! Haiti is a country with a rich cultural heritage but it’s not well exploited! So I thought that starting a clothing line with such inspiration would be a great idea!

Kreyolicious.com: Anything in particular that sparked the name?

The expression “Nègre Marron” is meaningful in Haiti’s history. It was used to describe the situation of a [black] slave who flees to the mountains because he or she had enough of cruel slavery. I decided to name my brand Nègre Marron because I wanted to share the philosophy that emerges from it. We all are descendants of these brave Negroes. For me being a Nègre Marron means that you literally and mentally broke your chains—that you have chosen to be different, authentic, unique , courageous and brave. It also means to me that despite all the tribulations, problems and misery, you’ve chosen to be hopeful. You’ve dared to dream and you’ve realized that dream. That’s all you wear when you wear Nègre Marron’s clothing. I want to share that philosophy and mentality trough my brand.

Kreyolicious.com: Take Kreyolicious.com readers in the back room where all the action is! What’s it like running your fashion brand?

It’s really stressful. There is a lot of handwork to do! Since I’m the CEO and also the designer, I have to make sure that everything is done properly, every single details! I have to explain the work to our personal [seamstress]. I have to do the same with the artists that works with us. I have to get the gears to the local print shop and boost them guys so they can give me the works on time. I also have to make the labels, the tags and hangtags—they are very important to a brand’s marketing. I also have to ensure the marketing in all its forms—product, pricing, place and promotion. I also have to get them to the store where they must be sold to the customers. I have to sketch regularly and find originals ideas, put every little ideas on paper. I read a lot about entrepreneurship, fashion and culture because I need it all to well manage my business. I must say, running my own fashion brand is a lot of hard work, but since I’m really passionate about it, it’s fun and I love it.

Kreyolicious.com: What does it take to be a fashion entrepreneur?

As a fashion entrepreneur, you should be passionate about your work, you have to put yourself out there, have faith, perseverance, patience…, you have to be creative and innovative, therefore you must be very curious. You must be a dreamer and always imagine the unimaginable. Sometimes you have to listen to people, sometimes you don’t.

Fashion is a really competitive industry, so you have to be unique! As an entrepreneur you also have to know your numbers, understand the rates, the fees, the costs, the taxes, and make sure you are making enough money to keep your business on track. Also you must show your product in the best light, find great models, great photographers, great scenery for your products. It’s important to be informed, to read about fashion trends and tendencies regularly. You must give your customers an amazing experience based on product quality excellence and product accessibility. It’s also great to build a strong network with useful contacts and relationships, that can open many doors for you. Finally, the most important thing, you have to believe in your self while being open to constructive criticism. I quote one of my favorite quotes from Steve Jobs, “your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work, and the only way to do great work is to love what you do. If you haven’t found it yet, keep looking, don’t settle—as with all matters of the heart, you’ll know when you find it.”

Kreyolicious.com: Some wise words. Following your dreams and pursuing your passion cannot possibly be easy all the time. How do you stay motivated?

I often listen to Eminem [laughter], and…I always say that I have nothing to lose, and it works.

Kreyolicious.com: Any advice for those out there who’d like to become fashion designers?

Dare to dream. Sketch your dream on paper or whatever it is. Make a plan. Believe in yourself; realize your dream—put that process on repeat, and always smile. Thank you for the Opportunity to talk about my brand. I really love and appreciate what you’re doing for our culture. See you soon!

Connect with the designer on Twitter | Check out the Negre Marron X Culture website on Tumblr | Visit the designer’s Facebook Page | Check the designer and his work on Instagram |

[ Photos: Provided by Patrice Esperant; sidelong photo credit—Jonathan Dave Photography ]

To check out other profiles in the Haiti’s Got Talent/Straight Outta Haiti, Baby Series, please CLICK HERE.