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5 Questions With Hip Hop Lyricist and Rapper Skank Dollar

Skank Dollar is a survivor, however you’d like to interpret the word. He’s the Brooklyn native who raps about the life that he’s known. One of his career-defining collections Live from Da Trap, gives personal-diary-like details of life as he sees it. Prior to that work, he put out The New York Times Tape 1, a concept mix tape with each song symbolizing the figurative headlines from Brooklyn’s lyrical yet tough streets.

rapper Skank Dollar

Kreyolicious: How did you get the name Skank Dollar?
I got the name Skank from my older brother…a Flatbush Brooklyn street hustler who was given the name after he escaped a police custody situation. He stole from a female officer he slept with. One of the guys from the neighborhood caught wind of his local acts, and deemed him Skank for his influence on young women from around the neighborhood. He later added the Dollar part in hopes of creating a music persona after surviving a massive trailer accident on the the corner of Ocean Avenue in Brooklyn, New York.

Kreyolicious: Did hip-hop choose you or did you choose hip-hop?
Skank Dollar: Since his passing, I’ve actually chosen hip-hop as a way to deal with my own personal grief. Being an “early adult”, I wasn’t familiar with death of a loved one before this…I actually lost school friends in the area, but never lost someone so close to me. So, I was moved down South by my family due to poor school grades from my Brooklyn neighborhood. And engulfed in the lifestyle, my family tried to prevent me from. The news of his passing was sent to me and my older brother. The hip-hop aspect came beforehand after picking up frivolous drug-dealing aspects and skills from local notorious thugs in the South Florida area. It was like a pastime. After hustling, I thought myself remembering how much he wanted to be a rapper instead. So once I acquired the gift, I began to pass it on to my fellow streets hustlers who had long taken me in as if I was a runaway stray…And I felt like one too…At the time I was forced to go into this new area by him at the time due to his numerous exploits in the neighborhood we where from. So the rapping came naturally. My new friends were excited that I was from New York and expected me to be a good rapper…So, me being inexperienced, it was a perfect place to practice after my hustling duties…[Laughter] I was deemed the rapper out of my group because I was from new York. Cliché…I also had to open the minds of my friends to Northern hip-hop and vice versa…That has had an effect on my style of rap personally. So when I do hip-hop today, knowing I have influenced many in my travels, I keep the Southern style in my heart. Knowing my siblings had a more boom-bap style, he would’ve surely used before his soul was called home.
rapper Skank Dollar of Brooklyn
Kreyolicious: When you’re creating, what’s the process like from start to finish?
Skank Dollar: Honestly…it comes kinda natural…it’s random. I tend to find female partners first. sometimes I Freestyle songs over my live feeds today in time but when I was younger in the early and mid-2000’s I had less resources. I’ve since adjusted my style of rap and formed a conscious trap style of rap with is sort of an explanation in a sense… like I mixed the North and the South as much as I could. So sometimes I’d sound like I’m from the North, but spoke like I was from the South, or I’d sound like I’m from the South, but spoke like I was from the North or Midwest.

Kreyolicious: Which rappers have had the most profound influence on you?
Skank Dollar: I’ve pretty much today met all of my influences aside from a handful of artist like Jay Z, Mobb Deep, Trick Daddy, The Wu-Tang Clan, Dr Dre, Ice Cube, Wyclef Jean, LL Cool J, Rakim, Big Daddy Kane, and Sean Combs. But I’ve come across many and some I didn’t take photographs with or met this decade. My social networks tell a different story today. But it has been a long time coming and very difficult. I’m talking about from Ludacris to Tip Harris in from the mid to late 2010s. Too many to count and I’m still in the streets.

rapper Skank Dollar New York
Photo Credit: Dominik Kublan

Kreyolicious: You ever been to Haiti, dawg?
Skank Dollar: Nah. I ain’t have never been to Haiti. Unfortunately, but I do plan on visiting very very soon. As a young teen, I had a spoiled friend who visited Haiti with his family members. Unfortunately he had nothing but bad things to say about it being a spoiled American. In my adulthood, my mother took the time to inform me of my extensive background. So, I’m still learning about myself as I build my image and name.

Kreyolicious: Do you think there will be a time when hip hop won’t matter?
Skank Dollar: No. I believe hip-hop music as a music form will be preserved for decades and generations to come…It will be around for a long time…and as a young boy from Brooklyn I’ve long begun my quest to leave my stamp.

CLICK HERE to visit Skank Dollar’s website | SKANK DOLLAR ON YOUTUBE | INSTAGRAM

K St. Fort
K St. Fort
ABOUT K. St Fort K. St. Fort is the Editor and Founder of, well, Kreyolicious.com and wishes to give you a heartfelt welcome to her site. She loves to read, write, and listen to music and is fascinated by her Haitian roots, and all aspects of her culture. Speaking of music, she likes it loud, really, really loud. Like bicuspid valve raising-loud. Her other love are the movies. She was once a Top 50 finalist for a student screenwriting competition, encouraging her to continue pounding the pavement. She has completed several screenplays, with Haiti as the backdrop, one of which tackles sexual abuse in an upper middle class Haitian family, while another has child slavery as its subject. She is currently completing another script, this time a thriller, about two sisters who reunite after nearly 10 years of separation. A strong believer in using films to further educational purposes, and to raise awareness about important subjects, she has made it a point to write about social issues facing Haiti, and making them an integral part of her projects. She has interviewed such Haitian-American celebrities as Roxane Gay, Garcelle Beauvais, Jimmy Jean-Louis, Briana Roy, Karen Civil, and many, many more. And that’s her writing this whole biographical sketch. She actually thinks writing about herself in the third person is cute. MY WEBSITE Kreyolicious ™: kree-ohl-lish-uh s: Surely an adjective…the state of being young, gorgeous, fine and utterly Haitian. Kreyolicious.com™, the hub for young, upwardly mobile Haitian-Americans, is akin to a 18th Century cultural salon but with a Millennium sensibility–an inviting lair, where we can discuss literature, music, problems facing the community, and everything on the side and in-between. Kreyolicious is the premier lifestyle, culture and entertainment blog and brand of the hip, young, trend-oriented, forward thinking Haitian-American. It’s the definite hot spot to learn more about Haiti our emerging identity as a people, and explore our pride and passion about our unique and vibrant culture. Within the site’s pages, Kreyolicious.com is going to engage you, empower you, and deepen your connection to everything Haitian: the issues, the culture, our cinema, the history, our cuisine, the style, the music, the worldwide community. Make yourself at home in my cultural salon. If you’re looking to learn more about Haiti, Kreyolicious.com invites you to board this trolley on a journey–on our journey. For me too, it is a process, a non-ending cultural odyssey. If you’re already acculturated, I can certainly learn something from you. We can learn from one other, for certain. With my site, Kreyolicious.com I look forward to inspiring you, to enriching you, and to participating alongside of you, in the cultural celebration. And being utterly kreyolicious. How do you wear your kreyoliciousness? On your sleeves, like I do? Kreyoliciously Yours, Your girl K. St. Fort, Ahem, follow me elsewhere!

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